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Cut with the kitchen knife : the Weimar photomontages of Hannah Höch

Author: Maud Lavin
Publisher: New Haven, Conn. ; London : Yale University Press, ©1993.
Edition/Format:   Print book : EnglishView all editions and formats
Summary:

Investigates the multi-layered social construction of femininity in the mass culture of Weimar Germany. This text focuses on the work of the avant-garde artist Hannah Hoech, a member of the Berlin  Read more...

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Named Person: Hannah Höch
Document Type: Book
All Authors / Contributors: Maud Lavin
ISBN: 0300047665 9780300047660
OCLC Number: 797868525
Description: XVII, [1], 260 p., [8] c. di tav. : ill. ; 27 cm
Contents: Introduction: Representing the New Woman 1 The Berlin Dada Photomontages 2 Mass Media, Modernism, and the avant-garde 3 Hannah Hoch's Mass Media Scrapbook: Utopias of the Twenties 4 Portraits, Dancers, and Coquettes: The Modem Woman in Hoch's Photomontages, 1923-35 5 From An Ethnographic Museum 6 Androgyny and Spectatorship Conclusion Appendix A "A Glance Over My Life" by Hannah Hoch Appendix B "The Painter" by Hannah Hoch Appendix C: Chronology Appendix D: "A Few Words on Photomontage" by Hannah Hoch Notes Bibliography.
Responsibility: Maud Lavin.

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