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A change is gonna come : music, race & the soul of America

Author: Craig Hansen Werner
Publisher: Ann Arbor : University of Michigan Press, 2006.
Edition/Format:   Print book : State or province government publication : English : Rev. & updatedView all editions and formats
Summary:
A Change Is Gonna Come is the story of more than four decades of enormously influential black music, from the hopeful, angry refrains of the Freedom movement, to the slick pop of Motown; from the disco inferno to the Million Man March; from Woodstock's "Summer of Love" to the war in Vietnam and the race riots that inspired Marvin Gaye to write "What's Going On." Originally published in 1998, A Change Is Gonna Come  Read more...
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Genre/Form: Long-playing records
Music
Criticism, interpretation, etc
History
Additional Physical Format: Online version:
Werner, Craig Hansen, 1952-
Change is gonna come.
Ann Arbor : University of Michigan Press, 2006
(OCoLC)626751188
Material Type: Government publication, State or province government publication
Document Type: Book
All Authors / Contributors: Craig Hansen Werner
ISBN: 0472031473 9780472031474
OCLC Number: 62290627
Description: xx, 468 pages ; 23 cm
Contents: Section one: A change is gonna come: Mahalia Jackson, Motown, and the movement --
The Dream --
Mahalia and the Movement: Calls and Responses --
Motown: Money, Magic, and the Mask --
The Big Chill vs Colley High: Two out of Three Falls for the Soul of Motown. The Gospel Impulse --
Sam Cooke and the Voice of Change --
Solid Gold Coffins: Phil Spector and the Girl Group Blues --
SAR and the Ambiguity of Integration --
The Times they are A-Changin': Port Huron and the Folk Revival --Woody and Race --
Blowin' in the Wind: Politics and Authenticity --
Music and truth: the Birth of Southern Soul --
Down at the Crossroads. The Blues Impulse --
Soul food: The Mid South Mix --
Dylan the Brits and BlueEyed Soul --
The Minstrel Blues --
Otis, Jimi, and the Summer of Love: From Monterey to Woodstock --
Last Thoughts on the Dream: Dot and Diana --
Section two: Love or Confusion? Black Power Vietnam, and the Death of the Dream --
Sly in the Smoke --
Death warrants: LBJ Martin and the Liberal Collapse --
All Along the Watchtower: Jimi Hendrix and the Sound of Vietnam --
Retha Rap and Revolt --
Spirit in the Dark: Arethas Gospel Politics --
Jazz warriors: Malcolm and Coltrane. The Jazz Impulse --
Black is an' Black Ain't: JB Miles and Jimi --
Curtis Mayfields Gospel Soul --
John Fogerty and the Mythic South --
Trouble Comin' Every Day: Southern Strategies and the Revolution on TV --
Troubled Souls: Wattstax and Motown West --
Where is the love?: Donny Hathaway and the End of the Dream. Section three: I Will Survive Disco lrony and the Sound of Resistance --
Reflections in a Mirror Ball --
Reverend Green and the Return of Jim Crow --
Demographics 101: Hard Times in Chocolate City --
Black Love in the Key of Life --
Jimmy Carter and the Great Quota Disaster of 1978 --
Roots: The Messages in the Music --
God Love sex: Disco and the Gospel Impulse --
Disco Sucks --
Punks and Pretenders --
Rebellion or revolution: Bruce Springsteen and the Clash --
Pfunkentelechy --
Redemption Songs: Bob Marley in Babylon --
The Message: Hiphop and the South BronxSection four: And Thats the Way That lt Is: The Reagan Rules, Hip-Hop, and the Megastars --
Welcome to the Terrordome --
Springsteen and the Reagan Rules --
The Problem of Healing in the Hall of Mirrors --
The View from Black America --
The Way It Was and the Way It Is --
Brer Rabbit and Tar Baby --
RunD M C Negotiates the Mainstream --
A Hero to Most: Elvis in the Eighties --
Megastardom and its Disontents: Michael and Madonna --
Duke Ellington for our time: The Symbol Formerly Known as Prince --
West Africa Is in the House--Bring the Noise: The New School Rap Game --
Know the Ledge: KRSOne Rakim and the Gangstas --
Born in the USA: Springsteen and Race. Section five: Holler lf Ya Hear Me ln the Ninetiies Mix --
Westland of the Free --
American Dreaming --
C.R.E.A.M., or, Tupac on Death Row --
No more drama: MaryJ Blige and the Hip Hop Generation --
The Gospel impulse gets crunk: OutKast and the Dirty South --
Ozomatli and the myth of purity: Notes on the Browning of America --
The Gospel impulse (remixed): Bruce Springsteen Kirk Franklin, and Lauryn Hill.
Responsibility: Craig Werner.
More information:

Abstract:

A Change Is Gonna Come is the story of more than four decades of enormously influential black music, from the hopeful, angry refrains of the Freedom movement, to the slick pop of Motown; from the disco inferno to the Million Man March; from Woodstock's "Summer of Love" to the war in Vietnam and the race riots that inspired Marvin Gaye to write "What's Going On." Originally published in 1998, A Change Is Gonna Come drew the attention of scholars and general readers alike. This new edition, featuring four new and updated chapters, will reintroduce Werner's seminal study of black music to a new generation of readers [Publisher description].

