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Étude d'une forme dramatique oubliée. La parade de société au XVIIIe siècle

Author: Jennifer RuimiJean-Paul SermainMarie-Emmanuelle Plagnol-DiévalDominique QuéroGilles DeclercqAll authors
Publisher: 2012.
Dissertation: Thèse de doctorat : Littérature française : Paris 3 : 2012.
Edition/Format:   Computer file : Document : Thesis/dissertation : French
Summary:
Divertissement mondain ayant rencontré un vif succès au cours du XVIIIe siècle, la parade de société est une forme dramatique que l'histoire littéraire a longtemps considérée comme mineure et par là même sans intérêt. Inspirées des spectacles forains et populaires, mais reprises et jouées dans les meilleures compagnies parisiennes, ces pièces graveleuses, grossières, ordurières pour reprendre
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Details

Genre/Form: Thèses et écrits académiques
Material Type: Document, Thesis/dissertation
Document Type: Computer File
All Authors / Contributors: Jennifer Ruimi; Jean-Paul Sermain; Marie-Emmanuelle Plagnol-Diéval; Dominique Quéro; Gilles Declercq; Martine de Rougemont; Michel Delon; Université de la Sorbonne Nouvelle (Paris).; École doctorale Littérature française et comparée (Paris).; Formes et idées de la Renaissance aux Lumières (2005-... / Paris).
OCLC Number: 903212514
Notes: Titre provenant de l'écran-titre.
Description: 1 online resource
Responsibility: Jennifer Ruimi ; sous la direction de Jean-Paul Sermain.

Abstract:

Divertissement mondain ayant rencontré un vif succès au cours du XVIIIe siècle, la parade de société est une forme dramatique que l'histoire littéraire a longtemps considérée comme mineure et par là même sans intérêt. Inspirées des spectacles forains et populaires, mais reprises et jouées dans les meilleures compagnies parisiennes, ces pièces graveleuses, grossières, ordurières pour reprendre l'expression consacrée, n'intéressent aux XIXe et XXe siècles que quelques érudits amateurs d'anecdotes grivoises. Les jugements d'ordre moral et esthétique sur la parade sont sévères, se multiplient jusqu'au XXIe siècle et contribuent à reléguer cette forme dans l'oubli. Seules les études portant sur des parades écrites par des auteurs reconnus comme Beaumarchais ou Potocki donnent à ces spectacles quelque légitimité critique. Le champ d'études est donc encore largement inexploré et la présente thèse se propose entre autres de retracer l'histoire de cette forme, en étudiant les conditions d'émergence, les manifestations et la réception de la parade au XVIIIe siècle. Mais au-delà de cette dimension documentaire, nous voudrions montrer dans cette étude, notamment par une analyse méthodique de la dramaturgie de ces pièces, à quel point celles-ci, comme le théâtre de société dans lequel elles s'inscrivent, sont le lieu d'expériences dramatiques, d'une approche parodique des savoirs et d'une remise en question du théâtre officiel.

While widely popular as a form of entertainment among eighteenth-century aristocratic circles, the dramatic genre known as 'parade de société' has long been regarded by literary historians as a minor one, and therefore unworthy of scholarly attention. Parades find their origins in the shows that took place in fairs and markets in Paris, yet they were later taken up by the best salons of the town. In the nineteenth and twentieth centuries, few were interested in these ribald plays except for a handful of scholars delving into bawdy double entendre and sexual innuendoes. Up until the twenty-first century, the parade has been condemned on moral as well as aesthetic grounds and has gradually fallen into oblivion. Only the parades written by well-known authors such as Beaumarchais and Potocki have been carefully studied and have been granted some critical legitimacy. This field of research has therefore been left largely unexplored. My aim in this dissertation is to trace the history of the parade and examine the emergence, development and reception of the genre in the eighteenth century. Going beyond mere description, I want to scrutinize the dramatic devices at work in these plays to show how, similarly to the 'théâtre de société' to which they belong, parades make possible a number of dramatic experiments, how they approach all forms of knowledge in a parodic way, and call into question the codes of established drama.

