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Engaging music : essays in music analysis

Author: Deborah Jane Stein
Publisher: New York : Oxford University Press, 2005.
Edition/Format:   Print book : English : 4. PrView all editions and formats
Summary:

This collection of model essays is designed to provide advanced undergraduates and graduates majoring in music with exemplary models of music analysis. The book would be a useful supplement to the  Read more...

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Material Type: Internet resource
Document Type: Book, Internet Resource
All Authors / Contributors: Deborah Jane Stein
ISBN: 9780195170108 0195170105
OCLC Number: 249107993
Description: XIV, 346 Seiten : Diagramme, Notenbeispiele ; 24 cm
Contents: PrefaceWilliam Marvin: Introduction to Writing Analytical EssaysPart I. Introduction to Analytical Topics and TechniquesRhythm, Meter, and Phrase: 1: Charles Burkhart: The Phrase Rhythm (and willful slurs) of Chopin's A-flat Mazurka, Op. 59, No. 22: Harald Krebs: Hypermeter and Hypermetric Irregularity in the Songs of Josephine LangPitch: 3: Schenker's Conception of Musical Structure, Allen Forte4: Andrew Mead: "Learn to Draw Bob Hope!" Mort Drucker, Arnold Schoenberg, and Twelve-Tone MusicForm: 5: Ramon Satyendra: Analyzing the Unity within Contrast: Chic Corea's "Starlight"6: John Covach: Form in Rock Music: A PrimerMusical Ambiguity: 7: Deborah Stein: Introduction to Musical Ambiguity8: Edward T. Cone: Attacking a Brahms PuzzlePart II. Model Essays: Text and Music9: David B. Lewin: Figaro's Mistakes10: Motive and Text in Four Schubert Songs, Carl Schachter11: Patrick McCreless: Isolde's Transfiguration in Words and Music12: Lori Burns: Meaning in a Popular Song: The Representation of Masochistic Desire in Sarah McLachlan's "Ice"13: Janet Schmalfeldt: In Search of Purcell's DidoPart III. Model Essays: InstrumentalPerformance and Analysis: 14: Joel Lester: The Presto from Bach's G-Minor Sonata for Violin Solo: Style, Rhythm, and Form in a Baroque Moto Perpetuo15: Marion A. Gluck: Dramatic Progression in Haydn, Sonata No. 46 in A-flat, AdagioForm: 16: Roger Graybill: Formal and Expressive Intensification in Shostakovich's String Quartet No. 8, Second Movement17: William Rothstein: Playing with Forms: Mozart's Rondo in D Major, K. 485Pitch: 18: Joseph N. Straus: Two Post-tonal Analyses, Webern, "Wie bin ich froh!" from Three Songs, Op. 25; Schoenberg, "Nacht," from Pierrot Lunaire, Op. 2119: Richard Cohn: "This music crept by me upon the waters": Introverted Motives in Beethoven's "Tempest" Sonata20: Charles J. Smith: Rounding Up the Usual Suspects?: The Enigmatic Narrative of Chopin's C-sharp Minor PreludeTexture: 21: Judith Lochhead: Texture and Timbre in Barbara Kolb's Millefoglie for Chamber Orchestra and Computer-Generated TapeScoresGlossarySelected BibliographyIndex
Responsibility: edited by Deborah Stein.
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