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Critical approaches to the production of music and sound

Author: Samantha Bennett, (Music professor); Eliot Bates
Publisher: New York, NY : Bloomsbury Academic, 2018. ©2018
Edition/Format:   eBook : Document : EnglishView all editions and formats
Summary:
Who produces sound and music? And in what spaces, localities, and contexts? As the production of sound and music in the 21st century converges with multimedia, these questions are critically addressed in this new edited collection. This work features 16 brand-new articles by leading thinkers from the fields of music, audio engineering, anthropology, and media. Innovative and timely, this collection represents  Read more...
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Genre/Form: Electronic books
Additional Physical Format: Print version:
Critical approaches to the production of music and sound.
New York NY : Bloomsbury Academic, 2017
(DLC) 2017024433
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Samantha Bennett, (Music professor); Eliot Bates
ISBN: 9781501332067 1501332066 9781501332081 1501332082
OCLC Number: 1000297807
Awards: Short-listed for The PROSE Award 2019
Description: 1 online resource (xiv, 274 pages)
Contents: The production of music and sound : a multidisciplinary critique / Eliot Bates and Samantha Bennet --
I. Situating production : place, space and gender. Field recording and the production of place / Tom Western --
The poietics of space : the role and co-performance of the spatial environment in popular music production / Damon Minchella --
"An indestructible sound" : locating gender in genres using different music production approaches / Paula Wolfe --
II. Beyond representation. Producing tv sries music in Istanbul / Eliot Bates --
Reclamation and celebration : Kodangu, a Torres Strait islander album of ancestral and contemporary Australian indigenous music / Karl Neuenfeldt --
III. Electronic music. "All sounds are created equal" : mediating democracy in acousmatic education / Patrick Valiquet --
Technologies of play in hip-hop and electronic dance music production and performance / Mike D'Errico --
IV. Technology and technique. Weapons of mass deception : the invention and reinvention of recording studio mythology / Alan Williams --
Auto-tune in situ : digital vocal correction and conversational repair / Owen Marshall --
V. Mediating sound and silence. Listening to or through technology : opaque and transparent mediation / Ragnhild Brovog-Hanssen --
Six types of silence / Richard Osborne --
VI. Virtuality and online production. Intermixtuality : case studies in online music (re)production / Samantha Bennett --
Crowdfunding and alternative modes of production / Mark Thorley.
Responsibility: [edited by] Samantha Bennett and Eliot Bates.

Abstract:

Who produces sound and music? And in what spaces, localities, and contexts? As the production of sound and music in the 21st century converges with multimedia, these questions are critically addressed in this new edited collection. This work features 16 brand-new articles by leading thinkers from the fields of music, audio engineering, anthropology, and media. Innovative and timely, this collection represents scholars from around the world, revisiting established themes such as record production and the construction of genre with new perspectives, as well as exploring issues in cultural and virtual production.

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Critical Approaches to the Production of Music and Sound is a wide-ranging collection of essays by scholars steeped in practice. It is a vital contribution to the literature, offering fresh insights Read more...

 
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