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Conceptualizing music : cognitive structure, theory, and analysis

Author: Lawrence Michael Zbikowski
Publisher: Oxford ; New York : Oxford University Press, 2002.
Series: AMS studies in music.
Edition/Format:  eBook : Document : EnglishView all editions and formats
Summary:
This text shows how work in cognitive science, especially that developed by cognitive linguists and cognitive psychologists can be used to explain how we understand music. The book focuses on three cognitive processes - categorization, cross-domain mapping, and the use of the conceptual model.
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Genre/Form: Electronic books
Additional Physical Format: Print version:
Zbikowski, Lawrence Michael.
Conceptualizing music.
Oxford ; New York : Oxford University Press, 2002
(DLC) 2001058756
(OCoLC)48474073
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Lawrence Michael Zbikowski
ISBN: 9780198032175 019803217X 9780195140231 0195140230 0195185021 9780195185027
OCLC Number: 57361805
Description: 1 online resource (xiv, 360 pages) : illustrations
Contents: ""Contents""; ""Introduction: Conceptualizing Music""; ""PART I. ASPECTS OF COGNITIVE STRUCTURE""; ""1. Categorization""; ""2. Cross�Domain Mapping""; ""3. Conceptual Models and Theories""; ""PART II. ANALYSIS AND THEORY""; ""4. Categorization, Compositional Strategy, and Musical Syntax""; ""5. Cultural Knowledge and Musical Ontology""; ""6. Words, Music, and Song: The Nineteenth�Century Lied""; ""7. Competing Models of Music: Theories of Musical Form and Hierarchy""; ""Conclusion: Cognitive Structure, Theory, and Analysis""; ""Bibliography""; ""Index""; ""A""; ""B""; ""C""; ""D""; ""E"" ""F""""g""; ""h""; ""i""; ""j""; ""k""; ""l""; ""m""; ""n""; ""o""; ""p""; ""q""; ""r""; ""s""; ""t""; ""u""; ""v""; ""w""; ""y""; ""z""
Series Title: AMS studies in music.
Responsibility: Lawrence M. Zbikowski.
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Abstract:

This book shows how recent work in cognitive science, especially that developed by cognitive linguists and cognitive psychologists, can be used to explain how we understand music. The book focuses  Read more...

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Zbikowski embraces many discreet strands in the gamut of thought on music theory and cognitive psychology in this groundbreaking study. He provides a clear outline of each field of research, both Read more...

 
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<http:\/\/www.worldcat.org\/oclc\/57361805<\/a>> # Conceptualizing music : cognitive structure, theory, and analysis<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:CreativeWork<\/a>, schema:Book<\/a>, schema:MediaObject<\/a> ;\u00A0\u00A0\u00A0\nlibrary:oclcnum<\/a> \"57361805<\/span>\" ;\u00A0\u00A0\u00A0\nlibrary:placeOfPublication<\/a> <http:\/\/id.loc.gov\/vocabulary\/countries\/enk<\/a>> ;\u00A0\u00A0\u00A0\nlibrary:placeOfPublication<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/793951737#Place\/oxford<\/a>> ; # Oxford<\/span>\n\u00A0\u00A0\u00A0\nlibrary:placeOfPublication<\/a> <http:\/\/dbpedia.org\/resource\/New_York_City<\/a>> ; # New York<\/span>\n\u00A0\u00A0\u00A0\nrdfs:comment<\/a> \"Warning: This malformed URI has been treated as a string - \'http:\/\/images.contentreserve.com\/ImageType-100\/1316-1\/{D2B6689E-AA42-422F-A183-352320A66174}Img100.jpg\'<\/span>\" ;\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/id.loc.gov\/authorities\/classification\/ML3838<\/a>> ;\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/id.worldcat.org\/fast\/1030696<\/a>> ; # Musical analysis<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/793951737#Topic\/analyse_musicale<\/a>> ; # Analyse musicale<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/id.worldcat.org\/fast\/866457<\/a>> ; # Cognition<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/793951737#Topic\/music_instruction_&_study_appreciation<\/a>> ; # MUSIC--Instruction & Study--Appreciation<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/793951737#Topic\/perception_de_la_musique<\/a>> ; # Perception de la musique<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/dewey.info\/class\/781.11\/e22\/<\/a>> ;\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/id.worldcat.org\/fast\/1030788<\/a>> ; # Musical perception<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/793951737#Thing\/humaniora<\/a>> ; # Humaniora<\/span>\n\u00A0\u00A0\u00A0\nschema:bookFormat<\/a> schema:EBook<\/a> ;\u00A0\u00A0\u00A0\nschema:creator<\/a> <http:\/\/viaf.org\/viaf\/34711049<\/a>> ; # Lawrence Michael Zbikowski<\/span>\n\u00A0\u00A0\u00A0\nschema:datePublished<\/a> \"2002<\/span>\" ;\u00A0\u00A0\u00A0\nschema:description<\/a> \"\"\"Contents\"\"; \"\"Introduction: Conceptualizing Music\"\"; \"\"PART I. 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Content-negotiable representations<\/p>\n