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  E-mail Message: I thought you might be interested in this item at http://www.worldcat.org/oclc/490740202 Title: LE CORPS DE LA REVOLUTION : LA SOUVERAINETE, LE RECIT ET LE RITUEL POLITIQUES ETUDIES A TRAVERS LEURS REPRESENTATIONS CORPORELLES (DE L'ANCIEN REGIME A LA REVOLUTION FRANCAISE) Author: Antoine de Baecque; Michel Vovelle; Université Panthéon-Sorbonne (Paris) Publisher: [S.l.] : [s.n.], 1992. OCLC:490740202

  
  

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LE CORPS DE LA REVOLUTION : LA SOUVERAINETE, LE RECIT ET LE RITUEL POLITIQUES ETUDIES A TRAVERS LEURS REPRESENTATIONS CORPORELLES (DE L'ANCIEN REGIME A LA REVOLUTION FRANCAISE)

Author:	Antoine de Baecque; Michel Vovelle; Université Panthéon-Sorbonne (Paris).
Publisher:	[S.l.] : [s.n.], 1992.
Dissertation:	Reproduction de : Thèse de doctorat : Histoire : Paris 1 : 1992.
Edition/Format:	Thesis/dissertation : Thesis/dissertation : FrenchView all editions and formats
Summary:	L'ETUDE S'ORGANISE EN TROIS PARTIES: LA REPRESENTATION CORPORELLE DE LA POLITIQUE COMME PASSAGE DE SOUVERAINETE, COMME FICTION DE LA REVOLUTION, PUIS COMME SON CEREMONIAL. A TRAVERS LES VISIONS DU CORPS, LES FRANCAIS SERAIENT PASSES D'UN REGIME POLITIQUE A UN AUTRE (DE LA MONARCHIE BOURBONNE A LA REPUBLIQUE), SE SERAIENT RACONTES LEUR PROPRE AVENTURE (FAIRE "FICTIONNER" LA POLITIQUE), ET AURAIENT PROPOSE UN SPECTACLE SUR LA SCENE DE LA POLITIQUE REVOLUTIONNAIRE. EN PARCOURANT LES REPRESENTATIONS CORPORELLES, ORDONNEES SELON UNE CERTAINE DISPOSITION CHRONOLOGIQUE, DE LA CHRONIQUE DE LA PRETENDUE IMPUIISSANCE DU ROI, DEBUTANT EN 1770, A L'INSTAURATION DE LA GRANDE TERREUR, EN PRIARIAL AN II, REPARTIES SUIVANT UNE DISPOSITION THEMATIQUE, DE L'IMPUISSANCE DU ROI A LA GLOIRE DU MARTYR, DU COLOSSE REGENERE AU MONSTRE DEGENERE, DE L'IMAGINATION AU RIRE PUIS AUX PLEURS, C'EST UNE HISTOIRE DE LA REVOLUTION QUE NOUS VOUDRIONS PROPOSER: PASSAGE DE SOUVERAINETE MENANT DU CORPS DU ROI AU GRAND CORPS CITOYEN, RECIT DE SA PROPRE EPOPEE NOURRI D'IDEES FAITES CORPS, ET INSTAURATION D'UN ESPACE DE LA TRANSPARENCE POLITIQUE QUI, SOUS DIVERSES FORMES, S'EST IMPOSE COMME LA SCENE DE LA DEMOCRATIE MODERNE. THERE ARE THREE PARTS IN THE STUDY: CORPORAL REPRESENTATION AS A PASSAGE FROM SOVEREIGNTY, AS THE FICTION OF REVOLUTION, AND AS ITS RITUAL. THROUGH THE VISIONS OF THE POLITICAL BODY, FRENCH REVOLUTIONARIES PASSED FROM A POLITICAL REGILE TO AN OTHER (FROM THE BOURBON MONARCHY TO THE REPUBLIC), TOLD THEMSELVES THEIR OWN ADVENTURE (THEY USED POLITICS AS A FICTION), AND PERFORMED THEIR OWN PLAY ON THE REVOLUTIONARY STADGE. THROUGH THE VARIOUS REPRESENTATIONS OF THE BODY, IT'S A STORY OF THE REVOLUTION WE WOULD LIKE TO SUGGEST: A PASSAGE FROM THE KING'S BODY TO THE GREAT BODY OF THE CITIZENS, A TALE MADE LIVELY AS PROPPED BY EMBODED IDEAS, AND THE CREATION OF A TRANSPARENT POLITICAL SPACE, WHICH, IN ITS VARIOUS FORMS, IMPOSED ITSELF AS THE STADGE OF MODERN DEMOCRATY.  Read more...
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Subjects	HISTOIRE : 16-17-18EMES SIECLES REVOLUTION FRANCAISE.EMPIRE SOCIETE ET MENTALITES HISTOIRE POLITIQUE. ELECTIONS /REVOLUTION FRANCAISE/CORPS DU ROI/RITUEL POLITIQUE/ROYAUTE FRANCAISE/IMAGINAIRE POLITIQUE
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