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Estampes de l'ornement sous Louis XIV : création, interpréatation & réception de l'œuvre gravé [sic] de Paul Androuet de Cerceau Preview this item
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Estampes de l'ornement sous Louis XIV : création, interpréatation & réception de l'œuvre gravé [sic] de Paul Androuet de Cerceau

Author: Sandrine Herman; Alain Mérot; Université Paris-Sorbonne (1970-2017).; École doctorale Histoire de l'art et archéologie (1992-.... / Paris).
Publisher: 2008.
Dissertation: Thèse de doctorat : Histoire de l'art moderne : Paris 4 : 2009.
Edition/Format:   Thesis/dissertation : Thesis/dissertation : Biography : Manuscript   Archival Material : FrenchView all editions and formats
Summary:
Feseur d'ornemens et adepte de la technique de l'eau-forte, Paul Androuet du Cerceau (vers 1630-1710), actif à Paris dans la seconde moitié du XVIIe siècle, composa un [sic] oeuvre gravé de plus deux cents pièces - à l'usage des peintres-décorateurs et artisans, auquel s'adjoint une cinquantaine de feuilles contrefaites à Nuremberg et à Amsterdam (Tome II - Catalogue raisonné). L'étude des compositions
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Details

Genre/Form: Thèses et écrits académiques
Named Person: Paul Androuet Du Cerceau
Material Type: Biography, Thesis/dissertation, Manuscript
Document Type: Book, Archival Material
All Authors / Contributors: Sandrine Herman; Alain Mérot; Université Paris-Sorbonne (1970-2017).; École doctorale Histoire de l'art et archéologie (1992-.... / Paris).
OCLC Number: 690690205
Description: 4 vol. (pagination multiple [800 f.]) : ill. ; 30 cm.
Responsibility: Sandrine Herman ; sous la direction d'Alain Mérot.

Abstract:

Feseur d'ornemens et adepte de la technique de l'eau-forte, Paul Androuet du Cerceau (vers 1630-1710), actif à Paris dans la seconde moitié du XVIIe siècle, composa un [sic] oeuvre gravé de plus deux cents pièces - à l'usage des peintres-décorateurs et artisans, auquel s'adjoint une cinquantaine de feuilles contrefaites à Nuremberg et à Amsterdam (Tome II - Catalogue raisonné). L'étude des compositions d'ornements offre deux champs de réflexion : d'une part la définition de l'unité organique des modèles - la manière, d'autre part l'analyse de l'unité dynamique des pensées végétales et florales - la réception (Tome I - Etude). Pourtant cette double appréhension des feuilles de du Cerceau, qui conjuguent habilement création et interprétation, ne suffit à expliquer la diffusion et la postérité des travaux androuetiens dans le domaine des arts décoratifs, tant en France qu'à l'étranger jusqu'au milieu du XVIIIe siècle (Tome IV - Illustrations). Sans le relais d'une ambitieuse politique éditoriale et commerciale, orchestrée depuis la rue Saint-Jacques par les éditeurs-marchands d'estampes, les travaux des acteurs de l'art ornemental n'auraient certainement pas participé, avec le même succès, au rayonnement du style Louis XIV dans toutes les cours européennes. Ce travail est complété par des annexes (Tome III) qui présentent les travaux menés sur la famille Androuet du Cerceau (Arbre généalogique ; Biographies documentées) et un vade-mecum dédié aux mots de l'ornement (Lexique ornemental).

Maker of Ornament and enthusiast of the technique of etching, Paul Androuet du Cerceau (c. 1630-1710), active in Paris during the second half of the 17th century, created an oeuvre of over two hundred prints for the use of painter-decorators and artisans, to which can be added another fifty or so sheets counterfeited in Nuremberg and Amsterdam (Tome II - Catalogue raisonné). The study of his ornament compositions provides two areas of consideration : on the one hand, a definition of the organic unity of the models - manner ; on the other, an analysis of the dynamic unity of floral and vegetation-patterned formal ideas - reception (Tome I - Etude). However, this two-pronged approach to du Cerceau's prints, which combine creation and interpretation skillfully, is not sufficient to explain the dissemination and posterity of du Cerceau's work in the decorative arts, both in France and abroad up to the middle of the 18th century (Tome IV - Illustrations). Without the support of an ambitious publication and commercial policy orchestrated from the rue Saint-Jacques by print publisher-dealers, the output by creators of ornamental art would certainly not have contributed with as much success to the spread of the Louis XIV style to all the courts of Europe. This dissertation is completed by appendices (Tome III) which present research on the Androuet du Cerceau family (Arbre généalogique ; Biographies documentées) and a vade-mecum devoted to the vocabulary of ornament (Lexique ornemental).

