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Classicism and Christianity in late antique Latin poetry

Author: Philip R Hardie
Publisher: Oakland, California : University of California Press, [2019]
Series: Joan Palevsky imprint in classical literature.; Sather classical lectures, v. 74.
Edition/Format:   Print book : EnglishView all editions and formats
Summary:
"After centuries of near silence, Latin poetry underwent a renaissance in the late fourth and fifth centuries CE in the works of such key figures as Ausonius, Claudian, Prudentius, and Paulinus of Nola. This period of resurgence was a milestone in the reception of the classics of late Republican and early imperial poetry. In Classicism and Christianity in Late Antique Latin Poetry, Philip Hardie explores the ways in  Read more...
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Genre/Form: Criticism, interpretation, etc
Additional Physical Format: Online version:
Hardie, Philip R.
Classicism and Christianity in late antique Latin poetry.
Oakland, California : University of California Press, [2019]
(DLC) 2019003058
Document Type: Book
All Authors / Contributors: Philip R Hardie
ISBN: 9780520295773 0520295773 9780520295780 0520295781
OCLC Number: 1083690914
Description: viii, 293 pages ; 24 cm
Contents: Farewells and returns: Ausonius and Paulinus of Nola --
Virgilian plots --
Cosmos: classical and Christian universes --
Concord and discord; concordia discors --
Innovations of late antiquity: novelty and renouatio --
Paradox, mirabilia, miracles --
Allegory --
Mosaics and intertextuality.
Series Title: Joan Palevsky imprint in classical literature.; Sather classical lectures, v. 74.
Responsibility: Philip Hardie.

Abstract:

After centuries of near silence, Latin poetry underwent a renaissance in the late fourth and fifth centuries CE. Here, Hardie explores how poets writing on non-Christian and Christian subjects used  Read more...

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The book pays particular attention to the themes of concord and discord, the \'cosmic sense\' of late antiquity, novelty and renouatio, paradox and miracle, and allegory. It is also a contribution to the ongoing discussion of whether there is an identifiably late antique poetics, and a late antique practice of intertextuality. 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