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Chihuly : form from fire

Author: Dale Chihuly; Walter Darby Bannard; Henry Geldzahler; Lowe Art Museum.; Museum of Arts and Sciences (Daytona Beach, Fla.)
Publisher: Daytona Beach : Museum of Arts and Sciences ; [Seattle] : University of Washington Press, ©1993.
Series: University of Washington Press
Edition/Format:   Print book : EnglishView all editions and formats
Summary:
"Chihuly's originality lies in his refusal to believe that there are fixed rules that must be adhered to," wrote the late Henry Geldzahler, former curator of contemporary art of New York's Metropolitan Museum, in his essay for this work. Accompanying the artist's traveling retrospective, the book documents 10 of Chihuly's rule breaking series from the Baskets, begun in the late 1970s, through the Pilchuck Stumps of  Read more...
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Genre/Form: Exhibition catalogs
History
Exhibition catalogues
Exhibitions
Additional Physical Format: Online version:
Chihuly, Dale, 1941-
Chihuly.
Daytona Beach : Museum of Arts and Sciences ; [Seattle] : University of Washington Press, ©1993
(OCoLC)621907521
Named Person: Dale Chihuly; Dale Chihuly; Dale Chihuly
Document Type: Book
All Authors / Contributors: Dale Chihuly; Walter Darby Bannard; Henry Geldzahler; Lowe Art Museum.; Museum of Arts and Sciences (Daytona Beach, Fla.)
ISBN: 0933053061 9780933053069
OCLC Number: 28488516
Notes: Exhibition held at Lowe Art Museum, University of Miami, Coral Gables, Fla., Jan. 28-Mar. 28, 1993, and at other museums at later dates.
Description: 142 pages : chiefly color illustrations ; 32 cm
Series Title: University of Washington Press
Other Titles: Form from fire.
Responsibility: essays by Walter Darby Bannard, Henry Geldzahler.

Abstract:

"Chihuly's originality lies in his refusal to believe that there are fixed rules that must be adhered to," wrote the late Henry Geldzahler, former curator of contemporary art of New York's Metropolitan Museum, in his essay for this work. Accompanying the artist's traveling retrospective, the book documents 10 of Chihuly's rule breaking series from the Baskets, begun in the late 1970s, through the Pilchuck Stumps of 1992. Painter and art critic Walter Darby Bannard introduces the volume, which is more inclusive than a typical exhibition catalog, with a personal response to Chihuly and his glass. Seventy-five full-color reproductions and commentary on the individual series by the artist and noted authorities provide a visual and verbal overview of the artist's career. With listings of selected museum and public collections and permanent installations as well as an extensive bibliography, this book offers a definitive look at "Chihuly As of 1993," as Geldzahler titled his provocative essay in which he asserts that Chihuly "does go over the top at times."

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"Chihuly's originality lies in his refusal to believe that there are fixed rules that must be adhered to. . . . within the confines of his craft, he sees no boundaries."

 
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