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Fakesong : the manufacture of British "folksong" 1700 to the present day

Author: David Harker
Publisher: Milton Keynes [Buckinghamshire] ; Philadelphia : Open University Press, 1985.
Series: Popular music in Britain.
Edition/Format:   Print book : EnglishView all editions and formats
Summary:
"'Folksongs' interest many people nowadays, because they are meant to be the kinds of songs most of our ancestors sang, before industrialisation, before the mass media, before music and song became commodities, and before all the assorted evils associated with advanced capitalist society. 'Folksongs' and 'ballads' represent real values something honest and straightforward and beautiful to hang on to, and make us  Read more...
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Genre/Form: Criticism, interpretation, etc
Additional Physical Format: Online version:
Harker, David.
Fakesong.
Milton Keynes [Buckinghamshire] ; Philadelphia : Open University Press, 1985
(OCoLC)567952954
Document Type: Book
All Authors / Contributors: David Harker
ISBN: 0335150667 9780335150663
OCLC Number: 11812654
Description: xviii, 297 pages ; 23 cm
Contents: Two centuries (b)efore (C)hild. The early mediators ; From Thomas Percy to Joseph Ritson ; From Water Scott to Robert Chambers ; From Thomas Wright to John Harland --
Francis James Child and the 'ballad' consensus --
Cecil James Sharp and the 'folksong' consensus. The strong men and women vefore Agamemnon ; Cecil James Sharp ; The 'folksong' consensus ; Alfred Owen Williams and the Upper Thames ; Albert Lancaster Lloyd : the one that got away?
Series Title: Popular music in Britain.
Responsibility: Dave Harker.

Abstract:

"'Folksongs' interest many people nowadays, because they are meant to be the kinds of songs most of our ancestors sang, before industrialisation, before the mass media, before music and song became commodities, and before all the assorted evils associated with advanced capitalist society. 'Folksongs' and 'ballads' represent real values something honest and straightforward and beautiful to hang on to, and make us feel our roots in the Britain of 1900 or 1800 or even 1700. The only problem with this way of thinking is that it is based on myths. What we now know as 'folksongs' and 'ballads' were sought after, collected, edited and published by individuals who were either members of the rising bourgeoisie, or were ideologically sympathetic to bourgeois culture and values. The working people who sang their songs, and had them chopped up, amended and sometimes re-written or invented on their behalf, are remarkably absent from the story of 'folksong'. Before we can begin to piece together the real history of our ancestors' culture, we have to penetrate the 'mediations' of people like Cecil Sharp, Francis James Child and Albert Lancaster Lloyd, and to begin building again on firmer foundations. This book sets out to clear the ground"--Page 4 of cover.

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Primary Entity

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