Camera Orientalis : reflections on photography of the Middle East (Book, 2016) [WorldCat.org]
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Camera Orientalis : reflections on photography of the Middle East
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Camera Orientalis : reflections on photography of the Middle East

Author: Ali Behdad
Publisher: Chicago ; London : University of Chicago Press, 2016. ©2016
Edition/Format:   Print book : EnglishView all editions and formats
Summary:
"In the decades after its invention in 1839, photography was inextricably linked to the Middle East. Introduced as a crucial tool for Egyptologists and Orientalists who needed to document their archaeological findings, the photograph was easier and faster to produce in intense Middle Eastern light making the region one of the original sites for the practice of photography. A pioneering study of this intertwined  Read more...
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Details

Genre/Form: History
Additional Physical Format: ebook version :
Document Type: Book
All Authors / Contributors: Ali Behdad
ISBN: 9780226356372 022635637X 9780226356402 022635640X
OCLC Number: 926623457
Credits: Includes bibliographical references and index.
Description: xvi, 208 pages : illustrations ; 24 cm
Contents: Introduction: Camera Orientalis --
The Orientalist photograph --
The tourist, the collector, and the curator : on the lives and afterlives of Ottoman-era photography --
The politics of resident photography in the Middle East : reflections on Antoin Sevruguin's photographs of Qajar-era Iran --
In my grandfather's darkroom : on photographic (self- )exoticism in the Middle East --
Local representations of power : on royal portrait photography in Iran --
Afterword: On photography and Neo-orientalism today.
Other Titles: Reflections on photography of the Middle East
Responsibility: Ali Behdad.

Abstract:

"In the decades after its invention in 1839, photography was inextricably linked to the Middle East. Introduced as a crucial tool for Egyptologists and Orientalists who needed to document their archaeological findings, the photograph was easier and faster to produce in intense Middle Eastern light making the region one of the original sites for the practice of photography. A pioneering study of this intertwined history, Camera Orientalis traces the Middle East's influences on photography's evolution, as well as photography's effect on Europe's view of 'the Orient.' Considering a range of Western and Middle Eastern archival material from the late nineteenth and early twentieth centuries, Ali Behdad offers a rich account of how photography transformed Europe's distinctly Orientalist vision into what seemed objective fact, a transformation that proved central to the project of European colonialism. At the same time, Orientalism was useful for photographers from both regions, as it gave them a set of conventions by which to frame exotic Middle Eastern cultures for Western audiences. Behdad also shows how Middle Eastern audiences embraced photography as a way to foreground status and patriarchal values while also exoticizing other social classes. An important examination of previously overlooked European and Middle Eastern photographers and studios, Camera Orientalis demonstrates that, far from being a one-sided European development, Orientalist photography was the product of rich cultural contact between the East and the West"--Publisher's website.

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