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Canyon Cinema : the life and times of an independent film distributor

Author: Scott MacDonald
Publisher: Berkeley : University of California Press, ©2008.
Edition/Format:   eBook : Document : State or province government publication : EnglishView all editions and formats
Summary:
Bringing alive a remarkable moment in American cultural history, Scott MacDonald tells the colorful story of how a small, backyard organization in the San Francisco Bay Area emerged in the 1960s and evolved to become a major force in the development of independent cinema. Drawing from extensive conversations with men and women crucial to Canyon Cinema, from its newsletter Canyon Cinemanews, and from other key  Read more...
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Genre/Form: Electronic books
Additional Physical Format: Print version:
MacDonald, Scott, 1942-
Canyon Cinema.
Berkeley : University of California Press, ©2008
(DLC) 2007009532
(OCoLC)85862275
Material Type: Document, Government publication, State or province government publication, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Scott MacDonald
ISBN: 1282360221 9781282360228 9780520250864 0520250869 9780520250871 0520250877 9780520940611 052094061X
OCLC Number: 667013297
Notes: "Simpson, imprint in humanities"--Preliminary page.
Description: 1 online resource (461 pages) : illustrations
Contents: 1. Formation --
Portfolio --
Announcement of publication of canyon cinema news, 1962 --
An essay on censorship [1964] / Saul Landau --
Report from on the road, filming ... [1964] / Bruce Baillie --
Denunciation of the Ann Arbor Film Festival [1965] / Gregory Markopoulos --
Letter from the Ann Arbor Film Festival, April 1, 1965 / George Manupelli --
On His Blindness [1965] / George Manupelli --
2. Incorporation --
Conversation with Edith Kramer, July 2001 --
Portfolio --
Letter from Chapala, Mexico, January 1967 / Bruce Baillie --
Letter from San Francisco, February 18, 1967 / Bruce Conner --
Open Letter to Film-makers, June 12, 1967 / Robert Nelson --
Letter [1967] / Bruce Baillie --
Rebuttal to Robt. Nelson's "Open Letter to Film-makers" [1967] / Robert Pike --
Bruce Baillie's Prejudiced Guide to Film Festivals [1967] / Bruce Baillie --
Review of Sheldon Renan's An Introduction to the American Underground Film [1967] / Emory Menefee --
Letter [1967) / Will Hindle --
The Brussels Festival [1968] / Robert Nelson --
The Swedish proposal for new American cinema, and some miscellaneous notes [1968] / Robert Nelson --
Letter from San Francisco, April 1968 / Will Hindle --
Notes from the Creative Film Society : Pros and Cons of Theatrical Bookings [1968] / Robert Pike --
News from the Australian Undependents [1968] --
Letter to John Schofill [1968] / Barry Spinello --
Notes from the Creative Film Society [1968] / Robert Pike --
Letter, August 6, 1968, and Emory Menefee's response / Bruce Conner --
The story of a closet cine-drama ... or ... From isolation to immortality [1968] / Robert Pike --
Some thoughts about the Bellevue Film Festival two weeks after judging it [1968] / Robert Nelson --
Letter, September 10 [1968] / Will Hindle --
Letter, "August, beginning of September" [1968] / Bruce Baillie --
Letter [1969] / Will Hindle --
Fan letter to Bruce Conner [1969] / John Lennon --
Letter from Oakland, California [1969] / Barry Spinello --
Exchanges (Letters) [1969] / Bruce Conner and Jonas Mekas --
Letter [1969] / Ed Emshwiller --
Letter [1970] / Stan Brakhage --
Letter from Alabama, January 1970 / Will Hindle --
I Lost It at the Movies or Electro-Videograph Interface Meets Mr. Natural [1970] / Jon Jost --
Letter [1970] / Bruce Baillie --
Canyon Cinema Board of Directors' Meeting Minutes [May 20, 1970] --
Right Back to the Billabong [1970) / Arthur Cantrill --
Poem [1970] / Scott Bartlett --
Letter [1970] / Robert Nelson --
Letter [1972] / Bruce Conner --
Letter [1972] / Chick Strand --
Underground Myths and Cinema Cooperative Realities (some concrete policy suggestions) [1972] / Jon Jost --
Eight drawings [1972] / Bruce Conner --
Whatever became of Canyon Cinema Co-operative? [1972] / Don Lloyd --
Letter from Bangkok [1972] / Peter Hutton --
