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Books in motion : adaptation, intertextuality, authorship

Author: Mireia Aragay
Publisher: Amsterdam ; New York : Rodopi, 2005.
Series: Contemporary cinema, 2.
Edition/Format:   eBook : Document : EnglishView all editions and formats
Summary:
Books in Motion addresses the hybrid, interstitial field of film adaptation. The introductory essay integrates a retrospective survey of the development of adaptation studies with a forceful argument about their centrality to any history of culture--any discussion, that is, of the transformation and transmission of texts and meanings in and across cultures. The thirteen especially composed essays that follow,  Read more...
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Genre/Form: Electronic books
Film adaptations
Additional Physical Format: Print version:
Books in motion.
Amsterdam ; New York : Rodopi, 2005
(OCoLC)64698164
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Mireia Aragay
ISBN: 1423790820 9781423790822 9042019573 9789042019577 9789401202756 9401202753
OCLC Number: 70852589
Description: 1 online resource (289 pages) : illustrations.
Contents: List of Illustrations; Acknowledgements; Introduction; Paradoxes of Fidelity; Authors, Auteurs, Adaptation; Contexts, Intertexts, Adaptation; Beyond Adaptation; Notes on Contributors.
Series Title: Contemporary cinema, 2.
Responsibility: edited by Mireia Aragay.

Abstract:

Books in Motion addresses the hybrid, interstitial field of film adaptation. The introductory essay integrates a retrospective survey of the development of adaptation studies with a forceful argument about their centrality to any history of culture--any discussion, that is, of the transformation and transmission of texts and meanings in and across cultures. The thirteen especially composed essays that follow, organised into four sections headed 'Paradoxes of Fidelity', 'Authors, Auteurs, Adaptation', 'Contexts, Intertexts, Adaptation' and 'Beyond Adaptation', variously illustrate that claim by.

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The introductory essay integrates a retrospective survey of the development of adaptation studies with a forceful argument about their centrality to any history of culture--any discussion, that is, of the transformation and transmission of texts and meanings in and across cultures. 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<http:\/\/id.worldcat.org\/fast\/923709<\/a>> # Fiction<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Fiction<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/id.worldcat.org\/fast\/924250<\/a>> # Film adaptations<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Film adaptations<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
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Content-negotiable representations<\/p>\n