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The business of music

Author: Michael Talbot
Publisher: Liverpool : Liverpool University Press, 2002.
Series: Liverpool Music Symposium, 2.
Edition/Format:   Print book : EnglishView all editions and formats
Summary:

Is business, for music, a regrettable necessity or a spur to creativity? from piano miniatures to folk music and pop CDs. If there is a consensus, it is that music serves its own interests best when  Read more...

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Document Type: Book
All Authors / Contributors: Michael Talbot
ISBN: 0853235384 9780853235385 0853235287 9780853235286
OCLC Number: 878542259
Description: ix, 320 p. : ill. ; 24 cm.
Contents: Notes on ContributorsIntroduction - MICHAEL TALBOT1. A Venetian Operatic Contract of 1714 - MICHAEL TALBOT2. What Choirs Also Sang: Aspects of Provincial Music Publishing in Late-nineteenth-century England - JUDITH BLEZZARD3. The Modernisation of London Concert Life around 1900 - SIMON MCVEIGH AND CYRIL EHRLICH4. Debussy, Durand et Cie: A French Composer and His Publisher (1884-1917) - ROBERT ORLEDGE5. Nadia Boulanger (1887-1979): The Teacher in the Marketplace - CAROLINE POTTER6. Copyright as a Component of the Music Industry - DAVE LAING7. Illegality and the Music Industry - SIMON FRITH8. The Tarnished Image? Folk 'Industry' and the Media - MIKE BROCKEN9. Collective Responsibilities: The Arts Council, Community Arts and the Music Industry in Ireland - ROB STRACHAN AND MARION LEONARD10. Paying One's Dues: The Music Business, the City and Urban Regeneration - SARA COHEN11. Learning to Crawl: The Rapid Rise of Music Industry Education - MIKE JONESIndex of Personal Names
Series Title: Liverpool Music Symposium, 2.
Responsibility: edited by Michael Talbot.

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