doorgaan naar inhoud
Changing the score : arias, prima donnas, and the authority of performance Voorbeeldweergave van dit item
SluitenVoorbeeldweergave van dit item
Bezig met controle...

Changing the score : arias, prima donnas, and the authority of performance

Auteur: Hilary Poriss
Uitgever: Oxford ; New York : Oxford University Press, 2009.
Serie: AMS studies in music.
Editie/Formaat:   Gedrukt boek : EngelsAlle edities en materiaalsoorten bekijken.
Samenvatting:
This study seeks to explore the role and significance of aria insertion, the practice that allowed singers to introduce music of their own choice into productions of Italian operas. Each chapter investigates the art of aria insertion during the nineteenth century from varying perspectives, beginning with an overview of the changing fortunes of the practice, followed by explorations of individual prima donnas and  Meer lezen...
Beoordeling:

(nog niet beoordeeld) 0 met beoordelingen - U bent de eerste

Onderwerpen
Meer in deze trant

Zoeken naar een online exemplaar

Links naar dit item

Zoeken naar een in de bibliotheek beschikbaar exemplaar

&AllPage.SpinnerRetrieving; Bibliotheken met dit item worden gezocht…

Details

Genre/Vorm: History
Aanvullende fysieke materiaalsoort: Online version:
Poriss, Hilary.
Changing the score.
Oxford ; New York : Oxford University Press, 2009
(OCoLC)639560419
Genoemd persoon: Vincenzo Bellini; Maria Malibran; Gioachino Rossini; Caroline Unger
Genre: Internetbron
Soort document Boek, Internetbron
Alle auteurs / medewerkers: Hilary Poriss
ISBN: 9780195386714 019538671X
OCLC-nummer: 265736857
Beschrijving: viii, 226 pages : illustrations, music ; 25 cm.
Inhoud: A discourse of change --
Selecting a "perfect" entrance : Carolina Ungher and Marino Faliero --
Making their way through the world : Italian one-hit wonders --
Maria Malibran, I Capuleti e i Montecchi, and a tale of suicide --
Che vuol cantare? The lesson scene of Il barbiere di Siviglia --
An insertion aria speaks.
Serietitel: AMS studies in music.
Verantwoordelijkheid: Hilary Poriss.
Meer informatie

Fragment:

This study seeks to explore the role and significance of aria insertion, the practice that allowed singers to introduce music of their own choice into productions of Italian operas. Each chapter investigates the art of aria insertion during the nineteenth century from varying perspectives, beginning with an overview of the changing fortunes of the practice, followed by explorations of individual prima donnas and their relationship with particular insertion arias: Carolina Ungher's difficulties in finding a "perfect" aria to introduce into Donizetti's Marino Faliero; Guiditta Pasta's performance of an aria from Pacini's Niobe in a variety of operas, and the subsequent fortunes of that particular aria; Maria Malibran's interpolation of Vaccai's final scene from Giulietta e Romeo in place of Bellini's original setting in his I Capuleti e i Montecchi; and Adelina Patti's "mini-concerts" in the lesson scene of Il barbiere di Siviglia. The final chapter provides a treatment of a short story, "Memoir of a Song," narrated by none other than an insertion aria itself, and the volume concludes with an appendix containing the first modern edition of this short story, a narrative that has lain utterly forgotten since its publication in 1849. This book covers a wide variety of material that will be of interest to opera scholars and opera lovers alike, touching on the fluidity of the operatic work, on the reception of the singers, and on the shifting and hardening aesthetics of music criticism through the period [Publisher description].

Beoordelingen

Professionele beoordelingen

Synopsis uitgever

It is a masterful achievement and should be read and considered carefully by scholars and performers alike. * Sean M. Parr, Music and Letters * insightful and tangential approach to a neglected Meer lezen...

 
Beoordelingen door gebruikers
Beoordelingen van GoodReads worden opgehaald...
Bezig met opvragen DOGObooks-reviews...

Tags

U bent de eerste.
Bevestig deze aanvraag

Misschien heeft u dit item reeds aangevraagd. Selecteer a.u.b. Ok als u toch wilt doorgaan met deze aanvraag.

