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  E-mail Message: I thought you might be interested in this item at http://www.worldcat.org/oclc/950570447 Title: Le festival du Hellfest : Un pèlerinage pour metalheads Author: Corentin Charbonnier; Isabelle Bianquis-Gasser; Georgiana Wierre-Gore; Laurent Sébastien Fournier; Gérôme Guibert; Université de Tours; École doctorale Sciences de l'homme et de la société (Tours / 1996-2018); Cités Territoires Environnement et Sociétés (Tours) Publisher: 2015. OCLC:950570447

  
  

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Le festival du Hellfest : Un pèlerinage pour metalheads

Author:	Corentin Charbonnier; Isabelle Bianquis-Gasser; Georgiana Wierre-Gore; Laurent Sébastien Fournier; Gérôme Guibert; All authors
Publisher:	2015.
Dissertation:	Thèse de doctorat : Anthropologie : Tours : 2015.
Edition/Format:	Computer file : Document : Thesis/dissertation : French
Summary:	Le travail présenté ici montre, à travers l'étude du festival du Hellfest, festival annuel de musique metal se déroulant à Clisson en Loire-Atlantique, que cette musique constitue une véritable culture. Pour comprendre la place actuelle qu'occupe le Hellfest pour la communauté metal, il est nécessaire d'en connaître l'évolution depuis sa création, d'interroger les relations qu'il favorise entre festivaliers, entre festivaliers et artistes et de questionner son rôle en tant que lieu permettant à une communauté sans ancrage géographique de se rassembler pendant un temps donné. Les sociabilités diverses qui se vivent au Hellfest ne peuvent se comprendre sans s'intéresser à l'économie particulière mise en place par les organisateurs, économie qui participe à la reconnaissance de l'événement et influe sur les sociabilités. Les organisateurs ont eu et ont le souci de prendre en compte les souhaits des festivaliers de tous les sous-genres de musique metal, les rendant acteurs et non simples consommateurs et ont su associer les acteurs économiques locaux. Le Hellfest permet dans la vie de chaque métalleux une pause dans un espace particulier, durant un temps délimité, offrant à chacun, la possibilité d'affirmer ou de réaffirmer son identité à travers différents rituels. Il est ainsi le pèlerinage de la communauté metal tout entière. The present work shows, through the study of the Hellfest Festival - an annual heavy metal music festival that takes place in Clisson, Loire-Atlantique, France - that this music is in itself a genuine culture. In order to understand how the Hellfest Festival features in the metal community, one needs to know how it has developed since it was created, to question how it supports relationships among the festival-goers, as well as between festival-goers and artists, and to examine the part it plays as a place where a community devoid of any geographical anchorage can meet during a specific period of time. To be understood, the various socializing behaviors displayed during the festival must be reviewed in association with the particular economics implemented by the organizers, which are a part of the acknowledgement of this event and have impacts on the socializing behaviors. The organizing team has had and still has a view to take into account the festival-goers' wishes in terms of metal music sub-genders, making them actors and not only consumers, and has been able to include the local economic players. The Hellfest festival offers each and every metalhead a break within a specific space, during a defined period of time, and the opportunity to assert or reassert his or her identity through various rituals. It is a pilgrimage for the whole metal community.  Read more...
Subjects	Hellfest. Musique -- Anthropologie. Festivals de musique -- Aspect social -- France. View all subjects
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