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Genre/Form: | Electronic books |
---|---|
Additional Physical Format: | Print version: Etchells, Tim, 1962- Certain fragments. London ; New York : Routledge, 1999 (DLC) 98041450 (OCoLC)39786982 |
Material Type: | Document, Internet resource |
Document Type: | Internet Resource, Computer File |
All Authors / Contributors: |
Tim Etchells |
ISBN: | 0203267575 9780203267578 0203449630 9780203449639 9780415173827 0415173825 9780415173834 0415173833 0203757874 9780203757871 1280318856 9781280318856 9786610318858 6610318859 1134688636 9781134688630 |
OCLC Number: | 52059315 |
Language Note: | English. |
Description: | 1 online resource (228 pages) : illustrations |
Contents: | Machine generated contents note: Sect. I Essays -- Decade of Forced Entertainment -- On Risk and Investment -- Play On: Process and Collaboration -- On Documentation and Performance -- Eight Fragments on Theatre and the City -- Replaying the Tapes of the Twentieth Century: An Interview with Ron Vawter -- On Performance and Technology -- On Performance Writing -- On Performance and Film: Tuning In -- Repeat Forever: Body, Death, Performance, Fiction -- Sect. II Performance Texts -- Introduction -- (Let the Water Run its Course) to the Sea that Made the Promise -- Emanuelle Enchanted (or a Description of this World as if it were a Beautiful Place) -- Club of No Regrets -- Speak Bitterness -- Sect. III Journalism and Programme Notes -- I Wanna be Adored: ICA in the USA -- Stella: Anne Teresa De Keersmaeker -- Three Works: Steven Taylor Woodrow -- My Body Did Everything I Asked It: Alan Maclean and Tony Mustoe -- Hour in Which We Knew Nothing of Each Other: Peter Handke -- New American Performance: Woosters, Wellman and Vawter -- Recent Installation Works: Index Theatre -- Shirtologie!: Jerome Bell -- Some Confusions in the Law about Love -- Club of No Regrets -- Red Room -- Dreams' Winter -- Hidden J -- Speak Bitterness -- Showtime -- Pleasure. |
Responsibility: | Tim Etchells ; photographs by Hugo Glendinning. |
More information: |
Abstract:
An exploration of what lies at the heart of contemporary theatre. Written by the artistic director of Forced Entertainment, it investigates the process of devising performance, theatre's interdisciplinary role, and the city's influence.
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'Certain Fragments . . . illuminate[s] . . . the more interesting aspects of contemporary British theatre.' - David Pattie, New Theatre Quarterly
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