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The cultural cold war : the CIA and the world of arts and letters

Autor Frances Stonor Saunders
Vydavatel: New York : New Press : Distributed by W.W. Norton & Co., 2000.
Vydání/formát:   Tištěná kniha : EnglishZobrazit všechny vydání a formáty
Shrnutí:
"In The Cultural Cold War, Frances Stonor Saunders presents for the first time the shocking evidence that the CIA infiltrated every niche of the cultural sphere during the postwar years. In a book that draws together recently declassified documents and exclusive interviews, the author narrates the extraordinary story of a secret campaign in which some of the most vocal exponents of intellectual freedom in the West
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Detaily

Typ dokumentu Kniha
Všichni autoři/tvůrci: Frances Stonor Saunders
ISBN: 156584596X 9781565845961 1565846648 9781565846647
OCLC číslo: 43114251
Poznámky: Originally published: Who paid the piper? London : Granta Books, 1999.
Ocenění: The Royal Historical Society Gladstone History Book Prize, 1999.
Popis: ix, 509 pages : illustrations ; 24 cm
Obsahy: Exquisite Corpse --
Destiny's Elect --
Marxists at the Waldorf --
Democracy's Deminform --
Crusading's the Idea --
'Operation Congress' --
Candy --
Cette Fete Americaine --
The Consortium --
The Truth Campaign --
The New Consensus --
Magazine 'X' --
The Holy Willies --
Music and Truth, ma non troppo --
Ransom's Boys --
Yanqui Doodles --
The Guardian Furies --
When Shrimps Learn to Whistle --
Achilles' Heel --
Cultural NATO --
Caesar of Argentina --
Pen Friends --
Literary Bay of Pigs --
View from the Ramparts --
That Sinking Feeling --
A Bad Bargain.
Jiné tituly: Who paid the piper?
Odpovědnost: Frances Stonor Saunders.
Více informací

Anotace:

"In The Cultural Cold War, Frances Stonor Saunders presents for the first time the shocking evidence that the CIA infiltrated every niche of the cultural sphere during the postwar years. In a book that draws together recently declassified documents and exclusive interviews, the author narrates the extraordinary story of a secret campaign in which some of the most vocal exponents of intellectual freedom in the West became instruments of the American government. The CIA's front organizations and the philanthropic foundations that channeled its money also organized conferences, founded magazines, ran congresses, mounted exhibitions, arranged concerts, and flew symphony orchestras around the world."

"Many of the period's foremost intellectuals and artists appear in the book: Isaiah Berlin, Clement Greenberg, Sidney Hook, Arthur Koestler, Irving Kristol, Robert Lowell, Henry Luce, Andre Malraux, Mary McCarthy, Reinhold Neibuhr, George Orwell, Jackson Pollock, Bertrand Russell, Jean-Paul Sartre, Arthur Schlesinger, Jr., and Stephen Spender, among others. While many were unwitting participants in the CIA's cultural operation, others were willing collaborators."--Jacket.

