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Critical approaches to the production of music and sound

Author: Samantha Bennett, (Music professor); Eliot Bates
Publisher: London : Bloomsbury Academic, 2018.
Edition/Format:   eBook : Document : EnglishView all editions and formats
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Genre/Form: Electronic books
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Samantha Bennett, (Music professor); Eliot Bates
ISBN: 9781501332081 1501332082 9781501332050 1501332058
OCLC Number: 1031041084
Description: 1 online resource (256 pages) : illustrations (black and white)
Contents: List of FiguresList of TablesList of Contributors Chapter 1: The Production of Music and Sound: A Multidisciplinary CritiqueEliot Bates and Samantha Bennett Section 1: Situating Production: Place, Space and Gender Chapter 2: Field Recording and the Production of PlaceTom Western (University of Edinburgh, Scotland) Chapter 3: The Poietics of Space: The Role and Co-performance of the Spatial Environment in Popular Music ProductionDamon Minchella (University of Birmingham, England) Chapter 4: "An Indestructible Sound": Locating Gender in Genres Using Different Music Production ApproachesPaula Wolfe (Sib Records, England) Section 2: Beyond Representation Chapter 5: Producing TV Series Music in IstanbulEliot Bates (City University of New York, USA) Chapter 6: Reclamation and Celebration: Kodangu, a Torres Strait Islander Album of Ancestral and Contemporary Australian Indigenous MusicKarl Neuenfeldt (Queensland Conservatorium, Griffith University, Australia) Section 3: Electronic Music Chapter 7: "All Sounds Are Created Equal": Mediating Democracy in Acousmatic EducationPatrick Valiquet (University of Edinburgh, UK) Chapter 8: Technologies of Play in Hip-Hop and Electronic Dance Music Production and PerformanceMike D'Errico (UCLA, USA) Section 4: Technology and Technique Chapter 9: Weapons of Mass Deception: The Invention and Re-invention of Recording Studio MythologyAlan Williams (UMASS, Lowell, USA) Chapter 10: Auto-Tune In Situ: Digital Vocal Correction And Conversational RepairOwen Marshall (Cornell University, USA) Section 5: Mediating Sound and Silence Chapter 11: Listening To or Through Technology: Opaque and Transparent Mediation Ragnhild Brovig-Hanssen (University of Oslo, Norway) Chapter 12: Six Types of SilenceRichard Osborne (Middlesex University, England) Section 6: Virtuality and Online Production Chapter 13: Intermixtuality: Case Studies in Online Music [Re]ProductionSamantha Bennett (Australian National University, Australia) Chapter 14: Crowdfunding and Alternative Modes of ProductionMark Thorley (Coventry University, England) Index
Responsibility: edited by Samantha Bennett and Eliot Bates.

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Critical Approaches to the Production of Music and Sound is a wide-ranging collection of essays by scholars steeped in practice. It is a vital contribution to the literature, offering fresh insights Read more...

 
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