Gekoppelde data


Primary Entity

<http://www.worldcat.org/oclc/265736857> # Changing the score : arias, prima donnas, and the authority of performance
    a schema:Book, schema:CreativeWork ;
    library:oclcnum "265736857" ;
    library:placeOfPublication <http://id.loc.gov/vocabulary/countries/enk> ;
    schema:about <http://experiment.worldcat.org/entity/work/data/155847515#Topic/oper> ; # Oper
    schema:about <http://experiment.worldcat.org/entity/work/data/155847515#Event/geschichte_1800_1900> ; # Geschichte 1800-1900.
    schema:about <http://experiment.worldcat.org/entity/work/data/155847515#Place/italien> ; # Italien
    schema:about <http://id.worldcat.org/fast/1046223> ; # Operas--Performances
    schema:about <http://experiment.worldcat.org/entity/work/data/155847515#Topic/arie> ; # Arie
    schema:about <http://viaf.org/viaf/39560983> ; # Vincenzo Bellini
    schema:about <http://experiment.worldcat.org/entity/work/data/155847515#Event/1800_1899> ; # 1800-1899
    schema:about <http://id.loc.gov/authorities/subjects/sh2008108654> ; # Opera--Italy--19th century
    schema:about <http://viaf.org/viaf/9855564> ; # Maria Malibran
    schema:about <http://id.worldcat.org/fast/1204565> ; # Italy.
    schema:about <http://id.worldcat.org/fast/1046145> ; # Opera
    schema:about <http://id.loc.gov/authorities/classification/ML1733> ;
    schema:about <http://experiment.worldcat.org/entity/work/data/155847515#Topic/musikalische_auffuhrungspraxis> ; # Musikalische Aufführungspraxis
    schema:about <http://dewey.info/class/782.1094509034/e22/> ;
    schema:about <http://viaf.org/viaf/34644407> ; # Gioachino Rossini
    schema:about <http://experiment.worldcat.org/entity/work/data/155847515#Topic/operas_performances_italy_history_19th_century> ; # Operas--Performances--Italy--History--19th century
    schema:about <http://viaf.org/viaf/15542515> ; # Caroline Unger
    schema:author <http://viaf.org/viaf/51167587> ; # Hilary Poriss
    schema:bookFormat bgn:PrintBook ;
    schema:datePublished "2009" ;
    schema:description "This study seeks to explore the role and significance of aria insertion, the practice that allowed singers to introduce music of their own choice into productions of Italian operas. Each chapter investigates the art of aria insertion during the nineteenth century from varying perspectives, beginning with an overview of the changing fortunes of the practice, followed by explorations of individual prima donnas and their relationship with particular insertion arias: Carolina Ungher's difficulties in finding a "perfect" aria to introduce into Donizetti's Marino Faliero; Guiditta Pasta's performance of an aria from Pacini's Niobe in a variety of operas, and the subsequent fortunes of that particular aria; Maria Malibran's interpolation of Vaccai's final scene from Giulietta e Romeo in place of Bellini's original setting in his I Capuleti e i Montecchi; and Adelina Patti's "mini-concerts" in the lesson scene of Il barbiere di Siviglia. The final chapter provides a treatment of a short story, "Memoir of a Song," narrated by none other than an insertion aria itself, and the volume concludes with an appendix containing the first modern edition of this short story, a narrative that has lain utterly forgotten since its publication in 1849. This book covers a wide variety of material that will be of interest to opera scholars and opera lovers alike, touching on the fluidity of the operatic work, on the reception of the singers, and on the shifting and hardening aesthetics of music criticism through the period [Publisher description]."@en ;
    schema:description "A discourse of change -- Selecting a "perfect" entrance : Carolina Ungher and Marino Faliero -- Making their way through the world : Italian one-hit wonders -- Maria Malibran, I Capuleti e i Montecchi, and a tale of suicide -- Che vuol cantare? The lesson scene of Il barbiere di Siviglia -- An insertion aria speaks."@en ;
    schema:exampleOfWork <http://worldcat.org/entity/work/id/155847515> ;
    schema:genre "History"@en ;
    schema:inLanguage "en" ;
    schema:isPartOf <http://experiment.worldcat.org/entity/work/data/155847515#Series/ams_studies_in_music> ; # AMS studies in music.
    schema:isSimilarTo <http://www.worldcat.org/oclc/639560419> ;
    schema:name "Changing the score : arias, prima donnas, and the authority of performance"@en ;
    schema:productID "265736857" ;
    schema:url <http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=018753156&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA> ;
    schema:url <http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&doc_number=018753156&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA> ;
    schema:workExample <http://worldcat.org/isbn/9780195386714> ;
    umbel:isLike <http://bnb.data.bl.uk/id/resource/GBA983805> ;
    wdrs:describedby <http://www.worldcat.org/title/-/oclc/265736857> ;
    .