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<http:\/\/www.worldcat.org\/oclc\/690690205<\/a>> # Estampes de l\'ornement sous Louis XIV : cr\u00E9ation, interpr\u00E9atation & r\u00E9ception de l\'\u0153uvre grav\u00E9 [sic] de Paul Androuet de Cerceau<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Book<\/a>, schema:CreativeWork<\/a>, schema:IndividualProduct<\/a>, pto:Manuscript<\/a>, bgn:Thesis<\/a> ;\u00A0\u00A0\u00A0\nbgn:inSupportOf<\/a> \"Th\u00E8se de doctorat : Histoire de l\'art moderne : Paris 4 : 2009.<\/span>\" ;\u00A0\u00A0\u00A0\nlibrary:oclcnum<\/a> \"690690205<\/span>\" ;\u00A0\u00A0\u00A0\nlibrary:placeOfPublication<\/a> <http:\/\/id.loc.gov\/vocabulary\/countries\/fr<\/a>> ;\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/763290507#Topic\/estampe_francaise<\/a>> ; # Estampe fran\u00E7aise<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/763290507#Topic\/gravure_16e_siecle<\/a>> ; # Gravure--16e si\u00E8cle<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/763290507#Person\/androuet_du_cerceau_paul_1630_1710<\/a>> ; # Paul Androuet Du Cerceau<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/763290507#Topic\/ornements_arts_decoratifs<\/a>> ; # Ornements (arts d\u00E9coratifs)<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/763290507#Topic\/motifs_arts_decoratifs_faux<\/a>> ; # Motifs (arts d\u00E9coratifs)--Faux<\/span>\n\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/763290507#Topic\/gravure_francaise<\/a>> ; # Gravure fran\u00E7aise<\/span>\n\u00A0\u00A0\u00A0\nschema:author<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/763290507#Person\/herman_sandrine<\/a>> ; # Sandrine Herman<\/span>\n\u00A0\u00A0\u00A0\nschema:contributor<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/763290507#Organization\/ecole_doctorale_histoire_de_l_art_et_archeologie_1992_paris<\/a>> ; # \u00C9cole doctorale Histoire de l\'art et arch\u00E9ologie (1992-.... \/ Paris).<\/span>\n\u00A0\u00A0\u00A0\nschema:contributor<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/763290507#Organization\/universite_paris_sorbonne_1970_2017<\/a>> ; # Universit\u00E9 Paris-Sorbonne (1970-2017).<\/span>\n\u00A0\u00A0\u00A0\nschema:contributor<\/a> <http:\/\/experiment.worldcat.org\/entity\/work\/data\/763290507#Person\/merot_alain_1951<\/a>> ; # Alain M\u00E9rot<\/span>\n\u00A0\u00A0\u00A0\nschema:datePublished<\/a> \"2008<\/span>\" ;\u00A0\u00A0\u00A0\nschema:description<\/a> \"Feseur d\'ornemens et adepte de la technique de l\'eau-forte, Paul Androuet du Cerceau (vers 1630-1710), actif \u00E0 Paris dans la seconde moiti\u00E9 du XVIIe si\u00E8cle, composa un [sic] oeuvre grav\u00E9 de plus deux cents pi\u00E8ces - \u00E0 l\'usage des peintres-d\u00E9corateurs et artisans, auquel s\'adjoint une cinquantaine de feuilles contrefaites \u00E0 Nuremberg et \u00E0 Amsterdam (Tome II - Catalogue raisonn\u00E9). 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Ce travail est compl\u00E9t\u00E9 par des annexes (Tome III) qui pr\u00E9sentent les travaux men\u00E9s sur la famille Androuet du Cerceau (Arbre g\u00E9n\u00E9alogique ; Biographies document\u00E9es) et un vade-mecum d\u00E9di\u00E9 aux mots de l\'ornement (Lexique ornemental).<\/span>\"@fr<\/a> ;\u00A0\u00A0\u00A0\nschema:description<\/a> \"Maker of Ornament and enthusiast of the technique of etching, Paul Androuet du Cerceau (c. 1630-1710), active in Paris during the second half of the 17th century, created an oeuvre of over two hundred prints for the use of painter-decorators and artisans, to which can be added another fifty or so sheets counterfeited in Nuremberg and Amsterdam (Tome II - Catalogue raisonn\u00E9). The study of his ornament compositions provides two areas of consideration : on the one hand, a definition of the organic unity of the models - manner ; on the other, an analysis of the dynamic unity of floral and vegetation-patterned formal ideas - reception (Tome I - Etude). However, this two-pronged approach to du Cerceau\'s prints, which combine creation and interpretation skillfully, is not sufficient to explain the dissemination and posterity of du Cerceau\'s work in the decorative arts, both in France and abroad up to the middle of the 18th century (Tome IV - Illustrations). Without the support of an ambitious publication and commercial policy orchestrated from the rue Saint-Jacques by print publisher-dealers, the output by creators of ornamental art would certainly not have contributed with as much success to the spread of the Louis XIV style to all the courts of Europe. 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