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Eighteenth-century Russian music

Author: M Ryt︠s︡areva
Publisher: London : Routledge, 2016.
Edition/Format:   eBook : Document : EnglishView all editions and formats
Summary:
"Little is known outside of Russia about the nation's musical heritage prior to the nineteenth century. Western scholarship has tended to view the history of Russian music as not beginning until the end of the eighteenth century. Marina Ritzarev's work shows this interpretation to be misguided. Starting from an examination of the rich legacy of Russian music up to 1700, she explores the development of music over the  Read more...
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Genre/Form: Electronic books
Criticism, interpretation, etc
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: M Ryt︠s︡areva
ISBN: 9781351568609 1351568604
OCLC Number: 993597457
Description: 1 online resource : illustrations, music
Contents: Chapter 1 Rethinking Eighteenth-Century Russian Music --
chapter 2 Pre-Petrine Legacy --
chapter 3 Toward the New Russian Idiom: Between Germans and Italians; Between Italians and Russians --
chapter 4 At the Court of Grand Duke Peter Fedorovich --
chapter 5 The 'Thaw' of the 1760s --
chapter 6 Lessons of the 1770s: Berezovsky and Bortniansky in Italy --
chapter 7 The City in the 1770s --
chapter 8 Bortniansky and the 1780s --
chapter 9 The Late Eighteenth-Century Russian Salon --
chapter 10 Sarti in Russia 217 / Sarti and Prince Potemkin --
chapter 11 1790s: Muses and Cannons --
chapter 12 Master and Serf --
chapter 13 The Choral Concerto in the 1790s 298 / Artemy Vedel --
chapter 14 Bortniansky in the Nineteenth Century.
Other Titles: 18th century Russian music
Responsibility: Marina Ritzarev.

Abstract:

Starting from an examination of the rich legacy of Russian music up to 1700, this book explores the development of music over the course of the eighteenth century. It focuses on what is  Read more...

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'Marina Ritzarev (Rytsareva) has been writing about eighteenth-century Russian music for several decades now, and this new book finally makes her labours available in comprehensive fashion to an Read more...

 
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    schema:description ""Little is known outside of Russia about the nation's musical heritage prior to the nineteenth century. Western scholarship has tended to view the history of Russian music as not beginning until the end of the eighteenth century. Marina Ritzarev's work shows this interpretation to be misguided. Starting from an examination of the rich legacy of Russian music up to 1700, she explores the development of music over the course of the eighteenth century, a period of especially intense Westernization and secularization. The book focuses on what is characteristic and crucial to Russian music during this period, rather than seeking to provide a comprehensive survey. The musical culture of the time is discussed against the rich background of social, political and cultural life, tying together many of the phenomena that used to be viewed separately. The book highlights the importance of previously marginalized sectors - serf culture, choral sacred culture, the contribution of foreign musicians, the significant influence of Freemasonry, the role of Ukrainian and West-European cultures and so on - as well as casting new light on the well-researched topic of Russian opera. Much new archival material is introduced, and revised biographies of the two leading eighteenth-century Russian composers, Maxim Berezovsky and Dmitry Bortniansky, are provided, as well as those of the serf composer Stepan Degtyarev and the Italian Giuseppe Sarti. The book places eighteenth-century Russian music on the European map, and will be of particular importance for the study of European musical cultures remote from such centres as Italy, Germany-Austria and France. Eighteenth-century Russian music is organically linked with its past and future and its contributory role in forming the Russian national identity and developing the Russian idiom is clarified."--Provided by publisher."@en ;
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