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Dialogue on the errors and abuses of painters

Author: Giovanni Andrea Gilio; Michael Bury; Lucinda Byatt; Carol M Richardson; Getty Research Institute,
Publisher: Los Angeles : The Getty Research Institute, ©2018 [2018]
Series: Texts & documents.
Edition/Format:   Print book : EnglishView all editions and formats
Summary:
Giovanni Andrea Gilio's Dialogue on the Errors and Abuses of Painters (1564) is one of the first treatises on art published in the post-Tridentine period. It remains a key primary source for the discussion of the reform of art as it unfolded at the time of the Council of Trent and the Catholic Reformation. Through a spirited conversation among six protagonists, Gilio grapples with a host of issues, from the  Read more...
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Genre/Form: Early works
Early works to 1800
Named Person: Giovanni Andrea Gilio
Document Type: Book
All Authors / Contributors: Giovanni Andrea Gilio; Michael Bury; Lucinda Byatt; Carol M Richardson; Getty Research Institute,
ISBN: 9781606065563 1606065564
OCLC Number: 1001905778
Language Note: In English; translated from the Italian.
Notes: "This volume translates Giovanni Andrea Gilio, Dialogo secondo, nel quale si ragiona degli errori, e degli abusi de' pittori circa l'historie, which is the second dialogue in Gilio, Due dialogi [di M. Giovanni Andrea Gilio da Fabriano] ... (Camerino: Antonio Gioioso, 1564)."--Title page verso.
Description: 273 pages : illustrations (some color) ; 26 cm.
Contents: Introduction / Michael Bury, Lucinda Byatt, and Carol M. Richardson --
Gilio on painters of sacred images / Michael Bury --
Gilio's point of view / Carol M. Richardson --
Gilio's text and the English translation / Lucinda Byatt --
Dramatis personae --
Dialogue on the errors and abuses of painters --
Glossary.
Series Title: Texts & documents.
Other Titles: Due dialogi.
Dialogo secondo, nel quale si ragiona degli errori, e degli abusi de' pittori circa l'historie.
Responsibility: Giovanni Andrea Gilio ; edited by Michael Bury, Lucinda Byatt, and Carol M. Richardson ; translated by Michael Bury and Lucinda Byatt.

Abstract:

Essential - and engaging - reading for anyone interested in the issues that concerned artists and patrons in the sixteenth century.  Read more...

