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Emotion in animated films

Author: Meike Uhrig
Publisher: New York : Routledge, Taylor & Francis Group, 2019.
Series: Routledge advances in film studies, 21.
Edition/Format:   eBook : Document : EnglishView all editions and formats
Summary:
Ranging from blockbuster movies to experimental shorts or documentaries to scientific research, computer animation shapes a great part of media communication processes today. Be it the portrayal of emotional characters in moving films or the creation of controllable emotional stimuli in scientific contexts, computer animation's characteristic artificiality makes it ideal for various areas connected to the emotional:  Read more...
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Genre/Form: Electronic books
Criticism, interpretation, etc
Additional Physical Format: Print version:
Emotion in animated films.
New York : Routledge, Taylor & Francis Group, 2019
(OCoLC)1083801548
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Meike Uhrig
ISBN: 9780203731253 0203731255 9781351399449 1351399446 9781351399456 1351399454 9781351399432 1351399438
OCLC Number: 1056196857
Description: 1 online resource (x, 238 pages)
Contents: Cover; Half Title; Series Page; Title Page; Copyright Page; Contents; Foreword; Acknowledgments; PART I: Introduction; 1 AnimOtion: Animating Emotions in the Digital Age; PART II: Emotion Theory and Animated Film; 2 'Perfect Bridge over the Crocodiles': Tacit Contracts, Listen Thieves, and Emotional Labor in the Animated Fago; PART III: Genres Popular Movies and Health Campaign Videos; 3 Audiovisual Metaphors and Metonymies of Emotions in Animated Moving Images; Arthouse Cinema; 4 The Butterfly Lovers: Sex, Gender, and Emotion-Based Story Prototypes; Documentaries. 5 Animated Documentary: Viewer Engagement, Emotion, and PerformativityPART IV: Diegesis and Formal Features Worlds and Characters; 6 Aesthetics and Psychology of Animated Films; Narration and Sound; 7 Creating (Artificial) Emotion in Animation Through Sound and Story; Surface, Movement, and Color; 8 Light, Color, and (E)Motion: Animated Materiality and Surfaces in Moana; Camera and Editing; 9 Shot Scale and Viewers' Responses to Characters in Animated Films; PART V: Young Audiences; 10 How Infants Perceive Animated Films; PART VI: Excurse. 11 "Portraying emotions is fundamental to animated film": An Interview with Felix GönnertPART VII: Annex; Authors; Index.
Series Title: Routledge advances in film studies, 21.
Responsibility: edited by Meike Uhrig.

Abstract:

Ranging from blockbuster movies to experimental shorts or documentaries to scientific research, computer animation shapes a great part of media communication processes today. Be it the portrayal of emotional characters in moving films or the creation of controllable emotional stimuli in scientific contexts, computer animation's characteristic artificiality makes it ideal for various areas connected to the emotional: with the ability to move beyond the constraints of the empirical "real world," animation allows for an immense freedom. This book looks at international film productions using animation techniques to display and/or to elicit emotions, with a special attention to the aesthetics, characters and stories of these films, and to the challenges and benefits of using computer techniques for these purposes.

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