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Essays on music and language in modernist literature : musical modernism

Author: Katherine O'Callaghan
Publisher: New York : Routledge, 2018.
Series: Routledge studies in twentieth-century literature, 47.
Edition/Format:   eBook : Document : EnglishView all editions and formats

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Genre/Form: Electronic books
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Katherine O'Callaghan
ISBN: 9781315231716 1315231719
OCLC Number: 1020789631
Description: 1 online resource (xix, 295 pages) : music.
Contents: Introduction Katherine O'CallaghanTable of Contents 1. Woolf Rewriting Wagner: The Waves and Der Ring Des NibelungenEmma Sutton, University of St Andrews, UK2. "That's the Music of the Future": Joyce, Modernism and the "Old Irish Tonality"Katherine O'Callaghan, Mount Holyoke College, USA3. The Ring, The Waves and the Wake: Eternal Recurrence in Wagner, Woolf and Joyce Jamie McGregor, Rhodes University, South Africa 4. Musicality in Ford Madox Ford's Parade's End: Towards ModernityIsabelle Brasme, University of Nimes (Unimes) and EMMA (Universite Paul Valery Monptellier 3) France5. The (R)evolution of Olive Moore: Fugue as Bridge to a New Feminist Awakening.Renee Dickinson, Bellevue College, USA6. A Strict Arrangement: Thomas Mann, Doctor Faustus, and the Kretzschmar LecturesMaria Kager, Utrecht University, Netherlands7. Sounding Bodies: Eroticized Music-Making in Proust's A la RechercheAxel Englund, Stockholm University, Sweden8. Rabindranath Tagore and Musical Modernity in Early Twentieth-Century Bengal Suddhaseel Sen, Presidency College, Kolkata, India9. Words for Music Perhaps: W. B. Yeats, Music and Meaninglessness.Adrian Paterson, National University of Ireland, Galway, Ireland 10. "The way to learn the music of verse is to listen to it": Ezra Pound's The Pisan Cantos and the "Sequence of the Musical Phrase"Katherine Firth, La Trobe University, Australia11. Imagism's Musical Sympathies: Amy Lowell and Claude DebussyDebora Van Durme, Ghent University, Belgium12. Expansive Musical Modernism in William Carlos Williams, Steve Reich and Tom Leonard Peter Clandfield, Independent Scholar, Ontario, Canada13. The Sudden Thing of Being No One: Robert Creeley's Rhythm ChangesSteven Toussaint, University of Wellington, New Zealand 14. "With all that Tutti and Continuo": Musicality and Temporality in Djuna Barnes' The AntiphonCaroline Knighton, Birkbeck, University of London.15. "The Blues Always Been Here": African American Music and Black Modernism in August Wilson's Ma Rainey's Black BottomMichael Borshuk, Texas Tech Univ. USA.16. The Musicalization of Samuel BeckettThomas Mansell, London Consortium
Series Title: Routledge studies in twentieth-century literature, 47.
Responsibility: edited by Katherine O'Callaghan.


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