Related Entities

<http://experiment.worldcat.org/entity/work/data/155847515#Event/geschichte_1800_1900> # Geschichte 1800-1900.
    a schema:Event ;
    schema:name "Geschichte 1800-1900." ;
    .

<http://experiment.worldcat.org/entity/work/data/155847515#Series/ams_studies_in_music> # AMS studies in music.
    a bgn:PublicationSeries ;
    schema:hasPart <http://www.worldcat.org/oclc/265736857> ; # Changing the score : arias, prima donnas, and the authority of performance
    schema:name "AMS studies in music." ;
    schema:name "AMS studies in music" ;
    .

<http://experiment.worldcat.org/entity/work/data/155847515#Topic/musikalische_auffuhrungspraxis> # Musikalische Aufführungspraxis
    a schema:Intangible ;
    schema:name "Musikalische Aufführungspraxis"@en ;
    .

<http://experiment.worldcat.org/entity/work/data/155847515#Topic/operas_performances_italy_history_19th_century> # Operas--Performances--Italy--History--19th century
    a schema:Intangible ;
    schema:hasPart <http://id.loc.gov/authorities/subjects/sh90002452> ;
    schema:name "Operas--Performances--Italy--History--19th century"@en ;
    .

<http://id.loc.gov/authorities/subjects/sh2008108654> # Opera--Italy--19th century
    a schema:Intangible ;
    schema:name "Opera--Italy--19th century"@en ;
    .

<http://id.worldcat.org/fast/1046145> # Opera
    a schema:Intangible ;
    schema:name "Opera"@en ;
    .

<http://id.worldcat.org/fast/1046223> # Operas--Performances
    a schema:Intangible ;
    schema:name "Operas--Performances"@en ;
    .

<http://id.worldcat.org/fast/1204565> # Italy.
    a schema:Place ;
    schema:name "Italy." ;
    .

<http://viaf.org/viaf/15542515> # Caroline Unger
    a schema:Person ;
    schema:familyName "Unger" ;
    schema:givenName "Caroline" ;
    schema:name "Caroline Unger" ;
    .

<http://viaf.org/viaf/34644407> # Gioachino Rossini
    a schema:Person ;
    schema:familyName "Rossini" ;
    schema:givenName "Gioachino" ;
    schema:name "Gioachino Rossini" ;
    .

<http://viaf.org/viaf/39560983> # Vincenzo Bellini
    a schema:Person ;
    schema:familyName "Bellini" ;
    schema:givenName "Vincenzo" ;
    schema:name "Vincenzo Bellini" ;
    .

<http://viaf.org/viaf/51167587> # Hilary Poriss
    a schema:Person ;
    schema:familyName "Poriss" ;
    schema:givenName "Hilary" ;
    schema:name "Hilary Poriss" ;
    .

<http://viaf.org/viaf/9855564> # Maria Malibran
    a schema:Person ;
    schema:familyName "Malibran" ;
    schema:givenName "Maria" ;
    schema:name "Maria Malibran" ;
    .

<http://worldcat.org/isbn/9780195386714>
    a schema:ProductModel ;
    schema:isbn "019538671X" ;
    schema:isbn "9780195386714" ;
    .

<http://www.worldcat.org/oclc/639560419>
    a schema:CreativeWork ;
    rdfs:label "Changing the score." ;
    schema:description "Online version:" ;
    schema:isSimilarTo <http://www.worldcat.org/oclc/265736857> ; # Changing the score : arias, prima donnas, and the authority of performance
    .

<http://www.worldcat.org/title/-/oclc/265736857>
    a genont:InformationResource, genont:ContentTypeGenericResource ;
    schema:about <http://www.worldcat.org/oclc/265736857> ; # Changing the score : arias, prima donnas, and the authority of performance
    schema:dateModified "2019-09-11" ;
    void:inDataset <http://purl.oclc.org/dataset/WorldCat> ;
    .


Content-negotiable representations

Venster sluiten

Meld u aan bij WorldCat 

Heeft u geen account? U kunt eenvoudig een nieuwe gratis account aanmaken.