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Primary Entity<\/h3>\n
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Central Intelligence Agency<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/2945964278#Organization\/usa_central_intelligence_agency<\/a>> ; # USA Central Intelligence Agency<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/2945964278#Organization\/estados_unidos_central_intelligence_agency<\/a>> ; # Estados Unidos. Central Intelligence Agency.<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/id.loc.gov\/authorities\/subjects\/sh2009120578<\/a>> ; # Cold War--Social aspects--United States<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/2945964278#Topic\/guerra_fria_aspectos_sociais_estados_unidos<\/a>> ; # Guerra fria (aspectos sociais)--Estados unidos<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/2945964278#Topic\/arts_political_aspects<\/a>> ; # Arts--Political aspects<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/2945964278#Topic\/liberdade_de_expressao<\/a>> ; # Liberdade de express\u00E3o<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/2945964278#Topic\/politica_cultural_estados_unidos<\/a>> ; # Pol\u00EDtica cultural--Estados unidos<\/span>\n\u00A0\u00A0\u00A0\nschema:awards<\/a> \"The Royal Historical Society Gladstone History Book Prize, 1999.<\/span>\" ;\u00A0\u00A0\u00A0\nschema:bookFormat<\/a> bgn:PrintBook<\/a> ;\u00A0\u00A0\u00A0\nschema:creator<\/a> <http:\/\/viaf.org\/viaf\/66632908<\/a>> ; # Frances Stonor Saunders<\/span>\n\u00A0\u00A0\u00A0\nschema:datePublished<\/a> \"2000<\/span>\" ;\u00A0\u00A0\u00A0\nschema:description<\/a> \"\"Many of the period\'s foremost intellectuals and artists appear in the book: Isaiah Berlin, Clement Greenberg, Sidney Hook, Arthur Koestler, Irving Kristol, Robert Lowell, Henry Luce, Andre Malraux, Mary McCarthy, Reinhold Neibuhr, George Orwell, Jackson Pollock, Bertrand Russell, Jean-Paul Sartre, Arthur Schlesinger, Jr., and Stephen Spender, among others. While many were unwitting participants in the CIA\'s cultural operation, others were willing collaborators.\"--Jacket.<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\nschema:exampleOfWork<\/a> <http:\/\/worldcat.org\/entity\/work\/id\/2945964278<\/a>> ; # Who paid the piper?<\/span>\n\u00A0\u00A0\u00A0\nschema:inLanguage<\/a> \"en<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"The cultural cold war : the CIA and the world of arts and letters<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\nschema:productID<\/a> \"43114251<\/span>\" ;\u00A0\u00A0\u00A0\nschema:publication<\/a> <http:\/\/www.worldcat.org\/title\/-\/oclc\/43114251#PublicationEvent\/new_york_new_press_distributed_by_w_w_norton_&_co_2000<\/a>> ;\u00A0\u00A0\u00A0\nschema:publisher<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/2945964278#Agent\/distributed_by_w_w_norton_&_co<\/a>> ; # Distributed by W.W. Norton & Co.<\/span>\n\u00A0\u00A0\u00A0\nschema:publisher<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/2945964278#Agent\/new_press<\/a>> ; # New Press<\/span>\n\u00A0\u00A0\u00A0\nschema:reviews<\/a> <http:\/\/www.worldcat.org\/title\/-\/oclc\/43114251#Review\/-293540095<\/a>> ;\u00A0\u00A0\u00A0\nschema:workExample<\/a> <http:\/\/worldcat.org\/isbn\/9781565846647<\/a>> ;\u00A0\u00A0\u00A0\nschema:workExample<\/a> <http:\/\/worldcat.org\/isbn\/9781565845961<\/a>> ;\u00A0\u00A0\u00A0\nwdrs:describedby<\/a> <http:\/\/www.worldcat.org\/title\/-\/oclc\/43114251<\/a>> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n\n

