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The early transnational Chinese cinema industry

Author: Yongchun Fu
Publisher: Abingdon, Oxon ; New York, NY : Routledge, 2019. ©2019
Series: Media, culture, and social change in Asia series, 63.
Edition/Format:   eBook : Document : EnglishView all editions and formats
Summary:
Based on extensive original research, including in studio archives, industrial surveys, official records, trade journals, and English and Chinese newspapers, this book explores the role of the American film industry in the development of cinema in China. It examines the Chinese industry's response to the American industry and the consequences of this response. It also considers the attitudes of Chinese film  Read more...
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Genre/Form: History
Electronic books
Additional Physical Format: Print version:
Fu, Yongchun.
Early transnational Chinese film industry.
London ; New York : Routledge, 2019
(DLC) 2019012702
(OCoLC)1096230827
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Yongchun Fu
ISBN: 9780429490064 0429490062 9780429953774 0429953771 9780429953767 0429953763 9780429953781 042995378X
OCLC Number: 1088892253
Description: 1 online resource (xiv, 141 pages)
Contents: Introduction --
Technology and the trans/national in China's transition to sound --
Response in distribution systems: from 'parrot' to 'butterfly' --
Capitalism with Chinese characteristics: the mode of production in Chinese cinema --
Movie matchmakers: the intermediaries between the American and the Chinese film industries --
Measuring the outcome of China's response through statistics --
Conclusion.
Series Title: Media, culture, and social change in Asia series, 63.
Responsibility: Yongehun Fu.

Abstract:

Based on extensive original research, including in studio archives, industrial surveys, official records, trade journals, and English and Chinese newspapers, this book explores the role of the American film industry in the development of cinema in China. It examines the Chinese industry's response to the American industry and the consequences of this response. It also considers the attitudes of Chinese film practitioners towards Hollywood and the contribution of those figures who acted as intermediaries between the two industries. Overall, the book casts much new light on the early development of the film industry in China and demonstrates the huge influence Hollywood had on it.

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