The Christina psalter : a study of the images and texts in a French early thirteenth-century illuminated manuscript (Livre, 2006) [WorldCat.org]
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The Christina psalter : a study of the images and texts in a French early thirteenth-century illuminated manuscript
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The Christina psalter : a study of the images and texts in a French early thirteenth-century illuminated manuscript

Auteur : Marina Vidas
Éditeur: Copenhagen : Museum Tusculanum Press, University of Copenhagen, 2006.
Édition/format:   Livre imprimé : AnglaisVoir toutes les éditions et tous les formats
Résumé:
This book is the first detailed analysis of an exquisitely illuminated thirteenth-century Parisian manuscript (GKS 1606, 4[degree], the Royal Library, Copenhagen) which was owned by Christina of Norway (1234-1262), daughter of Hakon IV and wife of Phillip of Castile and Leon. New information is provided about the Psalter's medieval and later components, its liturgical and other functions, missing illuminations and  Lire la suite...
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Détails

Genre/forme: History
Personne nommée: Prinzessin) Kristina Håkonsdatter (Norwegen
Type d’ouvrage: Ressource Internet
Type de document: Livre, Ressource Internet
Tous les auteurs / collaborateurs: Marina Vidas
ISBN: 8763501279 9788763501279
Numéro OCLC: 64467806
Description: 154 pages, 21, 20 pages of plates : facsimiles (some color) ; 26 cm
Contenu: 1. Description of the manuscript --
2. artistic background --
3. artists, style and iconography of the prefatory cycle --
4. intended reader --
5. Catalogue of the prefatory and psalm illuminations --
App. Christina Psalter, GKS 1606, 4[degree].
Responsabilité: Marina Vidas.
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Résumé:

This book is the first detailed analysis of an exquisitely illuminated thirteenth-century Parisian manuscript (GKS 1606, 4[degree], the Royal Library, Copenhagen) which was owned by Christina of Norway (1234-1262), daughter of Hakon IV and wife of Phillip of Castile and Leon. New information is provided about the Psalter's medieval and later components, its liturgical and other functions, missing illuminations and texts, as well as its provenance and date. Furthermore, the stylistic and iconographic similarities between the Psalter and some of the most important manuscripts illuminated in Paris in the period, like the three-volume Moralized Bibles, are discussed. Suggestions also are made about the meanings the texts and images might have had for their intended audience.

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