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Cinéma de seconde main : esthétique du remploi dans l'art du film et des nouveaux médias Preview this item
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Cinéma de seconde main : esthétique du remploi dans l'art du film et des nouveaux médias

Author: Christa Blümlinger; Pierre Rusch; Christophe Jouanlanne
Publisher: Paris : Klincksieck, [2013] ©2013
Series: Collection d'esthétique, 77.
Edition/Format:   Print book : FrenchView all editions and formats
Summary:
Née du montage cinématographique, la reprise d'images animées est devenue une pratique quotidienne à l'âge des techniques de reproduction numérique. Choix revendiqué et pratique artistique, le remploi pose depuis toujours la question de la puissance esthétique et épistémique du cinéma. Ce livre s'intéresse à un art d#x92;archives contemporain, se rapportant certes au passé, mais qui peut être compris sous ses  Read more...
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Details

Document Type: Book
All Authors / Contributors: Christa Blümlinger; Pierre Rusch; Christophe Jouanlanne
ISBN: 9782252039021 2252039027
OCLC Number: 856734633
Language Note: Traduit de l'allemand.
Notes: Traduction de: Kino aus zweiter Hand : zür Ästhetik materieller Aneignung im Film und in der Medienkunst.
Description: 389 pages : illustrations ; 24 cm.
Series Title: Collection d'esthétique, 77.
Other Titles: Kino aus zweiter Hand.
Responsibility: Christa Blümlinger ; traduit de l'allemand par Pierre Rusch et Christophe Jouanlanne.
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Abstract:

Née du montage cinématographique, la reprise d'images animées est devenue une pratique quotidienne à l'âge des techniques de reproduction numérique. Choix revendiqué et pratique artistique, le remploi pose depuis toujours la question de la puissance esthétique et épistémique du cinéma. Ce livre s'intéresse à un art d#x92;archives contemporain, se rapportant certes au passé, mais qui peut être compris sous ses différentes formes comme un acte vivant #x96; de lecture, de transformation ou d#x92;incorporation des images. Le film artistique d#x92;archives, que ce soit dans la tradition avant-gardiste du ± found footage » ou comme remontage essayiste, vise toujours à modifier, réélaborer, transcrire, arranger : par la répétition, il recherche l#x92;originalité d#x92;images et de sons nouveaux. Cette étude part d#x92;un concept processuel de l#x92;archive à travers le cinéma et les nouveaux médias, et tente de dégager la dynamique multiple des élaborations secondaires.