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The Gospel Impulse -- Sam Cooke and the Voice of Change -- Solid Gold Coffins: Phil Spector and the Girl Group Blues -- SAR and the Ambiguity of Integration -- The Times they are A-Changin\': Port Huron and the Folk Revival --Woody and Race -- Blowin\' in the Wind: Politics and Authenticity -- Music and truth: the Birth of Southern Soul -- Down at the Crossroads. The Blues Impulse -- Soul food: The Mid South Mix -- Dylan the Brits and BlueEyed Soul -- The Minstrel Blues -- Otis, Jimi, and the Summer of Love: From Monterey to Woodstock -- Last Thoughts on the Dream: Dot and Diana -- Section two: Love or Confusion? Black Power Vietnam, and the Death of the Dream -- Sly in the Smoke -- Death warrants: LBJ Martin and the Liberal Collapse -- All Along the Watchtower: Jimi Hendrix and the Sound of Vietnam -- Retha Rap and Revolt -- Spirit in the Dark: Arethas Gospel Politics -- Jazz warriors: Malcolm and Coltrane. 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<http:\/\/id.loc.gov\/authorities\/subjects\/sh2007100204<\/a>> # African Americans--Music--History and criticism<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"African Americans--Music--History and criticism<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/id.loc.gov\/vocabulary\/countries\/miu<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:Place<\/a> ;\u00A0\u00A0\u00A0\ndcterms:identifier<\/a> \"miu<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/id.worldcat.org\/fast\/1030486<\/a>> # Music and race<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Music and race<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/id.worldcat.org\/fast\/1071422<\/a>> # Popular music<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Popular music<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/id.worldcat.org\/fast\/1204155<\/a>> # United States.<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Place<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"United States.<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/id.worldcat.org\/fast\/799648<\/a>> # African Americans--Music<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"African Americans--Music<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/id.worldcat.org\/fast\/799666<\/a>> # African Americans--Race identity<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"African Americans--Race identity<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/viaf.org\/viaf\/267849231<\/a>> # Craig Hansen Werner<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:birthDate<\/a> \"1952<\/span>\" ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"Werner<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"Craig Hansen<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Craig Hansen Werner<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/worldcat.org\/isbn\/9780472031474<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:ProductModel<\/a> ;\u00A0\u00A0\u00A0\nschema:isbn<\/a> \"0472031473<\/span>\" ;\u00A0\u00A0\u00A0\nschema:isbn<\/a> \"9780472031474<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/www.worldcat.org\/oclc\/626751188<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:CreativeWork<\/a> ;\u00A0\u00A0\u00A0\nrdfs:label<\/a> \"Change is gonna come.<\/span>\" ;\u00A0\u00A0\u00A0\nschema:description<\/a> \"Online version:<\/span>\" ;\u00A0\u00A0\u00A0\nschema:isSimilarTo<\/a> <http:\/\/www.worldcat.org\/oclc\/62290627<\/a>> ; # A change is gonna come : music, race & the soul of America<\/span>\n\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/www.worldcat.org\/title\/-\/oclc\/62290627<\/a>>\u00A0\u00A0\u00A0\u00A0a \ngenont:InformationResource<\/a>, genont:ContentTypeGenericResource<\/a> ;\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/www.worldcat.org\/oclc\/62290627<\/a>> ; # A change is gonna come : music, race & the soul of America<\/span>\n\u00A0\u00A0\u00A0\nschema:dateModified<\/a> \"2020-08-04<\/span>\" ;\u00A0\u00A0\u00A0\nvoid:inDataset<\/a> <http:\/\/purl.oclc.org\/dataset\/WorldCat<\/a>> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/www.worldcat.org\/title\/-\/oclc\/62290627#PublicationEvent\/ann_arbor_university_of_michigan_press_2006<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:PublicationEvent<\/a> ;\u00A0\u00A0\u00A0\nschema:location<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/796354562#Place\/ann_arbor<\/a>> ; # Ann Arbor<\/span>\n\u00A0\u00A0\u00A0\nschema:organizer<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/796354562#Agent\/university_of_michigan_press<\/a>> ; # University of Michigan Press<\/span>\n\u00A0\u00A0\u00A0\nschema:startDate<\/a> \"2006<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n\n

Content-negotiable representations<\/p>\n