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Dust and light

Author: Alonzo KingAndreas MorellErwin StürzerTorsten BönnhoffArcangelo CorelliAll authors
Publisher: Halle, Saxony-Anhalt : ArtHaus Musik, 2011.
Edition/Format:   eVideo : Clipart/images/graphics : English
Summary:
"Like so many dances by the celebrated choreographer Alonzo King, Dust and Light resembles poetry in motion," the Boston Globe proclaims. In a landscape that shifts like the clouds, dappling the stage with soft light and then bathing the dancers in silvery radiance, Alonzo King brings out the emotional intimacy of dance. The LINES Ballet dancers move in harmonious counterpoint to each other, setting off the rich  Read more...
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Details

Genre/Form: Filmed ballets
Material Type: Clipart/images/graphics, Internet resource, Videorecording
Document Type: Internet Resource, Computer File, Visual material
All Authors / Contributors: Alonzo King; Andreas Morell; Erwin Stürzer; Torsten Bönnhoff; Arcangelo Corelli; Francis Poulenc; Alonzo King LINES Ballet,; Monarda Arts (Firm),; Zweites Deutsches Fernsehen,; 3sat (Firm),
OCLC Number: 1014197849
Notes: Title from resource description page (viewed November 20, 2017).
Credits: Lighting, Axel Morgenthaler ; stage design, Robert Rosenwasser ; costumes, Robert Rosenwasser, Colleen Quen ; music, Arcangelo Corelli and Francis Poulenc.
Performer(s): Alonzo King LINES Ballet.
Description: 1 online resource (32 min.)
Other Titles: Alonzo King LINES Ballet :
Responsibility: idea and choreography, Alonzo King ; TV director, Andreas Morell ; producers, Torsten Bönnhoff, Erwin Stürzer ; a production of Monarda Arts ; in co-production with ZDF, 3sat.

Abstract:

"Like so many dances by the celebrated choreographer Alonzo King, Dust and Light resembles poetry in motion," the Boston Globe proclaims. In a landscape that shifts like the clouds, dappling the stage with soft light and then bathing the dancers in silvery radiance, Alonzo King brings out the emotional intimacy of dance. The LINES Ballet dancers move in harmonious counterpoint to each other, setting off the rich variations of Arcangelo Corelli's Baroque music against Francis Poulenc's otherworldly sacred choral odes. Each body is replete with radiant potential, as if the stage were filled with a dozen moons--or perhaps with a dozen suns, since, as Alonzo King says, "a tendu isn't just the straightening of the leg but a ray of light radiating from the sun." As the duets and trios of dancers culminate in an exuberant ensemble, the intimacy of the piece expands and opens outwards, immersing the audience in luminous grace.

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