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The collections of The Nelson-Atkins Museum of Art. Italian paintings, 1300-1800

Author: Eliot Wooldridge Rowlands; Nelson-Atkins Museum of Art.
Publisher: Kansas City, Mo. : Nelson-Atkins Museum of Art, ©1996.
Edition/Format:   Print book : English : 1st edView all editions and formats
Summary:
This extraordinary book is the first in a projected series of specialized catalogues documenting the permanent collections of The Nelson-Atkins Museum of Art in Kansas City, Missouri. The collection of Italian paintings, a total of sixty works, is a representative one for the years 1300-1800 with significant examples from all major schools. Each catalogue entry, written by Eliot W. Rowlands, includes a thorough and
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Genre/Form: Catalogs
Catalogues
Additional Physical Format: Online version:
Nelson-Atkins Museum of Art.
Collections of The Nelson-Atkins Museum of Art. Italian paintings, 1300-1800.
Kansas City, Mo. : Nelson-Atkins Museum of Art, ©1996
(OCoLC)604843837
Document Type: Book
All Authors / Contributors: Eliot Wooldridge Rowlands; Nelson-Atkins Museum of Art.
ISBN: 0942614259 9780942614251
OCLC Number: 32856466
Notes: An exhibition catalog.
Description: 487 pages : illustrations (some color) ; 32 cm
Contents: Foreword / Marc F. Wilson --
Preface / Roger Ward --
Acknowledgments / Eliot W. Rowlands --
The collecting of Italian paintings in Kansas City / Eliot W. Rowlands --
The use of infrared reflectography in the study of Italian paintings at the Nelson-Atkins Museum of Art / Molly Faries --
Notes to the catalogue and abbreviated sources --
Catalogue of Italian paintings / Eliot W. Rowlands --
Index of proper names --
Index of former collections.
Other Titles: Italian paintings, 1300-1800
Responsibility: by Eliot W. Rowlands.

Abstract:

This extraordinary book is the first in a projected series of specialized catalogues documenting the permanent collections of The Nelson-Atkins Museum of Art in Kansas City, Missouri. The collection of Italian paintings, a total of sixty works, is a representative one for the years 1300-1800 with significant examples from all major schools. Each catalogue entry, written by Eliot W. Rowlands, includes a thorough and lively biography on the artist; complete technical notes.

And a detailed description; a fully documented commentary with a discussion of attribution, date, subject, and function; an exacting list of references that also summarizes the critical history of each work; and a full account of exhibition history and provenance. All the Italian paintings in the Nelson-Atkins collection are reproduced in full color, and there are over 200 black-and-white comparative illustrations.

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