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Can A Computer Write A Hit Musical? : Episode 2

Author: Infobase,; DCD Rights Limited (Firm)
Publisher: [Place of publication not identified] : DCD Rights Limited, New York, N.Y. : Distributed by Infobase, [2016] ©2016 2017.
Series: Can A Computer Write A Hit Musical?.
Edition/Format:   eVideo : Clipart/images/graphics : English
Publication:Films on Demand.
Summary:
The experiment to stage the first ever computer-generated hit musical in London's West End steps up a gear, as a cast and creative team come on board to rehearse the new musical - 'Beyond the Fence'. Will the music and lyrics generated by computer be fit for the West End Stage? Will an audience of musical theatre diehards at a secret workshop for the show, who have no idea of the show's computer origins, spot  Read more...
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Details

Genre/Form: Internet videos
Material Type: Clipart/images/graphics, Internet resource, Videorecording
Document Type: Internet Resource, Computer File, Visual material
All Authors / Contributors: Infobase,; DCD Rights Limited (Firm)
OCLC Number: 1031084643
Language Note: Closed-captioned.
Notes: Originally released by DCD Rights Limited, 2016.
Title from distributor's description
Target Audience: 9 - 12, Academic/AP
Description: 1 online resource (1 video file (44 min., 19 sec.)) : sound, color
Contents: Introduction: "Beyond the Fence" (2:06); Computer Generated Music (7:03); "Beyond the Fence" Lyrics (3:38); "Beyond the Fence" Workshop (4:09); Emotional Connection (6:50); Creative Process (9:09); Opening Night of "Beyond the Fence" (7:23); Reactions to "Beyond the Fence" (3:18); Credits: Can A Computer Write A Hit Musical?: Episode 2 (0:36);
Series Title: Can A Computer Write A Hit Musical?.
Responsibility: DCD Rights Limited.
More information:

Abstract:

The experiment to stage the first ever computer-generated hit musical in London's West End steps up a gear, as a cast and creative team come on board to rehearse the new musical - 'Beyond the Fence'. Will the music and lyrics generated by computer be fit for the West End Stage? Will an audience of musical theatre diehards at a secret workshop for the show, who have no idea of the show's computer origins, spot anything unusual about the piece? How will artists cope with taking dictation from computers, working within constraints, approaching creativity in an entirely new way? And - the ultimate test - what will the audience at the opening night gala performance of the world's first computer generated musical make of it? Can computers generate art? And if they can what does that mean for us?

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