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Cinema Studies : the Key Concepts.

Author: Susan Hayward
Publisher: Milton : Taylor and Francis, 2017.
Series: Routledge key guides.
Edition/Format:   eBook : Document : English : 5th edView all editions and formats
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Genre/Form: Electronic books
Encyclopedias
Additional Physical Format: Print version:
Hayward, Susan.
Cinema Studies : The Key Concepts.
Milton : Taylor and Francis, ©2017
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Susan Hayward
ISBN: 9781317214793 131721479X
OCLC Number: 1002028536
Notes: Spectator/spectator-identification/ female spectator.
Description: 1 online resource (631 pages).
Contents: Cover ; Half Title ; Title Page ; Copyright Page ; Dedication ; Table of Contents ; Preface, how to use the book and acknowledgements; List of key concepts; The key concepts ; acting and performance; action movies; adaptation; agency; anamorphic lens; animation; apparatus; art cinema; art direction; aspect ratio; asynchronization/asynchronous sound; audience; auteur/auteur theory/politique des auteurs/Cahiers du cinéma; avant-garde; Black cinema --
UK; Black cinema, including Blaxploitation movies --
USA; blockbusters; B-movies; Bollywood; British New Wave; buddy films; censorship; CGI. Cinema nôvocinemascope; cinematographer/director of photography; cinéma-vérité/cinéma direct/direct cinema; class; classical Hollywood cinema/ classical narrative cinema; codes and conventions/classic canons; colour; comedy; continuity editing --
see editing; convergence; costume dramas/heritage cinema/historical films; counter-cinema/oppositional cinema; cross-cutting; cult cinema; cut; day for night; deconstruction; deep focus/depth of field; denotation/connotation; diegesis/diegetic/non-diegetic/extra- and intra-diegetic; digital cinema/post-digital cinema; digitization and globalization. Direct cinema see cinéma-véritédirector; discourse; dissolve/lap-dissolve; distanciation; distribution; documentary; Dogme 95 manifesto/Dogme films; dominant/mainstream cinema; East Asian Cinema; editing/Soviet montage; epics; ethnographic film/gaze; European cinema/European film financing; experimental film; exploitation movies; eyeline matching; fade; fantasy/fantasy films; female masquerade; feminist film theory; film noir; film theory; flashback; Free Cinema (Britain); French New Wave/Nouvelle Vague; French Poetic Realism; gangster films; gaze/look; gender; genre/sub-genre. German expressionismGermany/New German cinema; Hays code; hegemony; historical films/reconstructions see costume drama; Hollywood; Hollywood blacklist; horror/Gothic horror/Hammer Horror/horror thriller/body horror/vampire movies; iconography; ideology; Imaginary/Symbolic see psychoanalysis; independent American cinema; independent cinema; intertextuality; Italian neo-realism; jump cut; lighting; melodrama and women's films; method acting; mise-en-abîme; mise-en-scène; modernism; montage see editing Soviet cinema; motivation; movement-image/time-image; music; musical; myth. Narrative/narrationnaturalizing; Oedipal trajectory see psychoanalysis; 180-degree rule; pornography; postcolonial theory; postmodernism; preferred reading; producer; psychoanalysis; Queer cinema; quota quickies; realism; reception theory see spectator; road movie; science-fiction films; scopophilia/scopic drive/visual pleasure; seamlessness see editing; semiology/semiotics/sign and signification; sequence/sequencing; setting; sexuality; shot/reverse-angle shot; shots; social realism; sound/soundtrack; Soviet cinema/school; space and time/spatial and temporal contiguity.
Series Title: Routledge key guides.

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`Every film student would be well advised to have a copy of the revised and updated version of Susan Hayward's Cinema Studies: The Key Concepts next to them as they progress through their course. It Read more...

 
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