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Experience and meaning in music performance

Author: Martin Clayton; Byron Dueck; Laura Leante
Publisher: New York : Oxford University Press, 2013.
Edition/Format:   eBook : Document : EnglishView all editions and formats
Summary:
This text explores how the immediate experience of musical sound relates to processes of meaning construction and discursive mediation. A unique multi-authored work that both draws on and contributes to current debates in ethnomusicology, musicology, psychology, and cognitive science, it presents a novel and productive view of how cultural practice relates to the experience and meaning of musical performance.
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Genre/Form: Electronic books
Additional Physical Format: Print version:
Experience and meaning in music performance
(DLC) 2013014673
(OCoLC)841051207
Material Type: Document, Internet resource
Document Type: Internet Resource, Computer File
All Authors / Contributors: Martin Clayton; Byron Dueck; Laura Leante
ISBN: 9780199811489 0199811482 9780199369539 0199369534
OCLC Number: 862077571
Description: 1 online resource
Contents: Entrainment, ethnography and musical interaction / Martin Clayton --
Social co-regulation and communication in North Indian duo performances / Nikki Moran --
Groove : temporality, awareness and the feeling of entrainment in jazz performance / Mark Doffman --
Performing the rosary : meanings of time in Afro-Brazilian congado music / Glaura Lucas --
Performance and shame / Andy McGuiness --
Rhythm and role recruitment in Manitoban aboriginal vocal and instrumental music / Byron Dueck --
Imagery, gesture and listeners' construction of meaning in North Indian classical music / Laura Leante --
Embodiment and movement in musical performance / Martin Clayton and Laura Leante.
Responsibility: edited by Martin Clayton, Byron Dueck and Laura Leante.

Abstract:

This text explores how the immediate experience of musical sound relates to processes of meaning construction and discursive mediation. A unique multi-authored work that both draws on and contributes to current debates in ethnomusicology, musicology, psychology, and cognitive science, it presents a novel and productive view of how cultural practice relates to the experience and meaning of musical performance.

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