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Linked Data


\n\n

Primary Entity<\/h3>\n
<http:\/\/www.worldcat.org\/oclc\/856734633<\/a>> # Cin\u00E9ma de seconde main : esth\u00E9tique du remploi dans l\'art du film et des nouveaux m\u00E9dias<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:CreativeWork<\/a>, schema:Book<\/a> ;\u00A0\u00A0\u00A0\nbgn:translationOfWork<\/a> <http:\/\/www.worldcat.org\/title\/-\/oclc\/856734633#CreativeWork\/unidentifiedOriginalWork<\/a>> ; # Kino aus zweiter Hand.<\/span>\n\u00A0\u00A0\u00A0\nlibrary:oclcnum<\/a> \"856734633<\/span>\" ;\u00A0\u00A0\u00A0\nlibrary:placeOfPublication<\/a> <http:\/\/id.loc.gov\/vocabulary\/countries\/fr<\/a>> ;\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/1348819038#Topic\/motion_pictures<\/a>> ; # Motion pictures<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/1348819038#Topic\/medias_et_technologie<\/a>> ; # M\u00E9dias et technologie<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/1348819038#Topic\/art_video<\/a>> ; # Art vid\u00E9o<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/1348819038#Topic\/archives_audiovisuelles<\/a>> ; # Archives audiovisuelles<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/1348819038#Topic\/mass_media_and_technology<\/a>> ; # Mass media and technology<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/1348819038#Topic\/cinema_esthetique<\/a>> ; # Cin\u00E9ma--Esth\u00E9tique<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/dewey.info\/class\/791.430\/<\/a>> ;\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/1348819038#Topic\/esthetique_cinematographique<\/a>> ; # Esth\u00E9tique cin\u00E9matographique<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/1348819038#Topic\/remploi_cinema<\/a>> ; # Remploi (cin\u00E9ma)<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/1348819038#Topic\/motion_pictures_aesthetics<\/a>> ; # Motion pictures--Aesthetics<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/1348819038#Topic\/cinema_numerique<\/a>> ; # Cin\u00E9ma num\u00E9rique<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/1348819038#Topic\/montage_cinematographique<\/a>> ; # Montage cin\u00E9matographique<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/1348819038#Topic\/cinema<\/a>> ; # Cin\u00E9ma<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/1348819038#Topic\/mass_media<\/a>> ; # Mass-m\u00E9dia<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/1348819038#Topic\/films_de_recuperation_esthetique<\/a>> ; # Films de r\u00E9cup\u00E9ration--Esth\u00E9tique<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/1348819038#Topic\/digital_cinematography<\/a>> ; # Digital cinematography<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/1348819038#Topic\/recyclage<\/a>> ; # Recyclage<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/1348819038#Topic\/montage_cinema<\/a>> ; # Montage (Cin\u00E9ma)<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/1348819038#Topic\/films_montage_esthetique<\/a>> ; # Films--Montage--Esth\u00E9tique<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/1348819038#Topic\/archives_cinematographiques<\/a>> ; # Archives cin\u00E9matographiques<\/span>\n\u00A0\u00A0\u00A0\nschema:bookFormat<\/a> bgn:PrintBook<\/a> ;\u00A0\u00A0\u00A0\nschema:contributor<\/a> <http:\/\/viaf.org\/viaf\/14776309<\/a>> ; # Pierre Rusch<\/span>\n\u00A0\u00A0\u00A0\nschema:contributor<\/a> <http:\/\/viaf.org\/viaf\/29545469<\/a>> ; # Christophe Jouanlanne<\/span>\n\u00A0\u00A0\u00A0\nschema:creator<\/a> <http:\/\/viaf.org\/viaf\/49378735<\/a>> ; # Christa Bl\u00FCmlinger<\/span>\n\u00A0\u00A0\u00A0\nschema:datePublished<\/a> \"2013<\/span>\" ;\u00A0\u00A0\u00A0\nschema:description<\/a> \"N\u00E9e du montage cin\u00E9matographique, la reprise d\'images anim\u00E9es est devenue une pratique quotidienne \u00E0 l\'\u00E2ge des techniques de reproduction num\u00E9rique. Choix revendiqu\u00E9 et pratique artistique, le remploi pose depuis toujours la question de la puissance esth\u00E9tique et \u00E9pist\u00E9mique du cin\u00E9ma. Ce livre s\'int\u00E9resse \u00E0 un art d#x92;archives contemporain, se rapportant certes au pass\u00E9, mais qui peut \u00EAtre compris sous ses diff\u00E9rentes formes comme un acte vivant #x96; de lecture, de transformation ou d#x92;incorporation des images. Le film artistique d#x92;archives, que ce soit dans la tradition avant-gardiste du \u00B1 found footage \u00BB ou comme remontage essayiste, vise toujours \u00E0 modifier, r\u00E9\u00E9laborer, transcrire, arranger : par la r\u00E9p\u00E9tition, il recherche l#x92;originalit\u00E9 d#x92;images et de sons nouveaux. Cette \u00E9tude part d#x92;un concept processuel de l#x92;archive \u00E0 travers le cin\u00E9ma et les nouveaux m\u00E9dias, et tente de d\u00E9gager la dynamique multiple des \u00E9laborations secondaires.<\/span>\"@fr<\/a> ;\u00A0\u00A0\u00A0\nschema:exampleOfWork<\/a> <http:\/\/worldcat.org\/entity\/work\/id\/1348819038<\/a>> ; # Kino aus zweiter Hand.<\/span>\n\u00A0\u00A0\u00A0\nschema:inLanguage<\/a> \"fr<\/span>\" ;\u00A0\u00A0\u00A0\nschema:isPartOf<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/1348819038#Series\/collection_d_esthetique<\/a>> ; # Collection d\'esth\u00E9tique ;<\/span>\n\u00A0\u00A0\u00A0\nschema:name<\/a> \"Cin\u00E9ma de seconde main : esth\u00E9tique du remploi dans l\'art du film et des nouveaux m\u00E9dias<\/span>\"@fr<\/a> ;\u00A0\u00A0\u00A0\nschema:productID<\/a> \"856734633<\/span>\" ;\u00A0\u00A0\u00A0\nschema:workExample<\/a> <http:\/\/worldcat.org\/isbn\/9782252039021<\/a>> ;\u00A0\u00A0\u00A0\nwdrs:describedby<\/a> <http:\/\/www.worldcat.org\/title\/-\/oclc\/856734633<\/a>> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n\n

