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Constructive strands in Russian art, 1914-1937

Author: Christina Lodder
Publisher: London : Pindar Press, 2005.
Edition/Format:   Print book : EnglishView all editions and formats
Summary:

Professor Lodder is a leading specialist in art of the Russian avant-garde which flourished during the 1910s and 1920s.

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Additional Physical Format: Online version:
Lodder, Christina, 1948-
Constructive strands in Russian art, 1914-1937.
London : Pindar Press, 2005
(OCoLC)741965169
Document Type: Book
All Authors / Contributors: Christina Lodder
ISBN: 1899828591 9781899828593
OCLC Number: 51991931
Notes: A collection of previously published articles.
Description: ix, 589 pages : illustrations ; 25 cm
Contents: Prints for the people : the popular printed image in Russia before the Revolution --
The transrational in painting : Kazimir Malevich, Alogism and Zaum --
To infinity and beyond : Kazimir Malevich, suprematism, and the aeroplane --
From the studio to the factory : the press for a new art in Russia, 1917-21 --
Lenin's plan for monumental propaganda --
Monuments to the masses : embodying the collective --
Tatlin's Monument to the Third International as a symbol of revolution --
The genesis of productivism and constructivism : a dialogue between theory and practice --
The Obmokhu Exhibition of 1921 and the emergence of constructivism --
Constructivism and productivism in the 1920s --
Constructivist theatre as a laboratory for an architectural aesthetic --
Promoting constructivism : Kino-fot and Rodchenko's move into photography --
Aleksandr Rodchenko, Aleksei Gan and the emergence of constructivist typography --
Lyubov Popova : a revolutionary woman artist --
The Vkhutemas and the Bauhaus : a creative dialogue --
El Lissitzky and international constructivism in Berlin, 1922-1925 --
Seeing red : Lissitzky's abstract cabinet and the ideology of display --
International constructivism and the legacy of Unovis in the 1920s : El Lissitzky, Katarzyna Kobro and Władisław Strzemiński.
Responsibility: Christina Lodder.

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