Canyon Cinema, What Next? [1973] / Ken DeRoux --
3. Revitalization --
Conversation with Diane Kitchen, March 2002 --
Portfolio --
Peter Kubelka at the Cinematheque, October 3,1974 --
Recuperating at His Forest Place in the Mountains of North Alabama, September 1974 / Will Hindle --
Remarks Following a Screening of The Text of Light at the San Francisco Art Institute on November 18, 1974 / Stan Brakhage --
Letter, March 1975 / Bruce Baillie --
Waiting for Godard at the Front: The Palestinian Cinema Institution [1975] / Lyle Pearson --
How to Cope with the Question Period [1975] / James Broughton --
Australian Coop News [1975] / Albie Thoms --
Prayag in 35mm: The Film and Television Institute of India [1975] / Lyle Pearson --
Chick Strand's Recollections of Canyon Cinema's Early Beginnings with Added Commentary from Chick Callenbach [1976] / Diane Kitchen and Gunvor Nelson --
Letter from Lower Appalachians, Late June 1978 / Will Hindle --
Letter and Excerpts from a Conversation with Stan Brakhage [On Death and The Act of Seeing with One's Own Eyes, 1977] / Willie Varela --
What Is a Poetry Film? [1977] / Herman Berlandt --
Bit of Scuttlebutt ... [1977] / Commodore Sloat --
Three Poems (A Rune for Jerome Hill, Tomfool for President, and A Prelude for Brakhage) [1977] / James Broughton --
Discussion with George Landow [1977] / Steve Ellman --
Letter, April 22, 1977 / Commodore Sloat --
Windowmobile [1977] / James Broughton --
4. Intellectualization --
Conversation with Bruce Conner, July 2001 --
Portfolio --
Art Liberation Front Dis'course on Avant-Garde Film [1977] / Joe Gibbons --
Hyper Kinetic Stan/dards [1977] / Henry Hills --
Hollis Frampton in San Francisco [April 21/29, 1977] --
Body-Centered Film [1977] / Barbara Hammer --
Thundercrack (cartoon) [1977] / George Kuchar --
Matinee [1978] / Abigail Child --
Dietrich Dossier (cartoon) [1978] / George Kuchar --
ALF Communique [1978] / Joe Gibbons --
Letter to Henry Hills, January 13, 1978 / Stan Brakhage --
Letter [1978] / David White --
George Kuchar in Europe (an interview) [1978] / Henry Hills --
Aunt Kastune [1978] / Jonas Mekas --
Tony Conrad in San Francisco, February 28, 1978 --
Child Labor [1978] / Henry Hills --
Letter, February 18, 1978 / Commodore Sloat --
Letter, September 22, 1968 / Bruce Conner --
Robert Nelson Interview [1978] / Henry Hills --
George Landow at the Cinematheque, May 18, 1978 --
Hollis Frampton in San Francisco, part 2 [1977] --
Yvonne Rainer at the Cinematheque, April 6, 1978 --
Violence [1978] / Abigail Child --
Some Unseen Lights [1978] / James Broughton --
Sketchbook (November-December 1977) / Art Spiegelman --
To Whom It ... [1979] / Diana Barrie --
Survival in the Independent-Non-Commercial-Avant-Garde- Experimental-Personal-Expressionistic Film Market of 1979 / Larry Jordan --
How to Read II [1979] / Peter Seaton --
1st Milarepa Gatha [1979] / Jackson Mac Low --
Film Syntax [1979] / Warren Sonbert --
Films of Aline Mayer [1979] / Abigail Child --
Letter, December 24, 1979, and New York Cut the Crap [1980] / Gary Doberman --
Film Syntax (Continued) [1980] / Warran Sonbert --
"What's a Picnic without Potato Salad!" [1980] / Caroline Savage Lee --
Letter, May 16, 1980 / Freude Bartlett --
Letter, Late June [1980] / Bruce Baillie --
Chick Strand at the Cinematheque, March 6, 1980 --
Conversation with Chick Strand [1980] / Gunvor Nelson --
Letter, c. 1980 / Ben Van Meter --
Letter, September 10, 1980 / Henry Hills --
Letter, September 18, 1980 / Chick Strand --
5. Maintenance --
Conversation with Dominic Angerame, August 2002 and May 2006 --
Portfolio --
Letters to Canyon Cinema Sent during the Film/Video Debate of 1994 (from Tom DeWitt, George Kuchar, Robert Nelson, and Stan Brakhage) --
Letter from Camano Island, October 10, 1994 / Bruce Baillie --
App. 1. Canyon Cinema Employees, 1969 to the Present --
App. 2. Canyon Cinema's Gross Rentals and Sales, from 1966 until 2006-2007.
Responsibility: Scott MacDonald.
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Abstract:

Presents the story of how a small, backyard organization in the San Francisco Bay Area emerged in the 1960s and evolved to become a major force in the development of independent cinema. This book  Read more...

