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Drawing 1400-1600 : invention and innovation

Author: Stuart Currie
Publisher: Aldershot, Hants, England ; Brookfield, Vt. : Ashgate, 1998
Edition/Format:   Print book : EnglishView all editions and formats
Summary:

A study of the way drawings were employed and appreciated in European cities from late medieval times, through to the Renaissance and Reformation periods. It explores art from sketches to finished  Read more...

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Document Type: Book
All Authors / Contributors: Stuart Currie
ISBN: 1859283640 9781859283646
OCLC Number: 473987552
Notes: Essays based on papers presented at a conference of the Association of Art Historians in 1994 at the University of Birmingham
Description: XXII, 237 s. : illustrations ; 25 cm
Contents: Drawing and design in late 14th-century France, Julia Watson; imitation, invention or good business sense? the use of drawings in a group of 15th-century "French books of hours", Susie Nash; training and practice in the early Renaissance workshop - observations on Benozzo Gozzoli's "Rotterdam sketchbook", Francis Ames-Lewis; Maso Finiguerra and early Florentine printmaking, Lucy Whitaker; Mantegna and Pollaiuolo - artistic personality and the marketing of invention, Alison Wright; Luca Signorelli's studies of the human figure, Claire Van Cleave; the Deutsch and the Welsch - Jorg Breu the Elder's sketch for the "Story of Lucretia" and the uses of classicism in 16th-century Germany, Andrew Morrall; Vasari, prints and imitation, Sharon Gregory; "Invenzione, disegno e fatica" - two drawings by Giovambattista Naldini for an altarpiece in post-Tridentine Florence, Stuart Currie; drawing for Bartolomeo Passarotti's "Book of anatomy", Monique Kornell; Antonio Tempesta as printmaker - invention, drawing and technique, Michael Bury; early modern collecting in northern Europe - copied drawings and printed prototypes, Tarnya Cooper.
Responsibility: edited by Stuart Currie

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