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The body, the dance and the text : essays on performance and the margins of history

Author: Brynn Wein Shiovitz
Publisher: Jefferson, North Carolina : McFarland and Company, Inc., [2019]
Edition/Format:   eBook : Document : EnglishView all editions and formats
Summary:

Explores the many ways in which writing relates to corporeality and how the two work together to create, resist or mark the body of the "Other." Contributors draw on their varied backgrounds to  Read more...

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Genre/Form: Electronic books
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Brynn Wein Shiovitz
ISBN: 9781476634852 1476634858
OCLC Number: 1084251621
Description: 1 online resource (viii, 268 pages : illustrations (black and white)
Contents: Cover; Acknowledgments; Table of Contents; Introduction: Writing the Body, Staging the Other (Brynn Wein Shiovitz); Mouth Over Matter: Writing Early Tap Dance in the Margins of the Black Body Brynn (Wein Shiovitz); Spain in the Basement: Dancing Race and Nation at the Paris Exposition, 1900 (Kiko Mora and K. Meira Goldberg); White Dreadlocks: Black Aesthetics in the Work of Louise Lecavalier and La La La Human Steps (MJ Thompson); Flowers of Menace: Stephen Petronio's Rites of Spring (Constance Valis Hill) Othering the Religious Right: Ameritude, Whiteness and the USA Freedom Kids (Michelle T. Summers)Escape Routes and Roots: Rewriting the Narrative of the Vulgar Body (A'Keitha Carey); Lo Que Queda/That Which Remains: Dancing Bodies, Historical Erasure and Cultural Transmission (Michelle Heffner Hayes); Screaming Soundscapes: The Sounds of Puerto Rican Contemporary Performance in the Work of Teresa Hernández and Ivette Román (Lydia Platón Lázaro); Always Already: The Jewish Body as Victim and Victimizer (Rebecca K. Pappas) Israel Galván's Aesthetic Anarchism: An Ethics Instantiated in Motion (Ninotchka D. Bennahum)Brown and Black: Performing Transmission in Trisha Brown's Locus and Hosoe Eikoh and Hijikata Tatsumi's Kamaitachi (Michael Sakamoto and Christopher-Rasheem McMillan); The Bustle, the Body and Stillness: Re- Centering Modernities through the Broadway Musical (Gwyneth Shanks); Gradations of Presence: Armida in Nineteenth-Century Italian Dance Librettos (Melissa Melpignano); Choreogrammatics: About the Cover of This Book (Linda Carreiro); About the Contributors; Index
Responsibility: edited by Brynn Wein Shiovitz.

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