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David Tudor papers, 1884-1998

Author: David TudorMichael von BielPierre BoulezEarle BrownGeorge BrechtAll authors
Edition/Format:   Archival material : Beta : Cassette recording : Reel-to-reel tape : Videocassette : English
Summary:
The collection comprehensively documents David Tudor's participation in post-World War II experimental and avant-garde music and aspects of his personal life until his death in 1996. Scores by other composers, notably John Cage, Earle Brown, Morton Feldman, Christian Wolff, Sylvano Bussotti and Karlheinz Stockhausen, Tudor's realizations of their scores and his electronic compositional materials, form the most
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Details

Genre/Form: Photographs, Original
Audio cassettes
Audiotapes
Programs
Recipes
Scores
Videotapes
Material Type: Internet resource, Videorecording
Document Type: Archival Material, Internet Resource
All Authors / Contributors: David Tudor; Michael von Biel; Pierre Boulez; Earle Brown; George Brecht; Sylvano Bussotti; John Cage; Cornelius Cardew; Henry Cowell; Lowell M Cross; Merce Cunningham; Morton Feldman; Albert Fine; Toshi Ichiyanagi; Terry Jennings; Mauricio Kagel; Alvin Lucier; Bo Nilsson; Pauline Oliveros; Yōko Ono; Mary Caroline Richards; Karlheinz Stockhausen; Bill Viola; Christian Wolff; Stefan Wolpe; La Monte Young; Experiments in Art and Technology (Organization); Merce Cunningham Dance Company.
OCLC Number: 81150994
Description: approximately 177.5 linear ft

Abstract:

The collection comprehensively documents David Tudor's participation in post-World War II experimental and avant-garde music and aspects of his personal life until his death in 1996. Scores by other composers, notably John Cage, Earle Brown, Morton Feldman, Christian Wolff, Sylvano Bussotti and Karlheinz Stockhausen, Tudor's realizations of their scores and his electronic compositional materials, form the most significant part of the collection. Extensive project files concern the scheduling and development of his piano concerts, electronic compositions and performances with the Merce Cunningham Dance Company. Electronic research files with equipment catalogs and notes show how Tudor taught himself complicated mathematics, equipment systems and circuitry in order to gain the requisite technical knowledge to compose his electronic work. Articles and reviews, a nearly complete set of Tudor's programs, more than 500 audio tapes, some videotapes, and photographs augment the documentation of his performing and composing activities.

Letters from friends and colleagues involved with music and the visual arts reveal the respect and devotion Tudor commanded as a serious interpreter and creator of avant-garde music. The collection also contains personal effects, including recipes, notes, and various materials concerning his spiritual beliefs, and his financial records.

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Primary Entity

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   schema:creator <http://viaf.org/viaf/42035532> ; # David Tudor
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<http://id.worldcat.org/fast/1030374> # Music--Interpretation (Phrasing, dynamics, etc.)
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<http://id.worldcat.org/fast/1030804> # Musical sketches
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<http://id.worldcat.org/fast/804693> # Aleatory music
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<http://viaf.org/viaf/103174531> # Christian Wolff
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<http://viaf.org/viaf/103972736> # Pauline Oliveros
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<http://viaf.org/viaf/119476822> # Alvin Lucier
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<http://viaf.org/viaf/146620053> # Merce Cunningham Dance Company.
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<http://viaf.org/viaf/44502468> # Albert Fine
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