Related Entities<\/h3>\n
<http:\/\/dewey.info\/class\/791.430\/<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/1348819038#Series\/collection_d_esthetique<\/a>> # Collection d\'esth\u00E9tique ;<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nbgn:PublicationSeries<\/a> ;\u00A0\u00A0\u00A0\nschema:hasPart<\/a> <http:\/\/www.worldcat.org\/oclc\/856734633<\/a>> ; # Cin\u00E9ma de seconde main : esth\u00E9tique du remploi dans l\'art du film et des nouveaux m\u00E9dias<\/span>\n\u00A0\u00A0\u00A0\nschema:name<\/a> \"Collection d\'esth\u00E9tique ;<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/1348819038#Topic\/archives_audiovisuelles<\/a>> # Archives audiovisuelles<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Archives audiovisuelles<\/span>\"@fr<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/1348819038#Topic\/archives_cinematographiques<\/a>> # Archives cin\u00E9matographiques<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Archives cin\u00E9matographiques<\/span>\"@fr<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/1348819038#Topic\/art_video<\/a>> # Art vid\u00E9o<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Art vid\u00E9o<\/span>\"@fr<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/1348819038#Topic\/cinema<\/a>> # Cin\u00E9ma<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Cin\u00E9ma<\/span>\"@fr<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/1348819038#Topic\/cinema_esthetique<\/a>> # Cin\u00E9ma--Esth\u00E9tique<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Cin\u00E9ma--Esth\u00E9tique<\/span>\"@fr<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/1348819038#Topic\/cinema_numerique<\/a>> # Cin\u00E9ma num\u00E9rique<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Cin\u00E9ma num\u00E9rique<\/span>\"@fr<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/1348819038#Topic\/digital_cinematography<\/a>> # Digital cinematography<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Digital cinematography<\/span>\"@fr<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/1348819038#Topic\/esthetique_cinematographique<\/a>> # Esth\u00E9tique cin\u00E9matographique<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Esth\u00E9tique cin\u00E9matographique<\/span>\"@fr<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/1348819038#Topic\/films_de_recuperation_esthetique<\/a>> # Films de r\u00E9cup\u00E9ration--Esth\u00E9tique<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Films de r\u00E9cup\u00E9ration--Esth\u00E9tique<\/span>\"@fr<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/1348819038#Topic\/films_montage_esthetique<\/a>> # Films--Montage--Esth\u00E9tique<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Films--Montage--Esth\u00E9tique<\/span>\"@fr<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/1348819038#Topic\/mass_media<\/a>> # Mass-m\u00E9dia<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Mass-m\u00E9dia<\/span>\"@fr<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/1348819038#Topic\/mass_media_and_technology<\/a>> # Mass media and technology<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Mass media and technology<\/span>\"@fr<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/1348819038#Topic\/medias_et_technologie<\/a>> # M\u00E9dias et technologie<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"M\u00E9dias et technologie<\/span>\"@fr<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/1348819038#Topic\/montage_cinema<\/a>> # Montage (Cin\u00E9ma)<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Montage (Cin\u00E9ma)<\/span>\"@fr<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/1348819038#Topic\/montage_cinematographique<\/a>> # Montage cin\u00E9matographique<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Montage cin\u00E9matographique<\/span>\"@fr<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/1348819038#Topic\/motion_pictures<\/a>> # Motion pictures<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Motion pictures<\/span>\"@fr<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/1348819038#Topic\/motion_pictures_aesthetics<\/a>> # Motion pictures--Aesthetics<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Motion pictures--Aesthetics<\/span>\"@fr<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/1348819038#Topic\/recyclage<\/a>> # Recyclage<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Recyclage<\/span>\"@fr<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/1348819038#Topic\/remploi_cinema<\/a>> # Remploi (cin\u00E9ma)<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Remploi (cin\u00E9ma)<\/span>\"@fr<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/id.loc.gov\/vocabulary\/countries\/fr<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:Place<\/a> ;\u00A0\u00A0\u00A0\ndcterms:identifier<\/a> \"fr<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/viaf.org\/viaf\/14776309<\/a>> # Pierre Rusch<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"Rusch<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"Pierre<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Pierre Rusch<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/viaf.org\/viaf\/29545469<\/a>> # Christophe Jouanlanne<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"Jouanlanne<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"Christophe<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Christophe Jouanlanne<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/viaf.org\/viaf\/49378735<\/a>> # Christa Bl\u00FCmlinger<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:birthDate<\/a> \"1963<\/span>\" ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"Bl\u00FCmlinger<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"Christa<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Christa Bl\u00FCmlinger<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/worldcat.org\/entity\/work\/id\/1348819038<\/a>> # Kino aus zweiter Hand.<\/span>\n\u00A0\u00A0\u00A0\nschema:name<\/a> \"Kino aus zweiter Hand.<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/worldcat.org\/isbn\/9782252039021<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:ProductModel<\/a> ;\u00A0\u00A0\u00A0\nschema:isbn<\/a> \"2252039027<\/span>\" ;\u00A0\u00A0\u00A0\nschema:isbn<\/a> \"9782252039021<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/www.worldcat.org\/title\/-\/oclc\/856734633<\/a>>\u00A0\u00A0\u00A0\u00A0a \ngenont:InformationResource<\/a>, genont:ContentTypeGenericResource<\/a> ;\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/www.worldcat.org\/oclc\/856734633<\/a>> ; # Cin\u00E9ma de seconde main : esth\u00E9tique du remploi dans l\'art du film et des nouveaux m\u00E9dias<\/span>\n\u00A0\u00A0\u00A0\nschema:dateModified<\/a> \"2020-04-09<\/span>\" ;\u00A0\u00A0\u00A0\nvoid:inDataset<\/a> <http:\/\/purl.oclc.org\/dataset\/WorldCat<\/a>> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n