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Death and (re) birth of J. S. Bach : reconsidering musical authorship and the work-concept

Author: Roberto Alonso Trillo
Publisher: Abingdon, Oxon ; New York, NY : Routledge, 2019.
Edition/Format:   eBook : Document : EnglishView all editions and formats
Summary:
While the study and redefinition of the notion of authorship and its relationship to the idea of the literary work have played a central role in recent research on literature, semiotics, and related disciplines, its impact on contemporary musicology is still limited. Why? What implications would a reconsideration of the author- and work-concepts have on our understanding of the creative musical processes? Why would  Read more...
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Genre/Form: Criticism, interpretation, etc
Electronic books
Additional Physical Format: Print version:
Trillo, Roberto Alonso, 1983-
Death and (re) birth of J. S. Bach.
Abingdon, Oxon ; New York, NY : Routledge, 2019
(DLC) 2018042999
(OCoLC)1055568416
Named Person: Johann Sebastian Bach; Johann Sebastian Bach
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Roberto Alonso Trillo
ISBN: 9780429997730 0429997736 9780429504716 0429504713
OCLC Number: 1076271023
Notes: "Routledge focus".
Description: 1 online resource.
Contents: 1. Poiesis 2. Authorship and Workhood: Intellectual Framework 3. Barthes and Derrida: Terminology and Methodology 4. Death and (Re)Birth of J. S. Bach: Case Studies
Responsibility: Roberto Alonso Trillo.

Abstract:

While the study and redefinition of the notion of authorship and its relationship to the idea of the literary work have played a central role in recent research on literature, semiotics, and related disciplines, its impact on contemporary musicology is still limited. Why? What implications would a reconsideration of the author- and work-concepts have on our understanding of the creative musical processes? Why would such a re-examination of these regulative concepts be necessary? Could it emerge from a post-structuralist revision of the notion of musical textuality? In this book, Trillo takes the Bach project, a collection of new music based on Johann Sebastian Bach's Partita No.1 for solo violin, BWV 1002, as a point of departure to sketch some critical answers to these fundamental questions, raise new ones, and explore their musicological implications.

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