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Divining the oracle : Monteverdi's seconda prattica

Author: Massimo Michele Ossi
Publisher: Chicago : University of Chicago Press, ©2003.
Edition/Format:   Print book : Biography : EnglishView all editions and formats
Summary:
"In this book, Massimo Ossi delves into the most significant aspect of Monteverdi's career: the development, during the first years of the seventeenth century, of a new compositional style he called the seconda prattica or "second manner."
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Genre/Form: Criticism, interpretation, etc
History
Named Person: Claudio Monteverdi; Claudio Monteverdi; Claudio Monteverdi; Claudio Monteverdi; Claudio Monteverdi
Material Type: Biography, Internet resource
Document Type: Book, Internet Resource
All Authors / Contributors: Massimo Michele Ossi
ISBN: 0226638839 9780226638836
OCLC Number: 51009065
Description: xviii, 280 pages : illustrations ; 24 cm
Contents: Prologue : Divining the oracle --
The public debate, I : Prima and seconda prattica --
Toward a new conception of the madrigal book : aspects of large-scale organization in the fourth and fifth books --
The canzonetta --
The blurring of genres in individual madrigals --
The public debate, II : The philosopher's seconda prattica --
The genere concitato --
Epilogue.
Responsibility: Massimo Ossi.
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Abstract:

Massimo Ossi delves into the most significant aspect of Monteverdi's career: the development of a new compositional style he called the "seconda prattica" or "second manner".  Read more...

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"The cogency of Ossi's discussions resides in conducting textual and musical analyses both at the same level of insight. . . . This emerges in Ossi's extensive examination, in light of Monteverdi's Read more...

 
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<http:\/\/www.worldcat.org\/oclc\/51009065<\/a>> # Divining the oracle : Monteverdi\'s seconda prattica<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Book<\/a>, schema:CreativeWork<\/a> ;\u00A0\u00A0\u00A0\nlibrary:oclcnum<\/a> \"51009065<\/span>\" ;\u00A0\u00A0\u00A0\nlibrary:placeOfPublication<\/a> <http:\/\/id.loc.gov\/vocabulary\/countries\/ilu<\/a>> ;\u00A0\u00A0\u00A0\nlibrary:placeOfPublication<\/a> <http:\/\/dbpedia.org\/resource\/Chicago<\/a>> ; # Chicago<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/id.worldcat.org\/fast\/1030620<\/a>> ; # Music theory<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/839489536#Topic\/theorie_musicale_histoire_17e_siecle<\/a>> ; # Th\u00E9orie musicale--Histoire--17e si\u00E8cle<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/839489536#Event\/1600_1699<\/a>> ; # 1600-1699<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/839489536#Topic\/musikalische_analyse<\/a>> ; 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<http:\/\/dbpedia.org\/resource\/Chicago<\/a>> # Chicago<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Place<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Chicago<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
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<http:\/\/experiment.worldcat.org\/entity\/work\/data\/839489536#Agent\/university_of_chicago_press<\/a>> # University of Chicago Press<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nbgn:Agent<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"University of Chicago Press<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/839489536#Event\/1600_1699<\/a>> # 1600-1699<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Event<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"1600-1699<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/839489536#Person\/monteverdi_claudio_1567_1643<\/a>> # Claudio Monteverdi<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:birthDate<\/a> \"1567<\/span>\" ;\u00A0\u00A0\u00A0\nschema:deathDate<\/a> \"1643<\/span>\" ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"Monteverdi<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"Claudio<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Claudio Monteverdi<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
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<http:\/\/experiment.worldcat.org\/entity\/work\/data\/839489536#Topic\/vokalmusik<\/a>> # Vokalmusik<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Vokalmusik<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
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<http:\/\/id.loc.gov\/authorities\/subjects\/sh85088831<\/a>> # Music theory--History--17th century<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Music theory--History--17th century<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
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<http:\/\/id.worldcat.org\/fast\/1030620<\/a>> # Music theory<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Music theory<\/span>\"@en<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/viaf.org\/viaf\/27311803<\/a>> # Massimo Michele Ossi<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"Ossi<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"Massimo Michele<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Massimo Michele Ossi<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/viaf.org\/viaf\/44485902<\/a>> # Claudio Monteverdi<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Person<\/a> ;\u00A0\u00A0\u00A0\nschema:birthDate<\/a> \"1567<\/span>\" ;\u00A0\u00A0\u00A0\nschema:deathDate<\/a> \"1643<\/span>\" ;\u00A0\u00A0\u00A0\nschema:familyName<\/a> \"Monteverdi<\/span>\" ;\u00A0\u00A0\u00A0\nschema:givenName<\/a> \"Claudio<\/span>\" ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Claudio Monteverdi<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
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<http:\/\/www.worldcat.org\/title\/-\/oclc\/51009065#PublicationEvent\/chicago_university_of_chicago_press_2003<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:PublicationEvent<\/a> ;\u00A0\u00A0\u00A0\nschema:location<\/a> <http:\/\/dbpedia.org\/resource\/Chicago<\/a>> ; # Chicago<\/span>\n\u00A0\u00A0\u00A0\nschema:organizer<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/839489536#Agent\/university_of_chicago_press<\/a>> ; # University of Chicago Press<\/span>\n\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/www.worldcat.org\/title\/-\/oclc\/51009065#Review\/2021872340<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:Review<\/a> ;\u00A0\u00A0\u00A0\nschema:itemReviewed<\/a> <http:\/\/www.worldcat.org\/oclc\/51009065<\/a>> ; # Divining the oracle : Monteverdi\'s seconda prattica<\/span>\n\u00A0\u00A0\u00A0\nschema:reviewBody<\/a> \"\"In this book, Massimo Ossi delves into the most significant aspect of Monteverdi\'s career: the development, during the first years of the seventeenth century, of a new compositional style he called the seconda prattica or \"second manner.\"<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n\n

Content-negotiable representations<\/p>\n