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"Lovingly detailed history. Drawing from a wealth of primary materials ... a compelling narrative of American avant-garde cinema. Wonderful in its particulars." -- Max Goldberg San Francisco Bay Read more...

 
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Formation -- Portfolio -- Announcement of publication of canyon cinema news, 1962 -- An essay on censorship [1964] \/ Saul Landau -- Report from on the road, filming ... [1964] \/ Bruce Baillie -- Denunciation of the Ann Arbor Film Festival [1965] \/ Gregory Markopoulos -- Letter from the Ann Arbor Film Festival, April 1, 1965 \/ George Manupelli -- On His Blindness [1965] \/ George Manupelli -- 2. Incorporation -- Conversation with Edith Kramer, July 2001 -- Portfolio -- Letter from Chapala, Mexico, January 1967 \/ Bruce Baillie -- Letter from San Francisco, February 18, 1967 \/ Bruce Conner -- Open Letter to Film-makers, June 12, 1967 \/ Robert Nelson -- Letter [1967] \/ Bruce Baillie -- Rebuttal to Robt. Nelson\'s \"Open Letter to Film-makers\" [1967] \/ Robert Pike -- Bruce Baillie\'s Prejudiced Guide to Film Festivals [1967] \/ Bruce Baillie -- Review of Sheldon Renan\'s An Introduction to the American Underground Film [1967] \/ Emory Menefee -- Letter [1967) \/ Will Hindle -- The Brussels Festival [1968] \/ Robert Nelson -- The Swedish proposal for new American cinema, and some miscellaneous notes [1968] \/ Robert Nelson -- Letter from San Francisco, April 1968 \/ Will Hindle -- Notes from the Creative Film Society : Pros and Cons of Theatrical Bookings [1968] \/ Robert Pike -- News from the Australian Undependents [1968] -- Letter to John Schofill [1968] \/ Barry Spinello -- Notes from the Creative Film Society [1968] \/ Robert Pike -- Letter, August 6, 1968, and Emory Menefee\'s response \/ Bruce Conner -- The story of a closet cine-drama ... or ... From isolation to immortality [1968] \/ Robert Pike -- Some thoughts about the Bellevue Film Festival two weeks after judging it [1968] \/ Robert Nelson -- Letter, September 10 [1968] \/ Will Hindle -- Letter, \"August, beginning of September\" [1968] \/ Bruce Baillie -- Letter [1969] \/ Will Hindle -- Fan letter to Bruce Conner [1969] \/ John Lennon -- Letter from Oakland, California [1969] \/ Barry Spinello -- Exchanges (Letters) [1969] \/ Bruce Conner and Jonas Mekas -- Letter [1969] \/ Ed Emshwiller -- Letter [1970] \/ Stan Brakhage -- Letter from Alabama, January 1970 \/ Will Hindle -- I Lost It at the Movies or Electro-Videograph Interface Meets Mr. Natural [1970] \/ Jon Jost -- Letter [1970] \/ Bruce Baillie -- Canyon Cinema Board of Directors\' Meeting Minutes [May 20, 1970] -- Right Back to the Billabong [1970) \/ Arthur Cantrill -- Poem [1970] \/ Scott Bartlett -- Letter [1970] \/ Robert Nelson -- Letter [1972] \/ Bruce Conner -- Letter [1972] \/ Chick Strand -- Underground Myths and Cinema Cooperative Realities (some concrete policy suggestions) [1972] \/ Jon Jost -- Eight drawings [1972] \/ Bruce Conner -- Whatever became of Canyon Cinema Co-operative? [1972] \/ Don Lloyd -- Letter from Bangkok [1972] \/ Peter Hutton -- Canyon Cinema, What Next? [1973] \/ Ken DeRoux -- 3. Revitalization -- Conversation with Diane Kitchen, March 2002 -- Portfolio -- Peter Kubelka at the Cinematheque, October 3,1974 -- Recuperating at His Forest Place in the Mountains of North Alabama, September 1974 \/ Will Hindle -- Remarks Following a Screening of The Text of Light at the San Francisco Art Institute on November 18, 1974 \/ Stan Brakhage -- Letter, March 1975 \/ Bruce Baillie -- Waiting for Godard at the Front: The Palestinian Cinema Institution [1975] \/ Lyle Pearson -- How to Cope with the Question Period [1975] \/ James Broughton -- Australian Coop News [1975] \/ Albie Thoms -- Prayag in 35mm: The Film and Television Institute of India [1975] \/ Lyle Pearson -- Chick Strand\'s Recollections of Canyon Cinema\'s Early Beginnings with Added Commentary from Chick Callenbach [1976] \/ Diane Kitchen and Gunvor Nelson -- Letter from Lower Appalachians, Late June 1978 \/ Will Hindle -- Letter and Excerpts from a Conversation with Stan Brakhage [On Death and The Act of Seeing with One\'s Own Eyes, 1977] \/ Willie Varela -- What Is a Poetry Film? [1977] \/ Herman Berlandt -- Bit