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Censorship and the representation of the sacred in Nineteenth-Century England

Author: Jan-Melissa Schramm
Publisher: Oxford, England : Oxford University Press, [2019] ©2019
Edition/Format:   eBook : Document : English : New product editionView all editions and formats
Summary:

A study of nineteenth-century theatre that explores why, in an age famous for its piety and religious devotion, the English public dramatic repertoire was, by force of law, secular.

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Genre/Form: Criticism, interpretation, etc
Additional Physical Format: Print version:
Schramm, Jan-Melissa.
Censorship and the representation of the sacred in Nineteenth-Century England.
Oxford, England : Oxford University Press, c2019
279 pages
(DLC) 2018961577
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Jan-Melissa Schramm
ISBN: 9780192560544 0192560549
OCLC Number: 1135587015
Description: 1 online resource (279 pages)
Contents: Introduction1: Censorship and Sacred Drama: Policing the Performance of Incarnational Art2: The Art of the People: Romanticism, the Ritual Year, and the Rediscovery of the Mystery Plays3: 'To See the Work of God Performed for Others': Sacrifice, (Self)-Censorship, and Sacred Closet Drama4: Ecce Homo, 'Real Presence', and the Word made Flesh: The Drama of the Incarnation in Victorian Literature5: Homo Ludens: The Oberammergau Passionsspiele and Tragic 'Play' at Fin-de-Siecle6: A Study in Repetition and Revival: Jerrold, Tennyson, T. S. Eliot and the Case of Thomas a BecketConclusion: On Tragedy in the Nineteenth CenturyBibliography
Responsibility: Jan-Melissa Schramm.

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