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Primary Entity<\/h3>\n
<http:\/\/www.worldcat.org\/oclc\/1001905778<\/a>> # Dialogue on the errors and abuses of painters<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Book<\/a>, schema:CreativeWork<\/a> ;\u00A0\u00A0\u00A0\nbgn:translationOfWork<\/a> <http:\/\/www.worldcat.org\/title\/-\/oclc\/1001905778#CreativeWork\/unidentifiedOriginalWork<\/a>> ; # Due dialogi.<\/span>\n\u00A0\u00A0\u00A0\nlibrary:oclcnum<\/a> \"1001905778<\/span>\" ;\u00A0\u00A0\u00A0\nlibrary:placeOfPublication<\/a> <http:\/\/id.loc.gov\/vocabulary\/countries\/cau<\/a>> ;\u00A0\u00A0\u00A0\nrdfs:seeAlso<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/6122814#CreativeWork\/due_dialogi<\/a>> ; # Due dialogi.<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/6122814#Place\/italien<\/a>> ; # Italien<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/6122814#Topic\/painting_renaissance<\/a>> ; # Painting, Renaissance<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/6122814#Place\/italy<\/a>> ; # Italy.<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/6122814#Topic\/painting_italian<\/a>> ; # Painting, Italian<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/6122814#Topic\/painting<\/a>> ; # Painting<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/6122814#Topic\/asthetik<\/a>> ; # \u00C4sthetik<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/6122814#Person\/gilio_giovanni_andrea_1584<\/a>> ; # Giovanni Andrea Gilio<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/6122814#Topic\/21_02_history_of_painting<\/a>> ; # 21.02 history of painting<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/6122814#Topic\/malerei<\/a>> ; # Malerei<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/6122814#Topic\/painting_renaissance_italy<\/a>> ; # Painting, Renaissance--Italy<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/6122814#Topic\/kritik<\/a>> ; # Kritik<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/id.loc.gov\/authorities\/classification\/ND615<\/a>> ;\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/dewey.info\/class\/759.5\/e23\/<\/a>> ;\u00A0\u00A0\u00A0\nschema:alternateName<\/a> \"Dialogo secondo, nel quale si ragiona degli errori, e degli abusi de\' pittori circa l\'historie.<\/span>\" ;\u00A0\u00A0\u00A0\nschema:author<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/6122814#Person\/gilio_giovanni_andrea_1584<\/a>> ; # Giovanni Andrea Gilio<\/span>\n\u00A0\u00A0\u00A0\nschema:bookFormat<\/a> bgn:PrintBook<\/a> ;\u00A0\u00A0\u00A0\nschema:contributor<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/6122814#Organization\/getty_research_institute<\/a>> ; # Getty Research Institute,<\/span>\n\u00A0\u00A0\u00A0\nschema:contributor<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/6122814#Person\/gilio_giovanni_andrea_1584<\/a>> ; # Giovanni Andrea Gilio<\/span>\n\u00A0\u00A0\u00A0\nschema:contributor<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/6122814#Person\/bury_michael_1947<\/a>> ; # Michael Bury<\/span>\n\u00A0\u00A0\u00A0\nschema:contributor<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/6122814#Person\/byatt_lucinda<\/a>> ; # Lucinda Byatt<\/span>\n\u00A0\u00A0\u00A0\nschema:copyrightYear<\/a> \"2018<\/span>\" ;\u00A0\u00A0\u00A0\nschema:datePublished<\/a> \"2018<\/span>\" ;\u00A0\u00A0\u00A0\nschema:description<\/a> \"Giovanni Andrea Gilio\'s Dialogue on the Errors and Abuses of Painters (1564) is one of the first treatises on art published in the post-Tridentine period. It remains a key primary source for the discussion of the reform of art as it unfolded at the time of the Council of Trent and the Catholic Reformation. Through a spirited conversation among six protagonists, Gilio grapples with a host of issues, from the relationship between poetry and painting, to the function of religious images, to the effects such images have on viewers. The primary focus is the proper representation of history, especially sacred history, and Michelangelo\'s Last Judgment fresco in the Sistine Chapel is the exemplary case. Michelangelo\'s painting is both praised and condemned as an example of the possibilities and limits of art. Although Gilio\'s dialogue is often used to point out the Roman Catholic Church\'s more controlling view of art and artists, the unabridged text--here translated into English in full for the first time--reveals the nuanced and provisional debates about how subject matter should be represented in this crucial period--Cover page 4.<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\nschema:editor<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/6122814#Person\/byatt_lucinda<\/a>> ; # Lucinda Byatt<\/span>\n\u00A0\u00A0\u00A0\nschema:editor<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/6122814#Person\/bury_michael_1947<\/a>> ; # Michael Bury<\/span>\n\u00A0\u00A0\u00A0\nschema:editor<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/6122814#Person\/richardson_carol_m_1969<\/a>> ; # Carol M. Richardson<\/span>\n\u00A0\u00A0\u00A0\nschema:exampleOfWork<\/a> <http:\/\/worldcat.org\/entity\/work\/id\/6122814<\/a>> ; # Due dialogi.<\/span>\n\u00A0\u00A0\u00A0\nschema:genre<\/a> \"Early works<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\nschema:inLanguage<\/a> \"en<\/span>\" ;\u00A0\u00A0\u00A0\nschema:isPartOf<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/6122814#Series\/texts_&_documents<\/a>> ; # Texts & documents.<\/span>\n\u00A0\u00A0\u00A0\nschema:name<\/a> \"Dialogue on the errors and abuses of painters<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\nschema:productID<\/a> \"1001905778<\/span>\" ;\u00A0\u00A0\u00A0\nschema:workExample<\/a> <http:\/\/worldcat.org\/isbn\/9781606065563<\/a>> ;\u00A0\u00A0\u00A0\nwdrs:describedby<\/a> <http:\/\/www.worldcat.org\/title\/-\/oclc\/1001905778<\/a>> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n\n

