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Brazil, lyric, and the Americas

Author: Charles A Perrone
Publisher: Gainesville : University Press of Florida, [Place of publication not identified] : Univ pr of florida, [2017] 2017. ©2010
Edition/Format:   eBook : Document : EnglishView all editions and formats
Summary:
Charles Perrone explores how recent Brazilian lyric engages with its counterparts throughout the Western Hemisphere in an increasingly globalized world. This pioneering, tour-de-force study focuses on the years from 1985 to the present and examines poetic output - from song and visual poetry to discursive verse - across a range of media.
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Genre/Form: Electronic books
Criticism, interpretation, etc
Material Type: Document
Document Type: Book, Computer File
All Authors / Contributors: Charles A Perrone
ISBN: 9780813054896 0813054893
OCLC Number: 1097088732
Notes: Originally published: 2010.
Description: 1 online resource (xvi, 250 pages) : illustrations (black and white)
Contents: Machine generated contents note: 1. Insular Outreach, Moveable Outlook: Transamerican Currents in Brazilian Lyric --
2. Allusive, Elusive: Brazilian Reflections of/on USAmerican Literature --
3. Inter Arts Inter Alia: Film, Popular Music, and Media Lore in the Poetic Imagination --
4. Three Centuries, Three Americas: Epical Fellowships and Hemispheric Imperatives --
5. Banda Hispanica: Spanish American --
Brazilian Links in Lyric and Landings --
6. Scions of Tropicalia: Of Signs, Soundings, Song, and Science --
7.(In- )Conclusion: Intersection Interaction Interlocution.
Other Titles: Project Muse UPCC books.
Responsibility: Charles A. Perrone.

Abstract:

Explores how recent Brazilian lyric engages with its counterparts throughout the Western Hemisphere in an increasingly globalized world. This pioneering, tour-de-force study focuses on the years from  Read more...

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This is Perrone at his most brilliant. Erudite but accessible, thorough but playful: Brazil, Lyric, and the Americas is the latest contribution by the most knowledgeable U.S.-based scholar of the Read more...

 
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