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Defining Deutschtum : political ideology, German identity, and music-critical discourse in liberal Vienna Preview this item
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Defining Deutschtum : political ideology, German identity, and music-critical discourse in liberal Vienna

Author: David Lee Brodbeck
Publisher: New York : Oxford University Press, 2014.
Series: New cultural history of music.
Edition/Format:   eBook : Document : EnglishView all editions and formats
Summary:
Brodbeck offers a nuanced look at the intersection of music, cultural identity, and political ideology in Liberal Vienna by examining music-critical writing about Carl Goldmark, Antonín Dvořák, and Bedřich Smetana, Austrian citizens but not ethnic Germans. The critical reception of the three reveals a continuum of exclusivity, from a conception of Germanness rooted in social class and cultural elitism to one based  Read more...
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Genre/Form: Ressources Internet
Criticism, interpretation, etc
History
Livres numériques
Additional Physical Format: Version imprimée :
(DLC) 2013050579
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: David Lee Brodbeck
ISBN: 0199362718 9780199362714
OCLC Number: 1090480712
Description: 1 ressource en ligne.
Contents: Hanslick's Deutschtum --
Becoming a German : Goldmark and the assimilationist project --
Liberal essentialism and Goldmark's early reception --
Rethinking the Billroth affair --
From the iron ring to the fin de siècle --
Language ordinances, national property, and Dvorák's reception in the Taaffe era --
Goldmark's reception revisited : liberal accreditation and antisemitic attack --
Politics makes strange bedfellows, or, Smetana's reception in the 1890s --
Goldmark's Deutschtum revisited.
Series Title: New cultural history of music.
Other Titles: Political ideology, German identity, and music-critical discourse in liberal Vienna
Responsibility: David Brodbeck.

Abstract:

Brodbeck offers a nuanced look at the intersection of music, cultural identity, and political ideology in Liberal Vienna by examining music-critical writing about Carl Goldmark, Antonín Dvořák, and Bedřich Smetana, Austrian citizens but not ethnic Germans. The critical reception of the three reveals a continuum of exclusivity, from a conception of Germanness rooted in social class and cultural elitism to one based in blood. The book thus offers insight into how educated German Austrians conceived of Germanness in music and understood their relationship to the 'non-Germans' in their midst.

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