Related Entities<\/h3>\n
<http:\/\/dewey.info\/class\/759.5\/e23\/<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/6122814#CreativeWork\/due_dialogi<\/a>> # Due dialogi.<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:CreativeWork<\/a> ;\u00A0\u00A0\u00A0\nschema:creator<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/6122814#Person\/gilio_giovanni_andrea_1584<\/a>> ; # Giovanni Andrea Gilio<\/span>\n\u00A0\u00A0\u00A0\nschema:name<\/a> \"Due dialogi.<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/6122814#Organization\/getty_research_institute<\/a>> # Getty Research Institute,<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Organization<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Getty Research Institute,<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/6122814#Person\/bury_michael_1947<\/a>> # Michael Bury<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:birthDate<\/a> \"1947<\/span>\" ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"Bury<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"Michael<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Michael Bury<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/6122814#Person\/byatt_lucinda<\/a>> # Lucinda Byatt<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"Byatt<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"Lucinda<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Lucinda Byatt<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/6122814#Person\/gilio_giovanni_andrea_1584<\/a>> # Giovanni Andrea Gilio<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:deathDate<\/a> \"1584<\/span>\" ;\u00A0\u00A0\u00A0\nschema:deathDate<\/a> \"1584,<\/span>\" ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"Gilio<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"Giovanni Andrea<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Giovanni Andrea Gilio<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/6122814#Person\/richardson_carol_m_1969<\/a>> # Carol M. Richardson<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:birthDate<\/a> \"1969<\/span>\" ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"Richardson<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"Carol M.<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Carol M. Richardson<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/6122814#Place\/italien<\/a>> # Italien<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Place<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Italien<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/6122814#Place\/italy<\/a>> # Italy.<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Place<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Italy.<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/6122814#Series\/texts_&_documents<\/a>> # Texts & documents.<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nbgn:PublicationSeries<\/a> ;\u00A0\u00A0\u00A0\nschema:hasPart<\/a> <http:\/\/www.worldcat.org\/oclc\/1001905778<\/a>> ; # Dialogue on the errors and abuses of painters<\/span>\n\u00A0\u00A0\u00A0\nschema:name<\/a> \"Texts & documents.<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Texts & documents<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/6122814#Topic\/21_02_history_of_painting<\/a>> # 21.02 history of painting<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"21.02 history of painting<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/6122814#Topic\/asthetik<\/a>> # \u00C4sthetik<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"\u00C4sthetik<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/6122814#Topic\/kritik<\/a>> # Kritik<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Kritik<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/6122814#Topic\/malerei<\/a>> # Malerei<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Malerei<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/6122814#Topic\/painting<\/a>> # Painting<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Painting<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/6122814#Topic\/painting_italian<\/a>> # Painting, Italian<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Painting, Italian<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/6122814#Topic\/painting_renaissance<\/a>> # Painting, Renaissance<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Painting, Renaissance<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/6122814#Topic\/painting_renaissance_italy<\/a>> # Painting, Renaissance--Italy<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Painting, Renaissance--Italy<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/id.loc.gov\/authorities\/classification\/ND615<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/id.loc.gov\/vocabulary\/countries\/cau<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:Place<\/a> ;\u00A0\u00A0\u00A0\ndcterms:identifier<\/a> \"cau<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/worldcat.org\/entity\/work\/id\/6122814<\/a>> # Due dialogi.<\/span>\n\u00A0\u00A0\u00A0\nschema:name<\/a> \"Due dialogi.<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/worldcat.org\/isbn\/9781606065563<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:ProductModel<\/a> ;\u00A0\u00A0\u00A0\nschema:isbn<\/a> \"1606065564<\/span>\" ;\u00A0\u00A0\u00A0\nschema:isbn<\/a> \"9781606065563<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/www.worldcat.org\/title\/-\/oclc\/1001905778<\/a>>\u00A0\u00A0\u00A0\u00A0a \ngenont:InformationResource<\/a>, genont:ContentTypeGenericResource<\/a> ;\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/www.worldcat.org\/oclc\/1001905778<\/a>> ; # Dialogue on the errors and abuses of painters<\/span>\n\u00A0\u00A0\u00A0\nschema:dateModified<\/a> \"2020-05-05<\/span>\" ;\u00A0\u00A0\u00A0\nvoid:inDataset<\/a> <http:\/\/purl.oclc.org\/dataset\/WorldCat<\/a>> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n