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Documentary and disability

Author: Catalin Brylla; Helen Hughes
Publisher: London, United Kingdom : Palgrave Macmillan, [2017]
Edition/Format:   eBook : Document : EnglishView all editions and formats
Summary:
This edited collection of contributions from media scholars, film practitioners and film historians connects the vibrant fields of documentary and disability studies. Documentary film has not only played an historical role in the social construction of disability but continues to be a strong force for expression, inclusion and activism. Offering essays on the interpretation and conception of a wide variety of  Read more...
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Genre/Form: Electronic books
Criticism, interpretation, etc
Additional Physical Format: Printed edition:
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Catalin Brylla; Helen Hughes
ISBN: 9781137598943 1137598948 113759893X 9781137598936
OCLC Number: 1004377933
Description: 1 online resource (299 pages)
Contents: Documentary and Disability; Foreword; Contents; List of Figures; 1 Introduction: The Bricolage of Documentary and Disability; Bibliography; Part I Film Practice; 2 Not Without Us: Collaborating across Difference in Documentary Filmmaking; Creating Meaningful Spaces for Collaboration: Squeaky Wheel and the Channels Grant; Pre-production: Embracing My 'Outsiderness' and Building Trust; Production I: Working on Site; Production II: National Experts, Community Voices and Finding Balance; Post-production and Exhibition; Notes; Bibliography. 3 Visual Psychological Anthropology and the Lived Experience of DisabilityThe Integration of Ethnographic Film with the Psychological Anthropology of Disability; Gusti Ayu and The Bird Dancer; Gusti's Story as Represented in the Film; Filming and Editing the Dynamics of Disablement; Complementary Practices in Transcultural Disability Studies; Product as Method: Making Research Accessible to Subjects Through Film; Conclusion; Notes; Bibliography; Filmography; 4 Valorising Disability on Screen: When Did 'Inspirational' Become a Dirty Word?; Introduction; Background and Context. Providing a Personal and Emotional PortrayalInspiring through Portraying Ordinariness; Providing a Repository of Information; Conclusion; Note; Bibliography; Filmography; 5 Spectatorship and Alternative Portrayals of Blindness; Representations of Blindness; The Home; Objectification; Still Life; Conclusion: Ambiguity; Note; Bibliography; Filmography; 6 Aberrancy and Autobiographical Documentary; Introduction; Emancipatory Impulses; Aberrancy and Stigma; Seeing and Healing; Conclusion; Bibliography; Part II Representation. 7 Thomas Quasthoff and the Performativity of Disability in Michael Harder's The DreamerIntroduction; Questions of Representation and the Body; The Paratext; The introduction of Quasthoff; Voice and Gaze; Points of View; Disability Advocacy and the Inevitable Framing of Size; Documentary Style; Conclusion; Notes; Bibliography; 8 Rethinking Ability and Disability in the Work of Johan van der Keuken; Introduction; Herman Slobbe: Blind Child II; Expression and Face Value; Confidence and Solidarity in the 'Global Village'; Notes; Bibliography. 9 (Dis)abling the Spectator: Embodying Disability Experience in Animated DocumentaryAnimated Documentary about Disability; Externalising Internal Worlds in Animated Minds; Embodying Discomfort in Creature Discomforts; Conclusions; Notes; Bibliography; 10 The Poetics of Touch: Mediating the Reality of Deafblindness in Planet of Snail; Film and the Senses; Planet of Snail; The Role of Touch in Young-Chan's Life; The Mediated Reality of Young-Chan's Life; The Love Story; The Ethics of (In)Accessibility; Note; Bibliography; Filmography; 11 Sexual Dissidence and Crip Empowerment in Yes, We Fuck!
Responsibility: Catalin Brylla, Helen Hughes, editors.

Abstract:

This edited collection of contributions from media scholars, film practitioners and film historians connects the vibrant fields of documentary and disability studies.  Read more...

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