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The Continental philosophy of film reader

Author: Joseph Westfall
Publisher: London ; New York, NY : Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc, 2018.
Edition/Format:   Print book : EnglishView all editions and formats
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Additional Physical Format: Online version:
Continental philosophy of film reader.
New York : Bloomsbury Academic, 2018
(DLC) 2017053450
Document Type: Book
All Authors / Contributors: Joseph Westfall
ISBN: 9781474275699 1474275699 9781474275736 1474275737
OCLC Number: 1008894925
Description: xv, 662 pages ; 26 cm
Contents: Part I. Foundations. Ricciotto Canudo, the birth of the sixth art (1911) --
Georg Lukács, thoughts on an aesthetics of cinema (1913) --
Hugo Münsterberg, the means and function of the photoplay (1916) --
Rudolf Arnheim, sound film (1928-1932) the sad future of film (1930) sound film gone astray (1932) --
André Bazin, the ontology of the photographic image (1945) --
Jean Epstein, the intelligence of a machine (1946) --
Bela Balazs, theory of the film (1948) --
Ronald Barthes, romans in the movies (1957) Garbo's face (1957) Lost Continent (1957). Part II. Phenomenology and Existentialism. Jean-Paul Sartre, motion picture art (1931) --
André Malraux, sketch for a psychology of the moving pictures (1940) --
Roman Ingarden, the film (1947) --
Maurice Merleau-Ponty, the film and the new psychology (1964) --
Jean Louis Schefer, the ordinary man of the cinema (1980) --
Serge Daney, the tracking shot in Kapo (1992) --
Daniel Frampton, filmosophy (2006). Part III. Marxism and critical theory. Siegfried Kracauer, cult of distraction: on Berlin's picture palaces (1926) --
Sergei Eisenstein, a dialectic approach to film form (1931) --
Walter Benjamin, the work of art in the age of mechanical reproduction (1936) --
Theodor Adorno and Max Horkheimer, the culture industry: enlightenment as mass deception (1944) --
Theodor Adorno, transparencies on film (1967) --
Jacques Rancière, a thwarted fable (2001). Part IV. Psychology and psychoanalysis. Jean Mitry, the psychology of montage (1963) --
Jean-Louis Baudry, ideological effects of the basic cinematographic apparatus (1970) --
Felix Guattari, a cinema of desire (1973) the poor man's couch (1975) --
Julia Kristevs, fantasy and cinema (1997) --
Slavoj Zizek, the strange case of the missing Lacanians (2001). Part V. Feminism and gender studies. Simone de Beauvoir, Brigitte Bardot and the Lolita syndrome (1959) --
Laura Mulvey, visual pleasure and narrative cinema (1975) --
Teresa de Lauretis, through the looking glass: women, cinema, and language (1984) --
Judith Butler, gender is burning (1993) --
Jack Halbertstam, the transgender look (2005) --
Tina Chanter, concluding reflections on the necrophilia of fetishism (2008). Part VI. Postmodernism. Edgar Morin, the semi-imaginary reality of man (1956) --
Monique Wittig, lacunary films (1966) --
Jean-Francois Lyotard, acinema (1973) --
Michel Foucault, film and popular memory (1974) --
Jean Baudrillard, history: a retro scenario (1981) --
Paul Virillio, the imposture of immediacy (1984) Sicut prior est tempore ita quo potior iure (1984) --
Gilles Deleuze, the time image (1985) --
Giorgio Agamben, notes on gesture (1992) --
Jean-Luc Nancy, on evidence: Life and nothing more, by Abbas Kiorastami (1995) --
Alain Badiou, the false movements of cinema (1998) --
Jacques Derrida, cinema and its ghosts (2000) --
Bernard Stiegler, cinematic time (2001) --
Epilogue. Giorgio Agamben, the six most beautiful minutes in the history of cinema (2005).
Responsibility: edited by Joseph Westfall.

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The intellectually minded film world has been waiting for this anthology. Westfall's book does not only provide a comprehensive collection of texts essential in European philosophy of film or film Read more...

 
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