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Inspir\u00E9es des spectacles forains et populaires, mais reprises et jou\u00E9es dans les meilleures compagnies parisiennes, ces pi\u00E8ces graveleuses, grossi\u00E8res, orduri\u00E8res pour reprendre l\'expression consacr\u00E9e, n\'int\u00E9ressent aux XIXe et XXe si\u00E8cles que quelques \u00E9rudits amateurs d\'anecdotes grivoises. Les jugements d\'ordre moral et esth\u00E9tique sur la parade sont s\u00E9v\u00E8res, se multiplient jusqu\'au XXIe si\u00E8cle et contribuent \u00E0 rel\u00E9guer cette forme dans l\'oubli. Seules les \u00E9tudes portant sur des parades \u00E9crites par des auteurs reconnus comme Beaumarchais ou Potocki donnent \u00E0 ces spectacles quelque l\u00E9gitimit\u00E9 critique. Le champ d\'\u00E9tudes est donc encore largement inexplor\u00E9 et la pr\u00E9sente th\u00E8se se propose entre autres de retracer l\'histoire de cette forme, en \u00E9tudiant les conditions d\'\u00E9mergence, les manifestations et la r\u00E9ception de la parade au XVIIIe si\u00E8cle. 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<http:\/\/experiment.worldcat.org\/entity\/work\/data\/2293660756#Thing\/parades<\/a>> # Parades<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Thing<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Parades<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/2293660756#Thing\/parodie<\/a>> # Parodie<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Thing<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Parodie<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/2293660756#Thing\/pseudo_populaire<\/a>> # Pseudo-populaire<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Thing<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Pseudo-populaire<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/2293660756#Thing\/theatre_de_societe<\/a>> # Th\u00E9\u00E2tre de soci\u00E9t\u00E9<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Thing<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Th\u00E9\u00E2tre de soci\u00E9t\u00E9<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/2293660756#Topic\/espace_et_temps_au_theatre<\/a>> # Espace et temps--Au th\u00E9\u00E2tre<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Espace et temps--Au th\u00E9\u00E2tre<\/span>\"@fr<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/2293660756#Topic\/personnages_de_theatre<\/a>> # Personnages de th\u00E9\u00E2tre<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Personnages de th\u00E9\u00E2tre<\/span>\"@fr<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/2293660756#Topic\/theatre_genre_litteraire_18e_siecle_histoire_et_critique<\/a>> # Th\u00E9\u00E2tre (genre litt\u00E9raire)--18e si\u00E8cle--Histoire et critique<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Th\u00E9\u00E2tre (genre litt\u00E9raire)--18e si\u00E8cle--Histoire et critique<\/span>\"@fr<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/experiment.worldcat.org\/entity\/work\/data\/2293660756#Topic\/theatre_genre_litteraire_esthetique_18e_siecle<\/a>> # Th\u00E9\u00E2tre (genre litt\u00E9raire)--Esth\u00E9tique--18e si\u00E8cle<\/span>\n\u00A0\u00A0\u00A0\u00A0a \nschema:Intangible<\/a> ;\u00A0\u00A0\u00A0\nschema:name<\/a> \"Th\u00E9\u00E2tre (genre litt\u00E9raire)--Esth\u00E9tique--18e si\u00E8cle<\/span>\"@fr<\/a> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/id.loc.gov\/vocabulary\/countries\/fr<\/a>>\u00A0\u00A0\u00A0\u00A0a \nschema:Place<\/a> ;\u00A0\u00A0\u00A0\ndcterms:identifier<\/a> \"fr<\/span>\" ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n
<http:\/\/www.worldcat.org\/title\/-\/oclc\/903212514<\/a>>\u00A0\u00A0\u00A0\u00A0a \ngenont:InformationResource<\/a>, genont:ContentTypeGenericResource<\/a> ;\u00A0\u00A0\u00A0\nschema:about<\/a> <http:\/\/www.worldcat.org\/oclc\/903212514<\/a>> ; # \u00C9tude d\'une forme dramatique oubli\u00E9e. La parade de soci\u00E9t\u00E9 au XVIIIe si\u00E8cle<\/span>\n\u00A0\u00A0\u00A0\nschema:dateModified<\/a> \"2020-10-11<\/span>\" ;\u00A0\u00A0\u00A0\nvoid:inDataset<\/a> <http:\/\/purl.oclc.org\/dataset\/WorldCat<\/a>> ;\u00A0\u00A0\u00A0\u00A0.\n\n\n<\/div>\n\n

Content-negotiable representations<\/p>\n