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| Genre/Form: | Electronic books Criticism, interpretation, etc |
|---|---|
| Additional Physical Format: | Print version: Burns, Lori A. Bloomsbury Handbook of Popular Music Video Analysis. New York : Bloomsbury Academic & Professional, ©2019 |
| Material Type: | Document, Internet resource |
| Document Type: | Internet Resource, Computer File |
| All Authors / Contributors: |
Lori A Burns; Stan Hawkins |
| ISBN: | 1501342355 9781501342356 |
| OCLC Number: | 1111982131 |
| Description: | 1 online resource (xvi, 445 pages) : illustrations |
| Contents: | Cover; Contents; Figures; Tables; Examples; Contributors; Acknowledgments; Introduction: Undertaking Music Video Analysis Lori Burns and Stan Hawkins; Part I Authorship, Production, and Distribution; 1 Changing Dynamics and Diversity in Music Video Production and Distribution Mathias Bonde Korsgaard; 2 Low-Budget Audiovisual Aesthetics in Indie Music Video and Feature Filmmaking: The Works of Steve Hanft and Danny Perez Jamie Sexton; 3 The Animated Music Videos of Radiohead, Chris Hopewell, and Gastón Viñas: Fan Participation, Collaborative Authorship, and Dialogic Worldbuilding Lisa Perrott 4 From Music Video Analysis to Practice: A Research-Creation Perspective on Music Videos John RichardsonPart II Cultural Codes, Representations, and Genres; 5 Framing Personae in Music Videos Philip Auslander; 6 Hullabaloo: Rocking the Variety Show in the Mid-1960s Norma Coates; 7 Détournement and the Moving Image: The Politics of Representation in an Early British Punk Music Video Karen Fournier; 8 Post-Digital Music Video and Genre: Indie Rock, Nostalgia, Digitization, and Technological Materiality Robert Strachan; 9 Katy Perry's "Wide Awake": The Lyric Video as Genre Laura McLaren Part III Mediations: Multimodality/Intermediality/ Transmediality10 Dynamic Multimodality in Extreme Metal Performance Video: Dark Tranquillity's "Uniformity," Directed by Patric Ullaeus Lori Burns; 11 Tying It All Together: Music Video and Transmedia Practice in Popular Music Christofer Jost; 12 The Palimpsestic Pop Music Video: Intermediality and Hypermedia Jem Kelly; 13 "How Does a Story Get Told from Fractured Bits?" Laurie Anderson's Transformative Repetition John McGrath; Part IV Aesthetics: Space/Place/Time/Senses 14 How to Analyze Music Videos: Beyoncé's and Melina Matsoukas's "Pretty Hurts" Carol Vernallis15 Rural-Urban Imagery in Country Music Videos: Identity, Space, and Place Jada Watson; 16 "More Solemn Than a Fading Star": David Bowie's Modernist Aesthetics of Ending Tiffany Naiman; Part V Subjectivities and Discourses: Gender, Sexuality, Race, and Religion; 17 Justin Timberlake's "Man of the Woods": Lumbersexuality, Nature, and Larking Around Stan Hawkins and Tore Størvold 18 Gangsta Crisis, Catharsis, and Conversion: Coming to God in Hip-Hop Video Narratives Alyssa Woods and Robert Michael Edwards19 Nicki Minaj's "Anaconda": Intersectional Feminist Fat Studies, Sexuality, and Embodiment Anna-Elena Pääkkölä; 20 Going Too Far: Representations of Violence against Men in Pink's "Please Don't Leave Me" Marc Lafrance; Bibliography; Index |
| Series Title: | Bloomsbury Handbooks Ser. |
Abstract:
Reviews
Publisher Synopsis
Skillfully curated by Lori Burns and Stan Hawkins, this Handbook engages with a wide range of music video, from punk, indie rock, pop, country, R&B, and hip-hop to more experimental practices. The authors use multimodal analysis and the theories of hypermedia and transmedia to ensure cutting-edge analysis, while innovative readings based on gender, race, and religion help situate music video within its wider cultural, social, and political contexts. From big-budget productions to low-fi work and animation, this Handbook marks an exciting new turn for the study of Music Video. * Holly Rogers, Reader in Music, Goldsmiths, University of London, UK, and author of Sounding the Gallery: Video and the Rise of Art Music (2013) * The Bloomsbury Handbook of Popular Music Video Analysis is an exciting collection of scholarship by both internationally renowned and up-and-coming scholars working at the cutting edge of music video studies. The essays here approach music video from a range of theoretical and aesthetic perspectives--from country to extreme metal, from the 1960s variety show to post-digital video, from Justin Timberlake to Laurie Anderson, from fat studies to religious studies: together these essays represent a stimulating and valuable addition to the field. * Freya Jarman, Reader in Music, University of Liverpool, UK, and author of Queer Voices: Technologies, Vocalities and the Musical Flaw (2011) * Read more...
