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Código color memorias = Color code memories

Author: William Sabourin O'ReillyAntonia ZennaroAlexey MartíAlberto Lescay CastellanosDaniel Diez, Jr.All authors
Publisher: Brooklyn, NY : Icarus Films, [United States] : Distributed by Americas Media Initiative, [2015] [2015]
Edition/Format:   DVD video : SpanishView all editions and formats
Summary:
Codigo color, memorias (Color code, memories), explores the complex issue of racism through the memories of the picturesque city of Santiago de Cuba.
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Details

Genre/Form: Documentary films
Nonfiction films
Short films
Material Type: Videorecording
Document Type: Visual material
All Authors / Contributors: William Sabourin O'Reilly; Antonia Zennaro; Alexey Martí; Alberto Lescay Castellanos; Daniel Diez, Jr.; Icarus Films,; Americas Media Initiative,; Fundación Caguayo,; Tungsten Monkey,
OCLC Number: 960723803
Language Note: In Spanish with English subtitles.
Notes: This disc is a recorded DVD and may fail to play on some DVD players or drives.
Originally produced as a motion picture and released in 2015.
Credits: Directors of photography, Antonia Zennaro, William Sabourin O'Reilly ; editors, Daniel Diez, Jr., William Sabourin O'Reilly ; music, Alexey Martí, Alberto Lescay Castellanos.
Performer(s): Interviewees, Jose Loreto Horrutinier Vicente, Walfrido, Yolanda Siegler, and 17 others.
Description: 1 videodisc (33 min.) : sound, color with black and white sequences ; 4 3/4 in.
Other Titles: Color code memories
Responsibility: Fundación Caguayo ; Tungsten Monkey presentan ; un filme de William Sabourin O'Reilly ; producción, Antonia Zennaro ; guión y dirección, William Sabourin O'Reilly.

Abstract:

Codigo color, memorias (Color code, memories), explores the complex issue of racism through the memories of the picturesque city of Santiago de Cuba.

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Educational Media Reviews Online (1)

Codigo Color, Memorias

(EMRO user published 2018-05-29 ) Very Good Permalink
This film documents the complex issue of racism in Santiago de Cuba in pre-revolutionary Cuba through the memories and stories of the people who lived there. The movie uses powerful visual language and color, along with archival images, to transport the v

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