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Don't Think I've Forgotten.

Author: John Pirozzi; Argot Pictures (Firm)
Publisher: Argot Pictures, [San Francisco, California, USA] : Kanopy Streaming, 2014. 2018.
Edition/Format:   eVideo : Clipart/images/graphics : EnglishView all editions and formats
Summary:
Through the eyes, words and songs of its popular music stars of the 50's, 60's, and 70's, DON'T THINK I'VE FORGOTTEN: CAMBODIA'S LOST ROCK AND ROLL examines and unravels Cambodia's tragic past. Combining interviews with surviving musicians and never-before-seen archival material and rare songs, the film tracks the winding course of Cambodian music as it morphs into a unique style of rock and roll. A vibrant musical  Read more...
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Details

Genre/Form: Ethnicity
Documentary films
Material Type: Clipart/images/graphics, Internet resource, Videorecording
Document Type: Internet Resource, Computer File, Visual material
All Authors / Contributors: John Pirozzi; Argot Pictures (Firm)
OCLC Number: 1035140308
Language Note: In English, French, Khmer.
Notes: Title from title frames.
Film.
In Process Record.
Performer(s): Sinn Sisamouth, Ros Serey Sothea, Bayon Band, Baksey Cham Krong, Liv Tek, Drakkar, Pen Ran, Huoy Meas, Yol Aularong, Pou Vannary.
Event notes: Originally produced by Argot Pictures in 2014.
Description: 1 online resource (streaming video file) (107 min.) : flv file, sound
More information:

Abstract:

Through the eyes, words and songs of its popular music stars of the 50's, 60's, and 70's, DON'T THINK I'VE FORGOTTEN: CAMBODIA'S LOST ROCK AND ROLL examines and unravels Cambodia's tragic past. Combining interviews with surviving musicians and never-before-seen archival material and rare songs, the film tracks the winding course of Cambodian music as it morphs into a unique style of rock and roll. A vibrant musical culture that was nearly lost forever under the brutal Khmer Rouge regime is revived and celebrated. "As expressionistic as it is journalistic, Don't Think I've Forgotten triumphs as both an objective record and a poetic lament: It's a film that's every bit as entrancing and haunting as the lost music it celebrates."--Jason Heller, AV Club. "Mr. Pirozzi's film is an unsparing and meticulous reckoning of the effects of tyranny on ordinary Cambodians. It is also a rich and defiant effort at recovery, showing that even the most murderous totalitarianism cannot fully erase the human drive for pleasure and self-expression." - A.O. Scott, The New York Times.

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