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Embodied aesthetics in drama education : theatre, literature and philosophy

Author: Matthew DeCoursey
Publisher: London : Bloomsbury Academic, 2019. ©2019
Edition/Format:   Print book : EnglishView all editions and formats
Summary:
If it is a good thing to use drama for education, there must be something specific about drama that makes it good for the purpose. It has power of some kind: it makes things meaningful that would otherwise be meaningless, or things memorable that would otherwise be forgettable. Or perhaps it enables independent thought in an area that would otherwise become mere rote learning. Many practitioners believe that drama  Read more...
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Document Type: Book
All Authors / Contributors: Matthew DeCoursey
ISBN: 9781350026711 1350026719
OCLC Number: 1077503158
Description: ix, 203 pages : illustrations ; 24 cm
Contents: Introduction1. Aesthetics, Ethics and Education: Dewey and Ranciere 2. Aesthetic Experience and Learning3. Drama Education and Emancipation 4. Drama Education and Curricular Learning 5. The Aesthetic as Intrinsic Motivation6. Double Noesis, Metaxis and Learning 7. Dramatic Tension Conclusion Works cited
Responsibility: Matthew DeCoursey.

Abstract:

If it is a good thing to use drama for education, there must be something specific about drama that makes it good for the purpose. It has power of some kind: it makes things meaningful that would otherwise be meaningless, or things memorable that would otherwise be forgettable. Or perhaps it enables independent thought in an area that would otherwise become mere rote learning. Many practitioners believe that drama has the power to develop learner autonomy, or even to give learners power over their lives. In the last twenty years, a widespread view has developed that this `something' that creates the benefit of drama is 'aesthetics'. There are many views of aesthetics, but what unites them is the special significance that art has for our lives. This book is about the relation between aesthetics and education in the use of drama. Within it, philosophy appears as the essential connecting discipline between the practice of arts-based education and our advancing knowledge of the interrelations of cognition, emotion, and embodiment. Matthew DeCoursey argues that the power of dramatic art is to be found in its bodily, emotional nature. Drawing on recent work in the aesthetics of theatre, he shows that much of the power of theatre can be attributed to a specific range of ideas and techniques, notably including double meaning-making, aesthetic focus and dramatic tension. Finally, the author relates different forms of drama education to different educational results, holding that the conventional improvised forms are neither superior nor inferior to scripted theatre, but merely serve different purposes. Among those educational results discussed are the emancipation sought both by Ranciere and by many practitioners of applied theatre, but also curricular areas, including language education.

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In this richly textured and engaging book, Matthew DeCoursey provides a compelling defense of the use of drama techniques in education broadly construed. Drawing upon his own experience as a teacher Read more...

 
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