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Classical music and the Afro-American : an interview of Marian Anderson conducted by George Shirley, April 9, 1974 on WQXR.

Author: Marian AndersonGeorge ShirleyRobert ShawCharles O'ConnellFranz RuppAll authors
Publisher: [1974]
Edition/Format:   Music : Reel-to-reel tape   Archival Material : English
Publication:Marian Anderson Collection of Miscellaneous Sound Recordings. Cassette MA265
Summary:
Marian Anderson discusses her childhood years in Philadelphia, studying the violin as a child, her first voice teacher Mary Saunders Patterson and her later voice teacher Giuseppe Boghetti, what role opera played in her career, her ability to learn languages, her concert at Lewisohn Stadium in New York and its effect on her career, the meaning of spirituals to her, her European tours and her return to the United  Read more...
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Details

Genre/Form: Interviews
Excerpts
Named Person: Marian Anderson; Marian Anderson
Material Type: Music
Document Type: Sound Recording, Archival Material
All Authors / Contributors: Marian Anderson; George Shirley; Robert Shaw; Charles O'Connell; Franz Rupp; Kosti Vehanen; Felix Mendelssohn-Bartholdy; Johann Sebastian Bach; Robert Schumann; WQXR (Radio station : New York, N.Y.)
OCLC Number: 1049034062
Notes: Interview with Marian Anderson, interspersed with recordings of her performances.
Title supplied by cataloger.
Original copy: 1 7 in. reel to reel tape (MA265); preservation copy: 2 10 1/2 in. reel to reel tapes (MA Reels 50-51); service copy: 1 cassette tape (MA265). Preservation and service copies recorded 1997.
Performer(s): George Shirley, interviewer; Marian Anderson, contralto.
Event notes: Recorded at radio station WQXR, New York City, April 9, 1974.
Description: 1 audiotape reel : analog, 7 1/2 ips, 2 track ; 7 in., 1/4 in. tape 2 audiotape reels : analog, 7 1/2 ips, 2 track, NAB standard ; 10 1/2 in., 1/4 in. tape 1 audiocassette : analog, Dolby B processed
Contents: My Lord, what a morning (with piano acc.) --
Elijah. Oh, rest in the Lord / Mendelssohn-Bartholdy (with RCA Victor Chamber Orchestra, Charles O'Connell, conductor) --
Cantata no. 81. Jesus schläft, Jesus schläft, was soll ich hoffen / Bach (with RCA Victor Chamber Orchestra, Robert Shaw, conductor) --
Poor me (Trouble will bury me down) (with Franz Rupp, piano) --
Der Nussbaum / Schumann (with Kosti Vehanen, piano) --
I am a poor pilgrim of sorrow (incomplete) (with piano).
Other Titles: My Lord, what a morning.
Poor me.
I am a poor pilgrim of sorrow.
Oh, rest in the Lord.

Abstract:

Marian Anderson discusses her childhood years in Philadelphia, studying the violin as a child, her first voice teacher Mary Saunders Patterson and her later voice teacher Giuseppe Boghetti, what role opera played in her career, her ability to learn languages, her concert at Lewisohn Stadium in New York and its effect on her career, the meaning of spirituals to her, her European tours and her return to the United States (especially her concert at Carnegie Hall), her recollections of the 1939 concert at the Lincoln Memorial which came about as a result of the D.A.R. refusal to allow her to perform in Constitution Hall in Washington, D.C., her 1935 recital in Salzburg, the awards she has won, and role her mother played in her life.

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