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| Genre/Form: | Criticism, interpretation, etc |
|---|---|
| Named Person: | Englisch |
| Document Type: | Book |
| All Authors / Contributors: |
Richard Dellamora |
| ISBN: | 9780367488765 0367488760 |
| OCLC Number: | 1152390828 |
| Description: | viii, 256 pages ; 24 cm. |
| Contents: | IntroductionChapter OneModernity and Degeneration in Somerset Maugham and Paul Gauguin: The Moon and Sixpence and the South Sea TalesChapter TwoHaunting the West End: Oscar Wilde and Silent HitchcockChapter ThreeHistory and Revolution in Sylvia Townsend Warner's Summer Will ShowChapter FourPathological Legacies:Patriarchy in Virginia Woolf, Lytton Strachey, and John Maynard Keynes Chapter Five"A New Space of Time": Determining the Future in The YearsChapter SixBlack-out: Anti-Fascism in Patrick Hamilton's Rope, Gaslight, and Hangover SquareChapter SevenGeorge Orwell, Futurity, and Male Homosexual PanicChapter EightQueering Past--and Future--in Sarah Waters' AffinityChapter NineEcological Time and Social Desire in Amitav Ghosh's The Hungry TideChapter TenMale Homoerotics in the Metamodernist Fictions of Alan Hollinghurst |
| Series Title: | Among the Victorians and modernists. |
| Responsibility: | Richard Dellamora. |
Abstract:
Beginning with Somerset Maugham's innovative, sexually dissident South Seas novel and tales and Alfred Hitchcock's gay-inflected revisiting of the Jack the Ripper sensation in silent film, this book considers the continuing presence of the past in future-oriented work of the 1930s and the Second World War by Sylvia Townsend Warner, Virginia Woolf, George Orwell, and the playwright and novelist, Patrick Hamilton. The final three chapters carry the discussion to the present in analyses of works by lesbian, postcolonial, and gay authors such as Sarah Waters, Amitav Ghosh, and Alan Hollinghurst. Focusing on questions about temporality and changes in gender and sexuality, especially gay and lesbian, straight and queer, following the rejection of the Victorian patriarchal marriage model, this study examines the continuing influence of late Victorian Aestheticist and Decadent culture in Modernist writing and its permutations in England.
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