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<http:\/\/experiment.worldcat.org\/entity\/work\/data\/2945964278#Event\/1900_1999<\/a>> # 1900-1999<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Event<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"1900-1999<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
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<http:\/\/experiment.worldcat.org\/entity\/work\/data\/2945964278#Topic\/freedom_and_art_political_aspects_united_states<\/a>> # Freedom and art--Political aspects--United States<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:hasPart<\/a> <http:\/\/id.loc.gov\/authorities\/subjects\/sh85051699<\/a>> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Freedom and art--Political aspects--United States<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
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<http:\/\/experiment.worldcat.org\/entity\/work\/data\/2945964278#Topic\/influence_literary_artistic_etc<\/a>> # Influence (Literary, artistic, etc.)<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Influence (Literary, artistic, etc.)<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/2945964278#Topic\/kulturpolitik<\/a>> # Kulturpolitik<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Kulturpolitik<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/2945964278#Topic\/liberdade_de_expressao<\/a>> # Liberdade de express\u00E3o<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Liberdade de express\u00E3o<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/2945964278#Topic\/ost_west_konflikt<\/a>> # Ost-West-Konflikt<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Ost-West-Konflikt<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/2945964278#Topic\/politica_cultural_estados_unidos<\/a>> # Pol\u00EDtica cultural--Estados unidos<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Pol\u00EDtica cultural--Estados unidos<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/2945964278#Topic\/politics_and_culture<\/a>> # Politics and culture<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Politics and culture<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/2945964278#Topic\/social_aspects<\/a>> # Social aspects<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Social aspects<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/id.loc.gov\/authorities\/subjects\/sh2008109402<\/a>> # Politics and culture--United States<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Politics and culture--United States<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/id.loc.gov\/authorities\/subjects\/sh2009120578<\/a>> # Cold War--Social aspects--United States<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Cold War--Social aspects--United States<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/id.loc.gov\/authorities\/subjects\/sh85008423<\/a>> # Arts, American--20th century<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Arts, American--20th century<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/id.loc.gov\/vocabulary\/countries\/nyu<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:Place<\/a> ;\u00A0\u00A0\u00A0\ndcterms:identifier<\/a> \"nyu<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/id.worldcat.org\/fast\/1204155<\/a>> # United States.<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Place<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"United States.<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/viaf.org\/viaf\/130168302<\/a>> # USA<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Organization<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"USA<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/viaf.org\/viaf\/140094734<\/a>> # United States. Central Intelligence Agency<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Organization<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"United States. Central Intelligence Agency<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/viaf.org\/viaf\/66632908<\/a>> # Frances Stonor Saunders<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"Saunders<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"Frances Stonor<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Frances Stonor Saunders<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/worldcat.org\/entity\/work\/id\/2945964278<\/a>> # Who paid the piper?<\/span>\n\u00A0\u00A0\u00A0\nschema:name<\/a> \"Who paid the piper?<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/worldcat.org\/isbn\/9781565845961<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:ProductModel<\/a> ;\u00A0\u00A0\u00A0\nschema:isbn<\/a> \"156584596X<\/span>\" ;\u00A0\u00A0\u00A0\nschema:isbn<\/a> \"9781565845961<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/worldcat.org\/isbn\/9781565846647<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:ProductModel<\/a> ;\u00A0\u00A0\u00A0\nschema:isbn<\/a> \"1565846648<\/span>\" ;\u00A0\u00A0\u00A0\nschema:isbn<\/a> \"9781565846647<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/www.worldcat.org\/title\/-\/oclc\/43114251<\/a>>\u00A0\u00A0\u00A0\u00A0a \ngenont:InformationResource<\/a>, genont:ContentTypeGenericResource<\/a> ;\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/www.worldcat.org\/oclc\/43114251<\/a>> ; # The cultural cold war : the CIA and the world of arts and letters<\/span>\n\u00A0\u00A0\u00A0\nschema:dateModified<\/a> \"2020-05-22<\/span>\" ;\u00A0\u00A0\u00A0\nvoid:inDataset<\/a> <http:\/\/purl.oclc.org\/dataset\/WorldCat<\/a>> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/www.worldcat.org\/title\/-\/oclc\/43114251#PublicationEvent\/new_york_new_press_distributed_by_w_w_norton_&_co_2000<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:PublicationEvent<\/a> ;\u00A0\u00A0\u00A0\nschema:location<\/a> <http:\/\/dbpedia.org\/resource\/New_York_City<\/a>> ; # New York<\/span>\n\u00A0\u00A0\u00A0\nschema:organizer<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/2945964278#Agent\/distributed_by_w_w_norton_&_co<\/a>> ; # Distributed by W.W. Norton & Co.<\/span>\n\u00A0\u00A0\u00A0\nschema:organizer<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/2945964278#Agent\/new_press<\/a>> ; # New Press<\/span>\n\u00A0\u00A0\u00A0\nschema:startDate<\/a> \"2000<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/www.worldcat.org\/title\/-\/oclc\/43114251#Review\/-293540095<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:Review<\/a> ;\u00A0\u00A0\u00A0\nschema:itemReviewed<\/a> <http:\/\/www.worldcat.org\/oclc\/43114251<\/a>> ; # The cultural cold war : the CIA and the world of arts and letters<\/span>\n\u00A0\u00A0\u00A0\nschema:reviewBody<\/a> \"\"In The Cultural Cold War, Frances Stonor Saunders presents for the first time the shocking evidence that the CIA infiltrated every niche of the cultural sphere during the postwar years. In a book that draws together recently declassified documents and exclusive interviews, the author narrates the extraordinary story of a secret campaign in which some of the most vocal exponents of intellectual freedom in the West became instruments of the American government. The CIA\'s front organizations and the philanthropic foundations that channeled its money also organized conferences, founded magazines, ran congresses, mounted exhibitions, arranged concerts, and flew symphony orchestras around the world.\"<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n\n

Content-negotiable representations<\/p>\n