of Scuttlebutt ... [1977] \/ Commodore Sloat -- Three Poems (A Rune for Jerome Hill, Tomfool for President, and A Prelude for Brakhage) [1977] \/ James Broughton -- Discussion with George Landow [1977] \/ Steve Ellman -- Letter, April 22, 1977 \/ Commodore Sloat -- Windowmobile [1977] \/ James Broughton -- 4. Intellectualization -- Conversation with Bruce Conner, July 2001 -- Portfolio -- Art Liberation Front Dis\'course on Avant-Garde Film [1977] \/ Joe Gibbons -- Hyper Kinetic Stan\/dards [1977] \/ Henry Hills -- Hollis Frampton in San Francisco [April 21\/29, 1977] -- Body-Centered Film [1977] \/ Barbara Hammer -- Thundercrack (cartoon) [1977] \/ George Kuchar -- Matinee [1978] \/ Abigail Child -- Dietrich Dossier (cartoon) [1978] \/ George Kuchar -- ALF Communique [1978] \/ Joe Gibbons -- Letter to Henry Hills, January 13, 1978 \/ Stan Brakhage -- Letter [1978] \/ David White -- George Kuchar in Europe (an interview) [1978] \/ Henry Hills -- Aunt Kastune [1978] \/ Jonas Mekas -- Tony Conrad in San Francisco, February 28, 1978 -- Child Labor [1978] \/ Henry Hills -- Letter, February 18, 1978 \/ Commodore Sloat -- Letter, September 22, 1968 \/ Bruce Conner -- Robert Nelson Interview [1978] \/ Henry Hills -- George Landow at the Cinematheque, May 18, 1978 -- Hollis Frampton in San Francisco, part 2 [1977] -- Yvonne Rainer at the Cinematheque, April 6, 1978 -- Violence [1978] \/ Abigail Child -- Some Unseen Lights [1978] \/ James Broughton -- Sketchbook (November-December 1977) \/ Art Spiegelman -- To Whom It ... 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<http:\/\/id.loc.gov\/vocabulary\/countries\/cau<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:Place<\/a> ;\u00A0\u00A0\u00A0\ndcterms:identifier<\/a> \"cau<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/id.worldcat.org\/fast\/1204155<\/a>> # United States.<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Place<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"United States.<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/viaf.org\/viaf\/106101861<\/a>> # Scott MacDonald<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:birthDate<\/a> \"1942<\/span>\" ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"MacDonald<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"Scott<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Scott MacDonald<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/viaf.org\/viaf\/157641438<\/a>> # Canyon Cinema<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Organization<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Canyon Cinema<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Canyon Cinema.<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/worldcat.org\/isbn\/9780520250864<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:ProductModel<\/a> ;\u00A0\u00A0\u00A0\nschema:isbn<\/a> \"0520250869<\/span>\" ;\u00A0\u00A0\u00A0\nschema:isbn<\/a> \"9780520250864<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/worldcat.org\/isbn\/9780520250871<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:ProductModel<\/a> ;\u00A0\u00A0\u00A0\nschema:isbn<\/a> \"0520250877<\/span>\" ;\u00A0\u00A0\u00A0\nschema:isbn<\/a> \"9780520250871<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/worldcat.org\/isbn\/9780520940611<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:ProductModel<\/a> ;\u00A0\u00A0\u00A0\nschema:isbn<\/a> \"052094061X<\/span>\" ;\u00A0\u00A0\u00A0\nschema:isbn<\/a> \"9780520940611<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/worldcat.org\/isbn\/9781282360228<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:ProductModel<\/a> ;\u00A0\u00A0\u00A0\nschema:isbn<\/a> \"1282360221<\/span>\" ;\u00A0\u00A0\u00A0\nschema:isbn<\/a> \"9781282360228<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/www.worldcat.org\/oclc\/85862275<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:CreativeWork<\/a> ;\u00A0\u00A0\u00A0\nrdfs:label<\/a> \"Canyon Cinema.<\/span>\" ;\u00A0\u00A0\u00A0\nschema:description<\/a> \"Print version:<\/span>\" ;\u00A0\u00A0\u00A0\nschema:isSimilarTo<\/a> <http:\/\/www.worldcat.org\/oclc\/667013297<\/a>> ; # Canyon Cinema : the life and times of an independent film distributor<\/span>\n\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n