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Extra Hidden Life, Among the Days.

Author: Brenda Hillman
Publisher: Univ Pr of New England 2018.
Edition/Format:   Print book : EnglishView all editions and formats

Poetry of grief and sustenance from an award-winning poet


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Document Type: Book
All Authors / Contributors: Brenda Hillman
ISBN: 9780819578051 0819578053
OCLC Number: 1021875727
Description: 152 p. ;
Contents: I. THE FORESTS OF GRIEF & COLOR On a Day, In the World Whose Woods These Are We Think All-night Crooked Moonrise over Mountain Pines The Bride Tree Can't Be Read Brief Walk at Salt Point Park For the Lovers Abandoned in Sunlight During a Suite by Gaspar Cassado Beneath a Dying Coast Live Oak [& heard a humming, like the] The Forests of Grief & Color The Before Sleep Kind of Everything Composition: Fringe Lichen: Tilde & Mae Composition: Under Cypresses, Near Big Sur Of Monarchs Again, Especially the Stripes So, Bacteria Also Have Their Thunder Angrily Standing Outside in the Wind [Untitled Day] Species Prepare to Exist after Money Extra Hidden Life, among the Days Mountain Pond Landscape, in a Drought As a Sentence Leaves Its Breath Some Kinds of Forever Visit You The Bride Tree Lives Three Times In the Forest of Blue Aptitude II. NEAR THE RIM OF THE IDEAL A Short Rhyme for Amiri Baraka A Summer Song from Old Berlin Untitled & Translation to Portuguese Curl of Hair in a Drawer The Family Sells the Family Gun Describing Tattoos to a Cop Chicago Black Friday Protest Near Apple Crypto-Animist Introvert Activism To a Life Ended in Winter Hearing La Boheme after the March Near the Rim of the Ideal III. METAPHOR & SIMILE IV. TWO ELEGIES The Rosewood Clauses (An elegy for my father) Her Presence Will Live beyond Progress (An elegy for C.D. Wright) V. TWO PARKS A Poem for a National Forest A Poem for a National Seashore Acknowledgments & Notes


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"Neither simply empirical nor transcendental, Hillman's poetry takes what she calls 'woodmind'--a sort of deep attention to natural processes--and applies it to notions of human action, recollection, Read more...

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